GabeD; Its been awhile since your last post. I assume you have been using these. What do you think?
Yes, indeed. I have listened to these quite a lot. In a nutshell, I absolutely love them. They have such an open clear sound (Sound as Clear as Light!) and the soundstage comes across like they are very, very big. That must be the Heil. The bottom end is incredible. I find myself doing a double take that there is so much bottom end coming from a pair of 10" woofers. The transmission line goes way, way down and is very solid. The stereo imaging is beautiful and I am able to very easily pick out instrument placement and "hear into" the recording space. I have read elsewhere that some find the imaging smeared with the Heils bouncing sound all over the place, but, that has not been my experience. Shelby Lynne's
Just a Little Lovin' album is a fantastic example of being able to hear the recording space and that bass drum at the beginning of the opening track is something to behold going through the transmission line. Diana Krall's
The Girl in the Other Room exemplifies the stereo imaging. The way the music is re produced is almost tactile as every scrape of the brushes and tap of the cymbals is so clearly heard.
These really do like power though. I find that at moderately loud volume they come alive. I'm driving them with a Carver M-400t which is 300wpc at 4ohms. I have dreams of finding another one and running them as monoblocks which would be over 500wpc. Not that they need that much, just that it would be interesting to have seemingly infinite headroom in the amps to push them along.
I love the visual aesthetic of the towers. Their presence in the room is commanding, yet their clean lines fit in with the decor. The red and black weave of the original fabric has a very cool retro look but I wanted to modernize them a bit to fit my listening space. I'm very happy with updating these to black fabric. The veneer is very thick and of good quality and is on my list of things to address to make these really top notch and finish out the restoration. I'll get there eventually.
That being said, I am very curious to try the Misco woofers. The Goldwoods sound great but I have the feeling that I'm missing something by not at least experimenting with a driver swap. Given Automojo's experiences with so many different woofers and consistently landing on the Misco's my curiosity is piqued. What I'm really curious about is if there will be changes in the midrange. Not that they sound bad, but I could see them having a bit more midrange and, if a woofer swap can do this, I'm willing to try. The Misco woofers also more closely match what was originally in the Towers with paper cones. I've read that the current form of ESS can rebuild the original round 10" woofers but I don't have the original woofers as they were long since lost to time.
I ended up with a lot of speakers from my dad and have listened to even more in his collection over the years. The speakers that have been ever present in my listening have been the JBL L series and their pro series cousins. Those are my benchmark for comparing anything else and I find them infinitely listenable. What really jumped out at me going between the ESS AMT1 Towers and the JBL L80t was that the titanium tweeters sounded "beamy" compared to the Heils. They are both bright, and I've found that I prefer the brighter West Coast sound, but the larger more spread out sound of the Heils really appeals to me. Would the ESS speakers fall into the West Coast category I wonder?
The huge Heil AMT tweeter sound, tower visual aesthetic and the family history these have all add up to make these keepers. My dad passed down the speaker disease. I have it. And I love it.