Darko, that was an excellent comparison of the two speaker pairs, I had no problem understanding you at all. Regardless of any other languages that may get in the way, there's one thing we ALL understand - Love of audio!darko said:I wish, I better understand American Language, to make the Prozess clearer and more plaisant for You. Maybe after the Summer_07?
Anyway - The AR-6 are very lovely, little Keepers!
Have a nice Weekend,
Darko

darko said:Hi Jerry,
I Hope You are not at Home and enjoy in the Weekend,
somewhere Outside at the Sun and fresh Air
Darko
darko said:So the Switch is in the "INCREASE" Position - fixed!
It seems, to have not more, or less Highs, I would say - same Results.
That means, the Switch was in good Shape. Mostly none Corrosion.
I let them to be in this Solution/Function. It sounds good to me.
I have no interess, to decrease the Tweeter in his Full Function
Have listened to old 60s and 70s -> very presental with a good Image.
Darko
Jerry, you seem to be referring to RIAA equalization. It is a pre-emphasis of highs, and any decent phono stage in a vintage amp should be yielding a de-emphasis to the curve, yielding a more-or-less flat response. Using inputs other than the phono stage on your amp will not apply the RIAA correction curve to the signal, so CD players attached to the AUX input should be accurately reproduced. AR did not design speakers to correct the RIAA curve as you imply. http://en.wikipedia.org/wiki/RIAA_equalizationonplane said:AR speakers were designed to produce a flat frequency response on the vinyl records that were popular when the AR's were built. Unfortunately, the record companies all emphasized high frequencies back then, because the vast, vast majority of playback devices had serious deficiencies in reproducing high frequencies (ceramic cartridges, etc.).
Today with digital recording and playback (CD’s), that high frequency emphasis is no longer present. Usually, the increase or MAX position will solve the problem, but sometimes we still need a little boost in the highs in order to CLEARLY hear all of the instruments.
Regards,
Jerry
ozmoid said:Jerry, you seem to be referring to RIAA equalization.
darko said:Hi Fellows,
This is a truly remarkable Info-Sheet!
3 Years after my Birth, they found it out ..)
Jerry, what Snow? Here was today a very sunny and warm Day ( in Zürich ).
I must say this: I wish we had Snow this Winter. Without Snow, its not Winter.
The Sounding of the AR6, becomes again a "tick" better in Highs.
I put them more upwards, in the same Position, my Ears are, while listening.
1 is negative, 2 (& 3) is positive on AR speakers.
I have some AR18's, which are the ADD sucessors to the 7's. the tweeter on these are one of my favorites, very open and airy, IMHO...the pics of the european 6 look like the tweet is very similar to my 18's, so I'm surprised they are being referred to as "dark"...are your tweeters functioning?
There are no switches on AR-6. Your speakers' integrity have been breached at some point!
I will make this important comment in respects to AR-6:
This is one of the only 'earlier' units that is not veiled/muted in the highs. It actually has a considerably bright and upfront high. This speaker model was designed for rock music; and as such, it is brighter sounding than other AR's of the same era.
All in all, AR-6 is a great smaller-type mid-sized bookshelf that has terrific bass and clear crisp highs. The AR-6 is the only pre-Teledyne era AR that approaches the West Coast sound. It is unique; and as such, it should be a part of any serious vintage AR afficionado's collection.
Cheers
PS. I would NEVER sell mine
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A flock of AR speakers (from left to right): AR-7, AR-4x, AR-6, AR-3a
Some comparison pics of AR-6 & AR-4x
Ar-6
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