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Lets see all them Amplifiers!

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Late '63 - early '64 Bassman (thanks to @ Greg Nal)


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I had an old Crate 5-watt wonder practice amp. Fuzz master! :)

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Crate was an incredibly underrated amp back when I was actively playing.
A friend circa 1984 had a 2-12 combo from when they were still actually built like a wood crate with real wood.
That opened my eyes fairly early.
The lead player in my 1987 band bought a 120 watt half stack which was insane with distortion and volume.
I had grown fond of the Marshall tone and to keep up, I bought a Lead 75 1-12 combo, and it did keep up.
I my collection of "under $50" amps I can take with, or let others use", I have a 15w Crate.
It does indeed have that tone. I'm half tempted to build a replacement case out of 1x6 stock.
 
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The Orange Micro Dark and the GK get most of the playing time these days

Guitar
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Peavey Classic 30
Orange Micro Dark
Crate G40C Solid State Guitar Amp
Vox AD30VT XL Valvetronix "Extreme Lead" Combo Ampliifier
Pignose Legendary 7-100 Portable Amp

Bass
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Fender Rumble 25 - 25W 1x8" Bass Combo
Gallien-Krueger Backline 112 Bass Combo
Gallien-Krueger Backline 600 w/ Backline 410BLX 4 x 10 Bass Speaker Cabinet


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Cripe I have amps hiding behind amps mow. My early 1970s Traynor tube halfstack is hiding behind my JVM halfstack now. It's hiding under the Gus G Jackson Star laying on top if it

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My amps are a heavily modded Fender Blues Jr III with a dovetail jointed, solid pine cabinet & mods from Rootbeer Audio that are based on the suite of mods from Bill M, with a black panel deluxe tone stack & bias trim pots and a 90's vintage, Celestion G-12H speaker. I still need to replace the grille fabric in Oxblood and at some point, I want to replace the OPT and wire it ptp. I like this amp so much that I sold my Deluxe Reverb Reissue.
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my other amp is my endgame, a hand-wired Strange Audio Electronics Luxe Plus, based on the venerated 5E3 circuit with Josh Strange's personal touch in there. It has a athode-biased 6V6GT output section & is 5Y3 rectified, with a 12AY7 preamp and 12AX7 phase inverter and a Weber Legacy 12" speaker. The cabinets are CNC'd in my workshop in North Philly by a colleague, but the amps themselves are made in Phoenixville, PA, a Philly suburb just north of the Main Line.
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Here's one I've had for quite awhile. These Marshall Classs 5s don't seem to get much love these days. There was a surge of people buying them the first couple of years they were on the market, but I don't think they did what everyone expected from a 5 watt Marshall at the time, big Marshall sound at low volumes. However, they do what they do pretty well, IMO. To me, they're like a modern day Fender Champ. Clean at lower volumes, overdriven when pushed. Probably not what you want when playing with a full band or playing at TV listening volumes, but they do what they do well.

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Here's one I've had for quite awhile. These Marshall Classs 5s don't seem to get much love these days.

Yes. @deadbeat son !

I had one too, and modified two of them : one with the reverb facility (for me) and one without it (for a friend)...

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Here's mine, the reverb version :

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Once modified, my PLEXI 5 offered what was cruelly missing to the Class 5 : the tone of a big marshall at affordable volume... :cool:

T
 
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