AudioAvarice
Super Member
I'm sure you don't need to be told, but check for cracked solder joints, and pay close attention to resistors in the power supply, had one go bad in mine, resulting in it going into protection after it warmed up.
Appreciate the heads up. I’ll have to see if these amps use fusible resistors. If so, all of them are being replaced. Standard practice for my restorations is a complete reflow and deflux of all circuit boards. This way I’ll have a clean slate to work off of with respect to the solder side. No need to spend an eternity troubleshooting a micro crack on a trace hidden deep in the belly of beast. It’ll be a while before I’m able to start working on gear again, but between these M-L10’s and my Sony TA-N900’s, plus a few other pieces from some friends of mine, I definitely have my work cut out for meI'm sure you don't need to be told, but check for cracked solder joints, and pay close attention to resistors in the power supply, had one go bad in mine, resulting in it going into protection after it warmed up.
Yep! I actually have three of them. Two US spec units and one from the EU. The EU unit I bought for parts if needed. Lots of unobtainium under the hood, so I’d rather be safe than sorry. These things are gonna be interesting to dig into to say the leastOh nice you got a pair of TA-N900's too? You have fine taste in Japanese amps, I've got a TA-N902 from the same line up, great era for Sony imo.

The PLPS (SMPS) power supply in the 900 is about as good as I’ve seen Sony implement them, especially when compared to units like the N86. The circuit board quality is much improved, too. It is not potted, but it’s still sealed. Luckily, Sony had the efficiency down to a science and they don’t appear to run terribly hot, judging by the condition of the boards and components in all three of my N900’s. I’ll attach a few photos here:Yeah the Sony '900' was pretty popular in Europe, particularly Germany, rare as hens teeth here in the UK though. Looks nicely laid out inside, is the PSU potted in them? I forget.
The Victor (Japan only) M-7070 monoblocs use a similar idea with a different implementation in regards to the power supply, but have a more 70's look, but with LED level meters.







Thanks! I love the look. It sounds so wonderfully clean now I've gone through the front panel switches and controls with servisol. No static and the volume, balance and SEA controls are all smooth and quiet now. I can't believe I got it for such a good price. Looks a little nicer now it's cleaned up:That is a darn pretty machine, isn't it? And those Super-A's always sound great. There is (or was) one exactly like it for sale near me. I shall resist the temptation!
It was mentioned somewhere that they are not easy to work on. Probability the same construction as with the integrated's where you have to take the amp out, heatsink and all, just to get to the bottom.
I have seen some seriously bad main caps on these series, you might want to check that out. But darn does it look appealing..




The R-S77 is a great receiver, and under the radar. I’ve owned mine since new, 1980. Extremely well built. Sounds incredible. U.S. version has the wood faux wood cheeks. They run hot. Mine has since new.Thanks! I love the look. It sounds so wonderfully clean now I've gone through the front panel switches and controls with servisol. No static and the volume, balance and SEA controls are all smooth and quiet now. I can't believe I got it for such a good price. Looks a little nicer now it's cleaned up:
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Hey Glen. Glad yours is still going strong! Mine has two issues that I've found since I got it. First is the 5th radio preset button doesn't work - it can live with that, but may get it sorted out as I think a service is required due to the 2nd issue:The R-S77 is a great receiver, and under the radar. I’ve owned mine since new, 1980. Extremely well built. Sounds incredible. U.S. version has the wood faux wood cheeks. They run hot. Mine has since new.
Glad you have yours working properly!
Cheers, Glenn




