Exactly my point hunter. I didn't feel the 9500 was anything special either as it was beat out by quality separates here as well. That's why I compared it directly to the tube monos. What I found was that anything Stroms could do the old tired and all original Sansui could do better.It aways amazes me how people hear differently.Ive had all the Sansui/Marantz/pioneer sand amps over the yrs...I felt the sansui au9500 tho good sonically didn't match the sonics of my Pioneeer spec 2/spec 1 setup,or even my Rotel 1603 SS reciever., my Soundcraftsmen ma-5002's and Big Phase linear 700b's matched with a a lowly Apt Holman preamp or a Spec 1 pre amp were excellent but didn't fofill my lust for Hi fidelity .Ive been thru the gambit od SS over 40 yrs.My Harman Kardon Citation16a's biamped thru AR 9's tho capable of huge volume couldn't touch the detail I enjoy with my Fisher 50a mono blocks...Anyhow this has been beat to death.I wouldn't be sitting on a totl Fisher and HH scott tube system after all these yrs if I liked SS sound better.But to each their own.My ubove said keeper gear ran with Vintage TOTL co-axials and triaxial speakers are the end of the line for me
Great hobby we have whereby we can enoy Hi-fidelity from different sources..
hunter
Reading through my December 1956 issue of High Fidelity this morning I happened to run across this article in the "Tested in the home" section. Unfortunately I don't have a scanner but I'm thinking you get the gist of what's being said here. I found it rather interesting that a lowly entry level Fisher TR1 transistor pre amp at the dawn of the transistor age could do that much for the man's system when tube design was close to it's peak.
It's all good but tubes certainly aren't the end all for all of us today nor was it for this tube guy from 1956.

