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CROSSOVER CAPACITOR QUESTION ?

No, modern NPE s intended for the same application also have similar ESR. I do not read your long posts where you try to force your opinions on others and mis-apply "facts" from other "experts".

I set forth specific data from the manufacturer and from learned tomes, precisely so facts would be presented. If you dispute the data and explanations from others you should explain why.

In this discussion I quoted from Cornell-Dubilier and from Doug Self. What more do you want? Quotes from Kemet, Nichicon, etc.? How much of the same data would convince you?

Here is a partial summary of the drawbacks of electrolytic capacitors:
(1) In an electrolytic capacitor capacitance falls with frequency, starting at approximately 1k Hz. I do not know how anyone could dispute this. The reference frequency for capacitance is 120 Hz @ 20° C

(2) Capacitance in an electrolytic capacitor is increased by etching plates which requires that plate be covered with an electrolyte. The ions in the electrolyte match the charge, one for one. This movement is quite slow, hence the problems with rapidly changing signals.

(3) Electrolytics have very high Dissipation Factor. This causes ohmic heating, which further changes the properties as capacitance varies with temperature.

(4) Because two electrolytic capacitors are used to form a non-polar, both in series and reversed respective to each other, the signal, of necessity, must always pass through one dielectric. Metal oxide layers perform a rectification effect just like a semiconductor junction. Rectification effects fro aluminum oxides have been known for over a 125 years.

(5) Because the capacitors are, of necessity, series-wired, the overall capacitance is halved. This requires using capacitors of twice the target value, thus requiring larger plates, leading to mismatches between the two sides (non-linear distortion) and great opportunity for defects.

(6) The properties of electrolytic capacitors change over time as the capacitor ages. The manufacturers provide such data. Modern electrolytics have longer wear out periods, having increased from roughly 1,000 hours circa 1970 to roughly 8,000 hours today.

(7) Electrolytic capacitor quality has similarly greatly increased in the prior few decades, including substantial reduction in ESR in the past twenty years. The older units have very poor properties, not that the new units are so wonderful, either.
​
Where have I stated something that is incorrect or untrue?

It is very easy to just say "oh, you're wrong" without supporting data. I set forth the assumptions, the data and charts, the explanations from manufacturers and learned tomes, so that it may be analyzed and responded to.

If electrolytics were so great they'd be used as coupling capacitors, cathode bypass, etc.
 
Brevity is not his strong point.

BTW: I note that you, as set forth in another discussion, were apparently unaware that electrolytic capacitance fell off above 1k Hz until I explained why.

If you don't like the explanation, don't read it.

I set forth justification and explanation precisely so that an informed response may be made. Not one-line sniping.
 
I note that I did some research on the KEF units and found that the "solution" was to tame tweeter volume with additional series impedance. I quoted that material and set it forth.

Did anyone else track down that material? Is it elsewhere posted on AK?

Hell, no.

Waste of my time, but that data is now at hand.
 
The fact is that NPEs have been used for decades, many, without any serious
distortions or problems. There certainly are circuits where NPE s do not work
well, a speaker crossover is not one of them.
For a very economical rebuild I'll use NPE s where the OEM used them, for
more important units I use film for smaller values. I've suggested films and
use them often simply because I don't want to have to do another recap in
10 - 20 years.
I'm working on a Vandersteen 2Ci crossover right now and it has 3 NPE caps
and two polar electrolytic caps, with the rest being film. Gross distortion? No.

I'm done here.
 
Bennic is said to make the Dayton 1% and 5% poly caps. PE resells the M.D.L. NPE caps. Also, the same German manufacturer makes the Mundorf E-Caps and the Jantzen Premium Elko NPE caps. Both companies make their poly caps in-house.


What is/are M.D.L. NPE caps?
 
BTW: I note that you, as set forth in another discussion, were apparently unaware that electrolytic capacitance fell off above 1k Hz until I explained why.
The way I remember it you claimed that electrolytics produce gross distortion and were useless above 1kHz. I asked you to justify the statement. You failed to, to my satisfaction.
If you don't like the explanation, don't read it.
How would I know whether or not I liked it without reading it?
 
I'm going to try Erse before MDL, they just look a bit more beefy.

The MDLs that I have do not have the B05 spec on them, which I believe
calls out 5% dissipation factor as with Bennics.
 
The way I remember it you claimed that electrolytics produce gross distortion and were useless above 1kHz. I asked you to justify the statement. You failed to, to my satisfaction.

You may review the plots of frequency response published by Cornell-Dubilier, you either believe that data or you do not.
 
You may review the plots of frequency response published by Cornell-Dubilier, you either believe that data or you do not.
I have seen those plots and don't disbelieve them. They do not prove, or even suggest, that electrolytic caps are terrible above 1kHz. In the thread you referred to above I explained why they don't produce gross distortion and pointed to research and measurements which proved it. You dismissed the explanation.
 
If anyone doesn't want to be convinced quite as much as Retro wants to write (saying that with a smile), remember these threads become reference material for future researchers.
It's of great interest to me. I think it's kind of funny how this thread started by "Rex" asking about a yellow Bennic cap. And now we all are getting educated about electrolytics and myler/poly/film. A fun read..
 
I’m surprised with how people on AK replace NPE with poly caps, that we don’t hear about using resistors with them more often. I guess as long as the speaker has an HF control it’s not as necessary.

@woofercooker
I enjoy these threads as well.
 
I’m surprised with how people on AK replace NPE with poly caps, that we don’t hear about using resistors with them more often.

Electrolytic capacitors for speaker crossovers are available in various dissipation factors, which means even among electrolytic capacitors of the same value and voltage rating, the ESR is not consistent. There is no real way to know what the original characteristics of the old capacitors are supposed to be, so any recap is going to change things slightly. The only absolute guarantee of performance is to buy brand new speakers with capacitors which are not yet expired.

That said, the effect of ESR will be more prominent with low impedance speakers than high impedance ones. For example, 0.3 ohms is 10% of 3 ohms, but only 4% of 8 ohms. I never add series resistors when I install poly caps, and I have never disliked the change.
 
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Good luck finding dissipation factor or other data on the vast majority of audio grade capacitors . I posted some time ago how inadequate the sales copy was for caps at PE (and I love PE). Full of flowery prose signifying nothing, even when you actually tried to compare one line of caps to another line of the same brand. I would much rather know the DF, ESR, and be able to see a capacitance vs. frequency graph than to hear that that one capacitor is made of the finest Madagascar film and that another is 'extremely detailed' and a more expensive one is 'perhaps the best on the market today'. :bs:
 
Good luck finding dissipation factor or other data on the vast majority of audio grade capacitors . I posted some time ago how inadequate the sales copy was for caps at PE (and I love PE). Full of flowery prose signifying nothing, even when you actually tried to compare one line of caps to another line of the same brand. I would much rather know the DF, ESR, and be able to see a capacitance vs. frequency graph than to hear that that one capacitor is made of the finest Madagascar film and that another is 'extremely detailed' and a more expensive one is 'perhaps the best on the market today'. :bs:

Nichicon has a series of crossover capacitors with some data, and I read about it from a European supplier as well. I mean, it is not really useful or complete data, but since the numbers I saw ranged from 3% DF - 15% DF, it is clear that not all electrolytic crossover capacitors are cut from the same cloth. Would be nice if it info was a bit easier to obtain!
 
I’ve been trying out different PP and PET caps from suppliers other than the usual audio cap suppliers. Like Mouser, Digikey, and most recently Newark.
Shipping is usually cheaper (especially for smaller orders), and the cap selection is bigger.

I’m not really into the super fancy audiophile caps. Anything more than about 5-6$ per cap is too much IMO. I love the sound of PP motor run caps with my horn speakers.

I recently recapped my kid’s Minimus 7’s with some Panasonic PP caps I got for 1.70$ each. 4.7uf, 250v, and 5% tolerance. And they sound great.

I am willing to spend more money on bigger awg air core inductors, than fancy caps.
 
So again i was in the right place at the right time... actually i am working on my Spendor Preludes thats been recapped some years ago

Bild 001.jpg

these Alcaps were replaced with Filmcaps of different brands. Since then i never get happy with the Spendors.
So now i changed the 10 mF MKT/Monacor which is direkt in line with the Audax tweeter to WIMA MKS and added a 1Ohm resistor. - Sweet sound is back again !

Many thanks to all of You who wrote in this thread, especially Retrovert.

Oh, and i learned interesting things: Bypass Filmcaps in Xover is like lipstick on a pigs mouth :rflmao:
 
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