My main musical interests are....
.....Classical and Jazz.
That said, Ive found the 340s absolutely superb for small scale classical and anything jazz i can throw at them. Again, I'm using a 6900, and I think that full scale classical works tend to sound a bit congested at times with my setup and am definitely of the mind that larger amp would help things tremendously. The 252 was great at driving the 340s when I demoed them, but I really think a 402 is in order if you want to get the most out of these speakers. (I also yearn for the Mac sub, as my old B&W 650 just doesn't sound tight enough for my tastes. )
.....Classical and Jazz.
That said, Ive found the 340s absolutely superb for small scale classical and anything jazz i can throw at them. Again, I'm using a 6900, and I think that full scale classical works tend to sound a bit congested at times with my setup and am definitely of the mind that larger amp would help things tremendously. The 252 was great at driving the 340s when I demoed them, but I really think a 402 is in order if you want to get the most out of these speakers. (I also yearn for the Mac sub, as my old B&W 650 just doesn't sound tight enough for my tastes. )
Victor, here are some of my options. You have experience with the Mc-252, (I also have the older 7270 a 270/ch autoformer). I can get a NOS pair of LS-240 boxed for 3300, a new XLS-340 for 6,000.00. I really like the 252, and due to its size and weight, I would like to keep it as my main amp for now. From comments I have read here and other threads, some feel the 360 can get a little harsh. I do not know how well a 252 can drive SF Cremonas, and based on other threads I feel B&W's are out. I listen to mostly chamber classical music, jazz, and classic rock. Your comments are always very welcome!
