Too low cost on market to be a prestige item? Or?
forte's seem to require a little more power than other Klipsch Heritage speakers. I am currently running mine with a McIntosh MC7270 and am very happy. They are not as balanced, and don't image as well, as Klipschorns, but I wouldn't expect them to.
I have heard, and have owned, Fortes. I thought they sounded boxy, shouty, shrill at volume, imaged poorly, had boomy bass, non-coherent drivers, and poor presentation of timbre among other things, in comparison to various other speakers I have liked. But if it helps somebody to think that I disliked them because they didn't cost enough, feel free to.
but John how do you really feel about them? I don't know if you have noticed but I usually recommend that owners upgrade to ti diaphragms rebuild the cabinet redamp the cabinet the drivers and rebuild the crossovers. Sometimes I metre this all out so as not to frighten off potential owners. This for me applies to virtually all Klipsch, but it also applies to just about any speaker out there I might want to consider. So few are well built and most need a lot of help if you plan of anything like a realistic price. Have you seen the current MSRP for the HL5 with a nice veneer on them? Ouch.
Just a question, how do you feel about output level and quality of sound with your Harbeth? I have had HL5 in the house and could not live with them as they are but at moderate level I do like the balance that has been struck with them. My modified Heresy 3 to me dance circles around the HL5 in every way the owner of the HL5 was himself impressed enough to discuss a pair of H3 for himself but is unsure what return he might get for his Harbeth. Best regards Moray James.
I think we're all listening for different aspects of the sound. I've heard the Harbeths sound laid back and dull with too little power and a lackluster source behind them, and I've heard them jump with dynamics, image incredibly with natural tone/timber and completely lose a sense of being a "box" with good source and amplification gear...which I've never heard a pair of Heresys (or Fortes) do, even when I heard them the last time powered by some really nice Cary and Rogue Audio gear.
I'm not arguing that anybody who likes them is liking them for some wrong reason, as there are no right or wrong reasons to like any of this stuff. I'm just saying, they probably are impressed by different things than I am. It's a big playground, we have different favorite rides. I like the slide, somebody else likes the balance beam.
My admittedly too-blunt point in my last post was just to say, though, that them not being expensive was not why a lot of us don't like them. There are cheaper speakers I like better.
This all brings up a point in regards to Klipsch (and many other points). That when I say "I've heard Fortes and Heresys and didn't like them"...who's to say that I would dislike all the seemingly infinite variations of them? I'm not anti-Klipsch, for what its worth. I tend to not just go all-in against anything. Two weeks ago I listened to a pair of LaScalas for a long time, and loved every minute of it. Same for a pair of Belles a while back, and a long time ago with what I believe was a pair of CF-3s. I like Cornwalls, too, quite a bit.Your observations speak volumes to matching components properly. I had the chance to listen to the Harbeth HL5 on a half dozen or more alplifiers and some multiple combinations. When I had them here at my home I used modified Quad 405 amps (two identical units) and also some Yulong Amp one units (two identical). I was able to run the speakers with a single stereo amp and vertically bi amped . In both cases the vertical bi amp set up sounded best when compared to using a single stereo amp. The small Yulong amplifiers (2x40) which are quite inexpensive sounded very good better in fact than a number of larger more expensive amplifiers I have heard with the Harbeth.
I agree with you that we all listen for different target parameters of performance which I suspect accounts for out differing tastes in components. I find your "too - blunt" description just perfect by the way. I would rather know exactly where someone stands. Thank you for your input and comments. When it comes to Klipsch I would say that I would not buy a new Klipsch which used a K701 mid horn as it takes too much effort to make it work well.I much prefer the KLF20 with modifications to either Forte and I much prefer the CF3 to the KLF20 again with modifications. The larger new horns are simply better sounding to me. I have owned and modified the Heresy the Forte the Forte ll the KLF20 (twice) the CF3 and a set of Quartet's My son presently has my Forte ll on 12" high four post stands running with NuForce Ref 8 mono blocks and they sound quite good and they play very loud which for a university kid is great. My daughter has a set of my KLF20 modified also and they sound very nice. My second set of KLF20 is very likely going to undergo some major transformations this year not 100% decided on exactly what yet.The modifications which I have developed experimenting with all these loudspeakers have become very powerful tools and I can now manipulate a loudspeaker to obtain desired results. I spent over twenty five years running electrostatic loudspeakers and I can say now I m achieving all the great ESL qualities I love and also getting the dynamics slam and output level that Klipsch is known for. My last couple of years working with Klipsch have been very fruitful and a lot of fun. Best regards Moray James.
What does it mean?
He means they lack "Snob Appeal"
I'm a Klipsch fan and I dislike Fortes...
Well, I wasn't much of a Klipsch fan until I got a set of Fortes. Just goes to show...

Yes, say the difference in-between a Cadillac SUV & Land Rover in Manhattan, NY.