Solution:
Send all of your records & turntable to me, I'll make sure they get the respect they deserve lol.
Send all of your records & turntable to me, I'll make sure they get the respect they deserve lol.
Hi folks, after a bit of general advice here. I have in recent years brought back into service a THORENS TD160 MK1 turntable that I've had for ages but stopped bothering with vinyl some years ago. Like so many others, and with a decent library of records, I started to get back into it, but so far with totally underwhelming results.
I still find that my turntable set-up (see below) sounds less dynamic, with less clarity, and worse sense of space and openness than a simple digital system of Spotify into an Apple Airport Express. Doing an A-B between digital streamed or CD rip and brand new vinlyl of the same albums, always vinyl (to my ears at least) is inferior. Certainly there is no difference to justify the cost, and I am currently not really an exponent of the popular "vinyl revival". Listening on Sennheiser DH220 headphones on an A-B I can notice some slight distortion on the vinyl, but this might be what other people enjoy as "warmth". Maybe the 2270 has enough warmth already! Maybe the Airport Express is doing some artificial processing to make the "fake" sound "better"?
My Thorens TD160MK1 has been set up and balanced properly. I added a heavy hardwood basebord and some extra dampling to the sub platter and chassis. The TP16 arm is well adjusted, and set up correctly (I have spent HOURS on this!). Cartridge is a Nagaoaka MP110 in good condition with clean stylus. I re-soldered new RCA connectors but use the original wiring. I have tried both the build in phono of my recapped and serviced MARANTZ 2270 add also a CAMBRIDGE DP1 external phono pre (slight improvement). Dynaco M25X and Kef 103.2 speakers...
Anyone - AM I DOIND SOMETHING STUPID WRONG? Or is it simply that a good, well set up mid price turntable system does not sound as good as a cheap digital?
Really am at the point of giving it up and selling the vinyl collection, turntable etc... just doesn't seem worth the trouble!
Any suggestions gratefully appreciated!
Cheers,
Jon
The problem with these blanket statements is that they assume that the mastering of the CD (which is also going to be the master for Spotify) doesn't sound worse than the mastering of the LP. Which it very well might. I'd give it at least even money.CD is superior to vinyl, technically. There is situations when you come close
CD and Spotify is technically superior to vinyl. However, Spotify does not have everything, and certainly not everything in original mastering. If you compare an original CD with the corresponding vinyl, the digital will be more accurate with respect to noise, dynamic range and linearity.
That said, you can get better results with a good cartridge/stylus and MP110 is probably not one of them.
CD is superior to vinyl, technically. There is situations when you come close
CD and Spotify is technically superior to vinyl. However, Spotify does not have everything, and certainly not everything in original mastering. If you compare an original CD with the corresponding vinyl, the digital will be more accurate with respect to noise, dynamic range and linearity.
That said, you can get better results with a good cartridge/stylus and MP110 is probably not one of them.
Yeah, some of the responses here sound like an alternate universe.superior how ? isnt Spotify compressed ?
superior how ? isnt Spotify compressed ?
The debate about digital vs vinyl is so boring to bring up again so I will not repeat what has been said for decades. I've been there, done the tests, read results from others and have my conclusion. I also enjoy listening to all sources even though digital wins in quality.
well u did bring it up......so i would like to hear your opinion
Everyone here has ignored the obvious (to me.)
1. What tool did you use to set up the stylus overhang?
2. Did you set the cartidge azimuth and how did you do it?
3. The TD-160 does not have VTA adjustment, you have to use spacers when mounting the cartridge. Did you set it so the arm is level during play? This is a starting point and not necessarily the optimum.
4. Are you using a record clamp?
Yep, fair enough. I agree about Spotify being compressed and to be fair, the title of the post was a little deliberately fire enticing in that way. But what I meant was, whether it's from my Teac PD-H500 CD player (forgot to mention that before), uncompressed digital through the Airport Express, or (sometimes even) Spotify, often the vinyl sounds no better- which I found surprising given the expense and effort!Yeah, some of the responses here sound like an alternate universe.
In my world, it's Hi Res PCM/DSD > Vinyl > CD > Spotify/Pandora/YouTube/MP3s/other-digital-lossy-format. And the hierarchy is audibly clear as day.
Hey, thanks for the tips. I used the Thorens protractor to set up overhang... Unfortunately azimuth was done with a very basic spirit level, though I did check everything with the Hifi news test record afterwards and it seems pretty spot on...Again, VTA set by a spirit level held over the arm whilst in play position - very basis but not sure of a better way to do it! (ps it does have VTA adjustment)... No, I have never used a clamp....Everyone here has ignored the obvious (to me.)
1. What tool did you use to set up the stylus overhang?
2. Did you set the cartidge azimuth and how did you do it?
3. The TD-160 does not have VTA adjustment, you have to use spacers when mounting the cartridge. Did you set it so the arm is level during play? This is a starting point and not necessarily the optimum.
4. Are you using a record clamp?