Very well P.L.F., now it's clear. Very useful also the diagram you posted.
Regarding the oscilloscope I had seen the OWON (which is now sold in Europe) and this one also, which seems to be similar but cheaper than the OWON:
http://cgi.ebay.it/ADS1022-Storage-...ezzature_e_strumentazione&hash=item2559dbb85b
What do you think about it?
I've seen also the following TENMA oscilloscope which incorporates also the function generator.
http://www.mcmconnect.com/tenma/catalog/product.do?sku=72-6805§ion=1
It would be nice to have two instruments in one, even if a signal generator would be better. Anyway, as far as you are concerned, is that oscilloscope able to drive a circuit with a signal and at the same time read the resultant wave at the output?
One more thing. At a certain point, the PL test procedure includes a THD and IMD measurement involving the use of a "THD analyzer" (point 5-5 of the service manual). Is that another kind of equipment or is the oscilloscope able to run that kind of measurement?
Releone71,
Glad you found the diagrams useful. I forgot to say about putting the decoupling cap close to the Op-Amp IC pins.
I think my knowledge might be not enough to reply to all your questions on test devices - still restoration of P/L amps is only my hobby. Let me go point by point then:
1) The scope I was looking for had to be simple in use, two-channel and not expensive. If you found good offers on your local market, go for it.
2) TENMA scope which incorporates also the function generator seems to be an interesting option if you wanted a function generator and not an oscillator / audio generator (BTW they don’t inform about the residual distortion level of the device while activating the function generator feature - I'll try to explain why that is important later on). No idea how the scope you said works (concurrent signal generation and its reading) - sorry...
3) THD measurements are difficult in a 'hobbyist environment'. Not sure whether one really needs to perform THD testing to compare with factory specs (0.009% for our P/L amp.!). I personally believe it is more practical to use audio signals generator + scope for identifying possible amp. oscillation risks at HF. But that’s not a voice from a profi … Reasons? See below, please:
Definition first.
[…] The definition of THD in use effectively means that the distortion value is the maximum possible relative error on the peak value of the signal. In other words, if you have a 1-volt peak fundamental sine wave and 0.7% THD, the peak value cannot deviate more than 7 millivolts from its nominal value. […] – source:
http://www.audiokarma.org/forums/showthread.php?t=256124&highlight=distortion.
Measuring distortion.
Two types of test equipment are often discussed: audio generators (oscillators) and function generators. An oscillator provides a low distortion sine wave, less than 0.1%. Function generators start out as a square wave and then use some form of filtering to give a sine wave with distortion of at least (usually more than) 1% - source:
http://www.audiokarma.org/forums/showthread.php?t=273708&highlight=audio+generator
More info on distortion measurements - useful links:
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http://www.audiokarma.org/forums/showthread.php?t=96968&highlight=distortion
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http://www.audiokarma.org/forums/showthread.php?t=140497&highlight=distortion
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http://www.audiokarma.org/forums/showthread.php?t=102361&highlight=distortion
Practical considerations in view of your question.
- Phase Linear 700 Series II specs define its THD as 0.009% at rated power into 8 ohms at 1kHz.
- The input source distortion of a testing device impacts THD measurements.
- Oscillators give less distortions than function generators, the ones with residual distortion of 0.05%-0.1% serve more in troubleshooting (still very useful).
- To measure your P/L amp effective THD (i.e. when it comes down to ‘testing to specifications’ task), your oscillator should have very low residual distortion, e.g. 0.001% - that's pricey…, and is it worth ?
- THD tends to become audible at about 0.5% with midrange test tones (depends upon the individual, some people are more sensitive to these tones). With music, it is generally said that it needs to reach about 1%-2% THD in the midrange for most to qualify it audible. Low frequencies tend to be harder to hear distortion with, since our hearing is not as sharp there. THD is said to be able to reach near 10% before it is audible below 80Hz or so. In general (according to The Audio Critic) "[…] It may be possible for humans to distinguish distortion of 1% (-40dB). We are not aware of any controlled experiments which show that distortion of 0.1% (-60dB) is audible. […]".
I'll leave it as is for more comments.
Cheers.