Is this my day?
I am somewhat disappointed, in that I really was looking forward to attempting to adjust the time delay of the woofer to set the vertical nulls at about equally above and below the midpoint of the speaker baffle midpoint. It was entirely too easy.
While trying to adjust the proper crossover frequency points, placement of the microphone was overly critical. Both high and low outputs of the Linkwitz-Riley are supposed to be in phase. That is how I thought I wired the speaker and crossover. Surely the nulls would be far enough away to allow testing pretty much dead center. WRONG! I finally decided that it was time to measure the vertical nulls. A switch was added to easily reverse the phase of the HF. Low and behold, with normal wiring one of them was directly in front of the baffle center. I even removed the waveguide and checked the connections of both drivers.
The first picture shows the measurement microphone directly over the center of the baffle, when wired according to the normal arrangement for the L-R Xover, and the FR on the RTA can be seen showing the dip at 1.6 KHz. The second picture is showing the wiring reversed for the HF, and the FR shows no dip at 1.6 KHz. The third picture is of the FR with normal wiring, and the resulting dip at 1.6 KHz, the crossover frequency.
The next two pictures show the microphone location for lower and upper vertical nulls. As near as I can calculate them, the upper is about 30 degrees above the center of the baffle, and the lower is about 25 degrees below. Well within any limits I would have been shooting for. And the cabinet is reclined roughly 15 degrees, which would place the nulls at about -10 degrees to +50 degrees. Seems ideal to me. The apparent null at about 160 Hz is obviously the ceiling in my garage. All that was required to get the nulls set was to reverse the HF connections.
The last picture is the FR of the speaker so far. The Low pass is set for 1.6 KHz, and the High pass is set for 2.8 KHz. It looks like about 3 dB variation from crossover till the DE250 falls off at about 16 KHz. +/- 1.5 dB is quite good, but some more tweeking will be done when I get the other crossover finished, and compare them.