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What musical instruments do you have in the house?


Gawd, Bill, that is so how portions of my house used to look @ the late 1980s-late 1990s, @ which time I started thinning the (geetars and geetar amps) herd by the hundreds.

Question re: Firebird in photo (above): Did that start out as an original (early 60s issue) Firebird I that was, @ some point later, "customized" into the Firebird I ~ Telecaster as I'm seeing it in the photo - i.e., the addition of the Tele bridge plate assembly, including string saddles and lead PUP, and replacement of the original neck with a "lefty" Tele neck - original or hand-crafted?

Clever concept, though one does hope that it was born of opportunity to salvage an otherwise damaged original Firebird I, one of the hundreds that suffered a broken head-neck joint (yeah, the fabled weak spot of the original series, reverse-body Firebird model), and not an intact Firebird I that was purposely mutilated in order to create this Fender-Gibson hybrid.

In any event it's the only example of a Fenderized Firebird of any kind I've ever seen. What the heck kind'a tonal characteristics does it possess? Do you have sound clips of it you could post here?
 
Gawd, Bill, that is so how portions of my house used to look @ the late 1980s-late 1990s, @ which time I started thinning the (geetars and geetar amps) herd by the hundreds.

Question re: Firebird in photo (above): Did that start out as an original (early 60s issue) Firebird I that was, @ some point later, "customized" into the Firebird I ~ Telecaster as I'm seeing it in the photo - i.e., the addition of the Tele bridge plate assembly, including string saddles and lead PUP, and replacement of the original neck with a "lefty" Tele neck - original or hand-crafted?

Clever concept, though one does hope that it was born of opportunity to salvage an otherwise damaged original Firebird I, one of the hundreds that suffered a broken head-neck joint (yeah, the fabled weak spot of the original series, reverse-body Firebird model), and not an intact Firebird I that was purposely mutilated in order to create this Fender-Gibson hybrid.

In any event it's the only example of a Fenderized Firebird of any kind I've ever seen. What the heck kind'a tonal characteristics does it possess? Do you have sound clips of it you could post here?

Thanks for the collection compliment Mystic, that was very kind of you.
The so called reverse FB, is one of 3 guitars of that configuration that was hand made by my long ago customer/friend(RIP) who was a luthier at one of the 5 music stores in my area, that I picked up & repaired their musical equipment for.

That R-FB was built for one of the post crash replacement guitarist in Lynyrd Skynyrd, which needed money and offered to sell it to me around 5 yr`s. ago.
I have never heard it played through any amplifier, so I can`t provide you with a "tone impression"..
And since I`m unable to physically play guitar because of being partially paralyzed(left side), since 11/19/81, and can`t use my left arm, much less hand, I`ll have to wait until one of my player friends drops by and desires to plug in the R-FB to hear what it sounds like.

The Tele is factory stock, except for a refinish.
The bridge PU`s chrome cover is in it`s original case`s compartment.

All the vintage guitars/tubes in my collection were offered to me for purchase, well below their, at the time, market value by their owners, since I readily had the funds, and the owners didn`t have to deal with the risks of shipping, or parts swapping games that some less than honest buyers would try, and they all knew that once the gear was sold to me, that there would be no flipping by me & the item became a permanent collection piece, and even not sold back to them, no matter how many $ 100`s they might wish to throw down on the table above what they sold it to me for.

Plus, the prior owners can drop by for a visit, and play their "baby", if they wish..
 
Thanks for the collection compliment Mystic, that was very kind of you.
The so called reverse FB, is one of 3 guitars of that configuration that was hand made by my long ago customer/friend(RIP) who was a luthier at one of the 5 music stores in my area, that I picked up & repaired their musical equipment for.

That R-FB was built for one of the post crash replacement guitarist in Lynyrd Skynyrd, which needed money and offered to sell it to me around 5 yr`s. ago.
I have never heard it played through any amplifier, so I can`t provide you with a "tone impression"..
And since I`m unable to physically play guitar because of being partially paralyzed(left side), since 11/19/81, and can`t use my left arm, much less hand, I`ll have to wait until one of my player friends drops by and desires to plug in the R-FB to hear what it sounds like.

The Tele is factory stock, except for a refinish.
The bridge PU`s chrome cover is in it`s original case`s compartment.

All the vintage guitars/tubes in my collection were offered to me for purchase, well below their, at the time, market value by their owners, since I readily had the funds, and the owners didn`t have to deal with the risks of shipping, or parts swapping games that some less than honest buyers would try, and they all knew that once the gear was sold to me, that there would be no flipping by me & the item became a permanent collection piece, and even not sold back to them, no matter how many $ 100`s they might wish to throw down on the table above what they sold it to me for.

Plus, the prior owners can drop by for a visit, and play their "baby", if they wish..

Interesting way to pull together a collection, Bill. I'd love to have a shot @ playing that Telebird, such a "package" could have an interesting tone.
 
Guitars, Guitars,Guitars,Guitars,Guitars,Guitars,Guitars,Guitars,Guitars,Guitars,Guitars,Guitars,Guitars,Guitars......
Amps, Amps,Amps,Amps,Amps,Amps,Amps,Amps,Amps,Amps,Amps,Amps,Amps,Amps,Amps,Amps,Amps,Amps......
P Bass
Baby Grand Piano.
Harmonicas in most keys.
Tin whistles.

The guitars and amps reach the ten pounds of poop in a two pound bag limit and some go out, but it always seems that some keep coming in......
Especially orphans in need of repair / restoration and therein lies the real fun.
(other than of course playing them!)
 
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To have, and to be able to play?...that is the question.

I wonder how many people have the hand me downs, or the I'm gonna learn to play that instrument some day... after I take lessons, or the proverbial, I'm gonna get back to that damned thing... again.

Got the six string acoustic, Yamaha of '60s vintage...can play the neck chords on a good day. Plus, the accordion, that muscle memory hath taken away. And the "blues harp" that can be played as a harmonica, but to go with the blues:rolleyes:...that's a whole new world. About maybe an 1/8 to the way of getting to that planet of sound.

Wished that audio gear qualified as an instrument...I'd have a lot more company if this were so, eh?:biggrin:

Q
 
I used to say that the only type of recorder I played was a tape recorder... :D


:thumbsup:

But, at least you are going with what YOU want to listen to on better gear than the host out there who are willing to give up their free will and have to listen to what THEY want to serve you on lesser grades of equipment. IMHO

Q
 
I've been collecting since the mid '90s or so, but have slowed down quite a bit in the past decade.
Some of my stuff:

-Late '90s MIM Telecaster
-Early '00s MIM Stratocaster
-Late '90s Peavey Raptor (2)
-Schecter C1+ Diamond Series
-Hondo H76 Strat copy
-Yamaha RBX550 4-string electric bass
-Aria acoustic
-Alvarez "Midnight Special" acoustic
-Mahalo Ukelele (2)
-Late '70s Yamaha CP20 analog keyboard
-2016 Yamaha MX49 digital keyboard/synthesizer
-2010 Tama Superstar (Hyperdrive) 5-piece drum set with Sabian cymbals
-Bodhran
-So many amps I can't even begin to list them here :D
 
I've been collecting since the mid '90s or so, but have slowed down quite a bit in the past decade.
Some of my stuff:

-Late '90s MIM Telecaster
-Early '00s MIM Stratocaster
-Late '90s Peavey Raptor (2)
-Schecter C1+ Diamond Series
-Hondo H76 Strat copy
-Yamaha RBX550 4-string electric bass
-Aria acoustic
-Alvarez "Midnight Special" acoustic
-Mahalo Ukelele (2)
-Late '70s Yamaha CP20 analog keyboard
-2016 Yamaha MX49 digital keyboard/synthesizer
-2010 Tama Superstar (Hyperdrive) 5-piece drum set with Sabian cymbals
-Bodhran
-So many amps I can't even begin to list them here :D


No Gibson axes? :)

Gibson DC Pro (1) small.jpg Sf Super Reverb with LPS.jpg
 
Oddly enough, I don't have any. :dunno:
I played a friend's SG and I loved it, but I've never owned any Gibson or Epiphone axes for some reason. Maybe I should spend some money this weekend...

Love your avatar! I like Teles so much more than Strats. I have no idea why. Maybe, because I learned guitar on an old Tele, a billion years ago. ;)

PIgnose.jpgIMG_0509.jpg
 
I love my MIM Fenders, and I've played quite a few American-made guitars over the years. A properly set up MIM guitar can play like a dream, but it absolutely has to be set up the right way with the right strings. A poorly set up MIM can play like a teenager's Squier. :rflmao:
 
A 62 year-old Otwin Studio guitar I bought as a teenager, I converted it to electric.

P1020200.JPG



A Yamaha Tyros 5 leccy piano, or should I say "work station" as they like them to be called.
Turn the bass up on the sub woofer and it'll rattle the windows (but I don't)
No end of features, you can copy any sort of style, .hundreds from which to choose, same with voices.

P1020060.JPG


https://app.box.com/s/4tezgxvwk1379ipkeh8q31j8l7ukbita

(another 200 recordings I've played and saved on it, room for hundreds more.)

A Yamaha YTS 62 tenor sax, with Link metal New York mouthpiece, I've also got a Fred Lebayle metal jazz mouthpiece.
This is a Japanese model, they make them in Indonesia now.
I keep it on its stand round the side of the TV in my den, stops my wife clattering it with the vacuum cleaner.

P1020149.JPG
 
A Yamaha YTS 62 tenor sax, with Link metal New York mouthpiece, I've also got a Fred Lebayle metal jazz mouthpiece.
I occasionally played a metal mouthpiece, and the less said about it, the better. :D But for jazz, I had an Ernie Northway #8 (composite?). For kicks, I just did a search on him and he is still hand-making mouthpieces, based out of Salt Lake City. Beyond the Northway, our band teachers stressed that everyone use a Selmer mouthpiece--the "student" mouthpieces of course were crap and could be difficult to play, and I feel those made better players of all of us. I only have one horn left today (a derelict soprano, made in Germany, badly in need of new pads). Can't say I want another (although if I did, it would have to be a low-C bari :D ). I'm more about the flute although that, too, still needs some work on it, and I may just by a better flute anyways. I really want a bass flute, but they want sick money for those.
 
I occasionally played a metal mouthpiece, and the less said about it, the better. :D But for jazz, I had an Ernie Northway #8 (composite?). For kicks, I just did a search on him and he is still hand-making mouthpieces, based out of Salt Lake City. Beyond the Northway, our band teachers stressed that everyone use a Selmer mouthpiece--the "student" mouthpieces of course were crap and could be difficult to play, and I feel those made better players of all of us. I only have one horn left today (a derelict soprano, made in Germany, badly in need of new pads). Can't say I want another (although if I did, it would have to be a low-C bari :D ). I'm more about the flute although that, too, still needs some work on it, and I may just by a better flute anyways. I really want a bass flute, but they want sick money for those.

Got to say, I've a lot of faith in Yamaha. I'm on my sixth electric piano, it's tthe fourth Yamaha.
The Japanese saxophones are said to better made than those now from Indonesia.
 
moog sub phatty
arturia matrixbrute
roland boutqiue's ju06 jp08 jx03 tb03 tr09
roland sh201
beringer model d, neutron, deepmind 12
tangiblewaves AE modular

49443163108_fda6603623_o.jpg
 
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