Only 4 output tubes per channel? Is this a schematic for a lower power model? Or is this one of those "repeat output tube count" type deals?
I think it said V3-V17 and V18-V32 on the drawing so it's a simplified schematics for output tubes.
Only 4 output tubes per channel? Is this a schematic for a lower power model? Or is this one of those "repeat output tube count" type deals?
Only 4 output tubes per channel? Is this a schematic for a lower power model? Or is this one of those "repeat output tube count" type deals?
I think it said V3-V17 and V18-V32 on the drawing so it's a simplified schematics for output tubes.
If anybody remembers that horror-show that was published in Glass Audio long ago,you'll know what I'm talking about!
I have read about that Phillips approach. It was an attempt to reduce the production cost of the radio (by eliminating the OPT). Stevens also did this with a 500 ohm amplifier that they paired up with a Stevens 500 ohm speaker.Now I'm curious. I know pretty little about OTL but the handful I've seen were mostly large parallel arrangements. I could swear I remember one that was a massive cathode follower rig, which seems sensible for lower output impedance. I have a Phillips designed radio with that sort of thing, EL84 plate driving an EL86 grid, output coupling capacitor off the EL86 cathode into 800 ohm speakers.
Perhaps fuse each transformer primary would be a good idea, given there are 3 transformers.
That 6AU6 is certainly working at a low current level, so hopefully its not too noisy. There are lots of higher frequency response roll-off caps in the forward path.
The bias take-offs could probably do with some decoupling if there is some hum present in the output.
It looks like the output signal return current path includes the shielded cable - does that connect directly to the 'G' star point?
What do the main B+/- rails operate at? There may be some benefit in biasing the heater CTs to +/- levels to reduce the heater-cathode stresses.
That is my plan. I do not know that I need to "improve" anything but I am collecting thoughts and ideas at this time. I am comfortable with changing the caps and things on that level but when you say something like: "The amp may need some roll off as there is no real limit on frequency response." I need a little hand-holding. I assume this means adding some caps, somewhere, but I would need some guidance.Personally I would leave it the stock design,and just change out the aged caps and out of spec parts.The amp may need some roll off as there is no real limit on frequency response.
That's a great idea. However, I will save that call for later. I do have one other source for first-hand knowledge of these amps and will be contacting that gentelman soon. Right now I will be swapping out the electrolytic caps while preserving the values and the appearance.Possibly you could contact Mathew Polk and find out about his experience with mods and reliability if his are in regular use.
Yes fusing each transformer separately should provide better opportunity for the fuse to blow before some circuit parts fail from over-current - I doubt you would find off the shelf transformers for that ampThe transformers are protected with a common 10A fuse. Are you saying I should look at providing a dedicated fuse for each transformer?

Each stage of an amps circuitry includes a high pass filter - usually the amp designer makes one stage have a dominantly low roll-off frequency, or else the output transformer (in a normal amp) becomes the part that rolls off the frequency (that gets tricky then - as exampled by the Williamson design). Such a dominant roll-off frequency then allows the designer to add a feedback path and for the closed loop to not be unstable. Assessing all the stages and working out the appropriate feedback can get quite tricky, especially where the roll off of a stage is the valve internal resistance followed by the miller capacitance of the next stage - which forms an RC low pass filter. All those caps C16,18,19,20 add extra (stable) capacitance to the somewhat variable miller capacitance of the next stage. Even though the amp was designed as stable, you should check for high frequency performance using square waves - as that is often the easiest stability check to make.Can you elaborate your comment about the "higher frequency response roll-off caps in the forward path"? I am still green at this and would appreciate further clarification.
Yes fusing each transformer separately should provide better opportunity for the fuse to blow before some circuit parts fail from over-current - I doubt you would find off the shelf transformers for that amp
Each stage of an amps circuitry includes a high pass filter - usually the amp designer makes one stage have a dominantly low roll-off frequency, or else the output transformer (in a normal amp) becomes the part that rolls off the frequency (that gets tricky then - as exampled by the Williamson design). Such a dominant roll-off frequency then allows the designer to add a feedback path and for the closed loop to not be unstable. Assessing all the stages and working out the appropriate feedback can get quite tricky, especially where the roll off of a stage is the valve internal resistance followed by the miller capacitance of the next stage - which forms an RC low pass filter. All those caps C16,18,19,20 add extra (stable) capacitance to the somewhat variable miller capacitance of the next stage. Even though the amp was designed as stable, you should check for high frequency performance using square waves - as that is often the easiest stability check to make.
Ginger!She lives!
I think she needs a name.
Ginger!
I'd be intrested i reading anything about the company. If you have the link to the other system, I'd love the to check it out.
I already own an MP Engineering system that is missing the power amps. This will make the system complete.
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Hello Jim,!! This is the first time I have seen any reference to an MP Audio system on the Net. I was the executor of Mirko Paneyko's estate and have many papers of his, as well as the remains of his "A" studio system. Where and when did you get that console system and those magnificent speakers?