It's all so much easier if we can measure. You've got the 416Z in a closed box right now, and would know in 30 seconds what's going on with it from a slam-dunk nearfield measurement.
With respect to how 416Zs sound, frankly, I do not recall, other than that in Vals, as you guys observe, they lack extended bass. They were on the test stand here side by side with the selection of JBL woofers with which you all are familiar from the photos of ZilchLab posted in these forums. We did a direct comparison with 2235H in 4507, which was so convincing that Steve acquired 2235Hs and installed them in his Vals. I've not heard that combination myself; I can only rely on what he has reported: "We have BASS!"
How many times have we heard it here, "I LOVE that Altec sound; the midrange is WONDERFUL!!" Well, fact is, examined in detail, that's ALL they are playing, which is fine, if that's all we want. Once we get them normalized and balanced in a system, however, we soon discover they're not all that. Not 806s, not 802s, not 902s, not 811Bs, and not 511As, either. I am reminded of Sealy's recent gushing appraisal of an Atlas paging horn's reproduction of violins.
So, now we are looking harder at 416Z in Valencia. There are plenty here who'll step forward to inform us that their bass is not lacking in any way. There are others who only run them with loudness compensation continuously engaged in order to achieve adequate bass response. They may also require boundary reinforcement to "bloom" at the bottom end.
It may well be that their midbass response is better than that of true extended-bass woofers such as 2235H or the 411 Gordon suggests, or even the 416B/C Altec used at a higher crossover frequency in Model 19. (Why'd they do that?) There's no way of knowing any of this until we are first assured that they are playing flat. Otherwise, it's not apples and apples, and I'm raising the question, both rhetorically and factually, if what we particularly "like" about how 416Zs sound isn't anything more than an artificial illusion also derived of boosted midrange. THAT, after all, was what Voice of the Theater was "about." Maybe Dave'll get us the answer here soon.... :yes: