KeninDC said:I picked up the HPM 100s from fellow AKer "ashnut" yesterday. He was kind enough to have both me and another DC area AKer, "Jack Lord," in his house to do a speaker swap and a little bit of listening. It is fun to meet other AKers in person and share audio experiences and vintage audio searching "tips." I left with the HPM 100s and some live Allman Bros.; Jack Lord left with some KLH 5s; and ashnut had a line on a Fisher tube set-up. All-in-all, a good Sunday PM.
As for the HPM 100s, I hooked them up in the basement to my Yamaha CR 640 and we (my wife and I) played Jimi Hendrix, "Power of Love" off of the live Fillmore East CD, followed by Cream "Tales of Brave Ulysses," and then some Faces. Needless to say, they were nice and loud. My wife was really digging the Faces "Losing You."
So far, I really love the HPM 100s and they are doing exactly what I expected and wanted from a rock & roll speaker. I am going to move my Yamaha CR 1020 into the basement to drive the HPM 100s. I will be more comfortable playing them at ear-ringing levels with more robust power. I just fixed my Marantz 2238, so that will go back into the "civilized" system on the main floor driving some tasteful B&W bookshelves.
This is a tremendously fun hobby and the generosity of fellow AKers with advice and equipment is fantastic.
Ken
Ken,
Congrats on the HPM 100s! I'm using three pair for my 6.1 HT set up. I don't know if anyone has mentioned it yet, but HPM 100s sound much better on speaker stands about 16" to 18" straight up off the floor, not angled back on the shorter speaker stands. Also, if you can split them apart about 8' to 12' from each other, you'll fully realize the optimum sound-stage for the HPM 100s. After owning them for several years and doing a lot of tweeking, that's where they sound the best to me. Also, for a very efficient speaker, they do crave more power than one would think, so switching in your Yamaha CR-1020 should help bring out the dynamics of the speakers as well.
Retro

Brad