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Modern speaker upgrade, please help

In that price range, from your list, I'd go with the:

Spendor S3/5R2 (keep in mind these can be a bit "proper" however, or lack a sense of "large/spacious" sound imo)

or the:

Harbeth P3esr (which do lack very good dynamics imo).

Another option (I think in the same price range, or you should be able to find them for $2000ish) would be the Usher Be-718 (Tiny Dancer's) which I find better/much better than either of the above speakers. They need good amplification, but once that is achieved they sound truly "large/dynamic" and can rock out or play subtle nuances with equal aplomb at any volume level. The best thing about them is that they are neutral/transparent, yet also engaging and involving without being "hyper" or too colored. Excellent speakers in that price range, ones I recommend to anyone looking in or around the price to at least audition. In fact, if I had not decided to "go beyond" that price bracket, I could have kept mine and been very happy (but now I am even happier with my newer choices, even well knowing about the very steep diminishing returns curve, which, imo, starts at about $3,000 for monitors and $5,000 for floor standers and basically stops at $10,000: it just doesn't get much better after that--and yes I've heard speakers up to and over $100,000). Keep in mind that my first "real" speakers were the Usher 520's (still a great pair of bargain speakers) when I still didn't want to spend "big bucks" on anything audio, so I do have a soft spot for all things Usher. However, I did pick out the Tiny Dancers blind once compared to other speakers in their price range (including the Harbeths).

Note that I did not read through this thread to see what your listening/music preferences are so different speakers will match different tastes here better or worse, although imo a truly good speaker can play any kind of music at any volume level very well, from a single lute (or any single instrument) to metal to rap to a full symphonic orchestra. The only thing that should lack is the recording (which will shine through as well if it is a good production).

Personally I'd stay away from Monitor Audio, they always sound too bright/brash for me (and I'm not one to be easily fatigued). I've also never been very impressed with any PSB or B&W I've heard at any price level (though I have not yet heard them all). The ones I've heard sound just kind of "flat" and unrefined or too colored to me...kind of "mid fi" in sound and fit/finish/overall impression.

Tannoy, Snell, Revel, Dali, Tyler Acoustics, ProAc, Dynaudio, Krell, Sonus Faber, and even Totem and Epos are all good brands that make great speakers at this price level as well (at least afair; I haven't looked or heard in this range for awhile since I "transcended" it). I'd check out the reviews/forums on Audiogon for user-reviews from those that know their high end speakers imo. You can even buy used or new speakers on there for some great prices (I did once). I'd even go so far as to advocate a $3000 to $5000 retail speaker used or heavily discounted for a better buy than new in your price range, but that's up to you.

Congrats on deciding to go with newer speakers (post 2000's); imo they really trump anything before in terms of price and quality on average (i.e. speakers that cost $5000, adjusted for inflation, pre 2000's now are easily bettered by those costing $2500 or even less today). Older speakers may look "cool", but they didn't start to really sound that good until the 80's at least. There are exceptions of course, but overall, especially for the average hi-fi consumer, go with post 2000 imo. Better technology/design and cost to performance ratio.

Also, you could put floorstanders in that sized room, however you will be kind of "cramping" them if you will. And, imo, it's not a matter of monitors or floorstanders being better or worse, it's your preference. I have the room to put any kind of floorstanders in several rooms, but I prefer monitors overall (they just image so much better) and that's what I have in all my systems and in my main (with a sub that blends very well into the integrated sound scape which I only use about 20% of the time when the music calls for it or I really want to "rock out" however: the monitors are more than enough for me usually) in my 15 x 20 study/office with 12' high ceilings and they easily fill the space and get to concert level decibels if I want (I do have thousands of books on built in solid cherry bookshelves that line 3 walls of the room from top to bottom that do absorb a lot of dead space or would be echos however; but I don't have any proper room treatments--can't stand how that would affect the aesthetics of the room--and hard floors as well...a thick carpet covers about 1/3 of it however).

Finally, if at all possible, try to audition speakers in your home/the room you will be using them in. It is no myth that the most important aspect of the sound quality you get from your system is the room itself. Speakers that sound bad at a store or even in someone's else's home may sound great in yours and vice versa. If I moved any of my speakers to the unfinished part of our basement and set them up, even well (i.e. proper distance apart and from the walls) they would sound horrid; in fact they do as I have done this with some. Put them into a well furnished room however with the same proper setup, and they sound superb. Same speakers/equipment and ears.

All the above is jmo of course. :thmbsp:

If you desire any more help/opinions, feel free to PM me and I'll get back to you when I can. Good luck! :thmbsp:
 
I had forgotten about the Usher "tiny dancer". That is a fantastic speaker and, honestly, I was discussing with somebody the other how, in my listening room with my gear, I bet they would sound better than my Harbeth Compact 7s.

I did not like the Tyler Linnbrook monitors at all. I found them to be one of the worst modern speakers I've heard. Not sure what they make at $2k, but the Linnbrook were the absolute worst of hi-fi sound-over-music. Drove me and a friend right out of a room, and we were both thinking of buying them based on what the internet told us. It sounded like somebody bought some really nice drivers and threw them into a box without an ounce of artistry or thought.
 
In that price range, from your list, I'd go with the:

Spendor S3/5R2 (keep in mind these can be a bit "proper" however, or lack a sense of "large/spacious" sound imo)

or the:

Harbeth P3esr (which do lack very good dynamics imo).

Another option (I think in the same price range, or you should be able to find them for $2000ish) would be the Usher Be-718 (Tiny Dancer's) which I find better/much better than either of the above speakers. They need good amplification, but once that is achieved they sound truly "large/dynamic" and can rock out or play subtle nuances with equal aplomb at any volume level. The best thing about them is that they are neutral/transparent, yet also engaging and involving without being "hyper" or too colored. Excellent speakers in that price range, ones I recommend to anyone looking in or around the price to at least audition. In fact, if I had not decided to "go beyond" that price bracket, I could have kept mine and been very happy (but now I am even happier with my newer choices, even well knowing about the very steep diminishing returns curve, which, imo, starts at about $3,000 for monitors and $5,000 for floor standers and basically stops at $10,000: it just doesn't get much better after that--and yes I've heard speakers up to and over $100,000). Keep in mind that my first "real" speakers were the Usher 520's (still a great pair of bargain speakers) when I still didn't want to spend "big bucks" on anything audio, so I do have a soft spot for all things Usher. However, I did pick out the Tiny Dancers blind once compared to other speakers in their price range (including the Harbeths).

Note that I did not read through this thread to see what your listening/music preferences are so different speakers will match different tastes here better or worse, although imo a truly good speaker can play any kind of music at any volume level very well, from a single lute (or any single instrument) to metal to rap to a full symphonic orchestra. The only thing that should lack is the recording (which will shine through as well if it is a good production).

Personally I'd stay away from Monitor Audio, they always sound too bright/brash for me (and I'm not one to be easily fatigued). I've also never been very impressed with any PSB or B&W I've heard at any price level (though I have not yet heard them all). The ones I've heard sound just kind of "flat" and unrefined or too colored to me...kind of "mid fi" in sound and fit/finish/overall impression.

Tannoy, Snell, Revel, Dali, Tyler Acoustics, ProAc, Dynaudio, Krell, Sonus Faber, and even Totem and Epos are all good brands that make great speakers at this price level as well (at least afair; I haven't looked or heard in this range for awhile since I "transcended" it). I'd check out the reviews/forums on Audiogon for user-reviews from those that know their high end speakers imo. You can even buy used or new speakers on there for some great prices (I did once). I'd even go so far as to advocate a $3000 to $5000 retail speaker used or heavily discounted for a better buy than new in your price range, but that's up to you.

Congrats on deciding to go with newer speakers (post 2000's); imo they really trump anything before in terms of price and quality on average (i.e. speakers that cost $5000, adjusted for inflation, pre 2000's now are easily bettered by those costing $2500 or even less today). Older speakers may look "cool", but they didn't start to really sound that good until the 80's at least. There are exceptions of course, but overall, especially for the average hi-fi consumer, go with post 2000 imo. Better technology/design and cost to performance ratio.

Also, you could put floorstanders in that sized room, however you will be kind of "cramping" them if you will. And, imo, it's not a matter of monitors or floorstanders being better or worse, it's your preference. I have the room to put any kind of floorstanders in several rooms, but I prefer monitors overall (they just image so much better) and that's what I have in all my systems and in my main (with a sub that blends very well into the integrated sound scape which I only use about 20% of the time when the music calls for it or I really want to "rock out" however: the monitors are more than enough for me usually) in my 15 x 20 study/office with 12' high ceilings and they easily fill the space and get to concert level decibels if I want (I do have thousands of books on built in solid cherry bookshelves that line 3 walls of the room from top to bottom that do absorb a lot of dead space or would be echos however; but I don't have any proper room treatments--can't stand how that would affect the aesthetics of the room--and hard floors as well...a thick carpet covers about 1/3 of it however).

Finally, if at all possible, try to audition speakers in your home/the room you will be using them in. It is no myth that the most important aspect of the sound quality you get from your system is the room itself. Speakers that sound bad at a store or even in someone's else's home may sound great in yours and vice versa. If I moved any of my speakers to the unfinished part of our basement and set them up, even well (i.e. proper distance apart and from the walls) they would sound horrid; in fact they do as I have done this with some. Put them into a well furnished room however with the same proper setup, and they sound superb. Same speakers/equipment and ears.

All the above is jmo of course. :thmbsp:

If you desire any more help/opinions, feel free to PM me and I'll get back to you when I can. Good luck! :thmbsp:

Now that was an education. Thank you for your insight and detailed response. Quite refreshing after constantly being chastised on AK about "vintage is better".

I will look hard to find the Ushers online. I just found a used pair in new condition for $1900.00...
 
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Indeed many speakers out there avalaible. In the long list already, take a look at those 2.

Von Schweikert Audio VR-1 (Go in the used market for about 5-600$) Very nice little speaker with details and clarity.

Many you won't take this one seriously but if i were you, check for a pair of Axiom M3 (Directly from Axiom website for 348$ + many finnish avalaible) This is a great booksheld with awesom value for the money. I use to have one for about 3years and always been suprise.

And i can't leave whitout telling you to look at Grant Fidelity monitor, MBS or even the RBS if you can afford are some great sounding speakers.

Good luck ;)
 
Need an opinion here. I found 2 used used pairs of the Usher BE-718 Tiny Dancers for $1600 and $2000 respectively. One pair is mint the other is not quite mint. My concern with these is that they need a ton of power and although my amp is high current/powerfull, I may downsize to a smaller integrated amp in the future. Man, these are some absolutely BEAUTIFUL speakers in terms of asthetics.

On the other hand I can get a NEW pair of ProAc Studio 100's for $1895. I like these for a number of reasons and they get great reviews like the Ushers do:

Specifications


Nominal Impedance: 8 ohms
Recommended Amplifiers: 30 to 150 watts
Frequency Response: 35hz to 30Khz
Sensitivity: 88db linear for 1 watt at 1 meter
Bass/Midrange Driver: 6 1/2" treated cone with special center pole plug.
Tweeter: 1" (25mm) soft fabric dome with ferrofluid and rear loading. Mirror image offset.
Crossover: Finest components on dedicated circuit board. Multi-strand oxygen-free copper cable throughout. Split for optional bi-wiring and bi-amping.
Dimensions: 16" (406mm) high x 8" (203mm) wide x 10" (254mm) deep
Weight: 24 lbs (11kg) /cabinet
Mode: Stand-mounted
Grille: Acoustically transparent crimplene
Finish: Available in the following real wood veneers: Black Ash, Mahogany.

What do you guys think?
 
This part really confuses me, and makes me wonder if you are on the wrong track?

but I feel that they are too large for the space (standing waves?).


The only way I could consider a speaker too large for a space is if it is taking up too much room...

A speaker with a 15" driver and a big horn would create the same kind of waves a 10" with a couple dome tweeters would... so long as they were comparable in response and SPL specs.

If you are having standing wave issues. then you have room problems you need to address... not speaker problems..
 
I have not been a fan of the Usher speakers in the past. Perhaps something has changed but definitely not the sound for me. I'll have a chance to hear them again soon at a dealer that carries ProAc, Spendor, Harbeth, PMC, PSB and so on.

I don't think I would jump on either speaker just yet. The Studio 100 can be very clinical sounding. One of the reasons that I went for the Studio 110 at the time instead of the 100.

If you bought the used ones perhaps you could turn them over if they don't work for you...lots to think about.
 
When I heard the Usher, the first time I heard it I didn't like it- it was on a Cambridge Audio amp I believe. The second time it was on Cary/Rogue tube gear, and certainly they came to life. I thought they were wonderful. In that same room, Harbeth P3esrs sounded terrible, while the Compact 7 was good but not great (though I've heard both sound great in different rooms). There are so many variables including personal taste- its hard to imagine just buying off the internet based on reviews, though its hard not to. I bought Harbeths based more on reviews than in listening and if I had it to do over I think I would have gone with something else, given how they sound in my room on my gear.
 
You are all correct; this is a very tough call. In my perfect world I could bring them all home to demo for a weekend and then buy a pair.

I still haven't ruled out the Epos Elan 15. I have not heard them myself or have read any review on them because they are so new. For the time being, I am staying with patience.
 
This part really confuses me, and makes me wonder if you are on the wrong track?




The only way I could consider a speaker too large for a space is if it is taking up too much room...

A speaker with a 15" driver and a big horn would create the same kind of waves a 10" with a couple dome tweeters would... so long as they were comparable in response and SPL specs.

If you are having standing wave issues. then you have room problems you need to address... not speaker problems..

Simi, I hear you. My listening room is small. I can't do the monster horns like you do because of my tiny listening space and lack of room. I have nothing against horns in general, but I honestly do not prefer them. I like a soft dome for highs. I also am of the opinion that a lot of big driver bass speakers sound boomy (not all). Although I prefer a tighter bass note, I do like some good low end. I can a add sub if needed. I really am trying to get away from the vintage speakers altogether.
 
When I heard the Usher, the first time I heard it I didn't like it- it was on a Cambridge Audio amp I believe. The second time it was on Cary/Rogue tube gear, and certainly they came to life. I thought they were wonderful. In that same room, Harbeth P3esrs sounded terrible, while the Compact 7 was good but not great (though I've heard both sound great in different rooms). There are so many variables including personal taste- its hard to imagine just buying off the internet based on reviews, though its hard not to. I bought Harbeths based more on reviews than in listening and if I had it to do over I think I would have gone with something else, given how they sound in my room on my gear.

John, every account I have heard says the Ushers need big current to be at their best. I want a stand mount that sounds big and "disappears".
 
Simi, I hear you. My listening room is small. I can't do the monster horns like you do because of my tiny listening space and lack of room. I have nothing against horns in general, but I honestly do not prefer them. I like a soft dome for highs. I also am of the opinion that a lot of big driver bass speakers sound boomy (not all). Although I prefer a tighter bass note, I do like some good low end. I can a add sub if needed. I really am trying to get away from the vintage speakers altogether.

I honestly wasn't suggesting to you anything like what I use, but from what I was hearing you say, you feel the speakers are too big for the space and causing standing waves.

A room is going to create a standing wave, not the size of the speaker.. .unless someone can explain to me how I'm totally wrong with that...

I can understand if you are wanting to change speakers because you are looking for a different sound, but it sounded to me like you were wanting to change because of room problems, and not speaker problems.
 
John, every account I have heard says the Ushers need big current to be at their best. I want a stand mount that sounds big and "disappears".

They did that- but had some big tube monoblocks behind them when I heard them do it. I don't know what they sound like otherwise, except on the Cambridge amp, and everything I've heard with that amp at that shop has been hobbled by it. I just don't want to oversell them because I heard them once in a very specific context, but they did sound very good to me, and in that context (very nice tube preamp, big tube monoblocks, huge room) they sounded BIG. By comparison, the smaller Harbeth P3esr sounded very tiny in that room, they just got totally lost. But I've heard them and similar sized Spendors sound good in a very small room.

I had recently read a review of the EPOS...those look very interesting. I need to track down a pair.

I haven't liked any Monitor Audio speakers, even their $12,000 floor stander. Dalis I've been hit or miss with. I liked the big Helicons, but that's over your price and way over your size needs. The Canton Reference series is nice but I think that's way outside your budget and they're very source/amp dependent.

Just throwing out some of what I've heard.

The PSBs I've liked have only been the Synchrony line. They're much better than the regular line, to my ears, which is unspectacular except for one of the floorstanders which was surprisingly big and dynamic (in sound) for how much it cost.
 
John, every account I have heard says the Ushers need big current to be at their best. I want a stand mount that sounds big and "disappears".

Probably the standmount that fits that description more than any I know of is the Totem Mani-2. Above your budget and even though they come up used from time to time they are probably too much for the room. Simi is correct though. If your are looking for a standmount with similar bass response as a floorstander the issues with room won't change. Where we may differ is that I do believe that some rooms, even moderately treated, are unfriendly for some speakers.

For me, I'm not looking for a 3 dimensional soundtage and air. Also not looking for pinpoint imaging and all of that. I'm looking for a musical experience that moves me and for me timbre is the most important piece of that. Get the timbre right and the rest follows. Among the speakers I've owned Harbeth, B&W, Paradigm (Reference), ProAc, Magnepan, Epos, NHT, Totem and so many more, the Harbeth and ProAc lines get that timbre thing right more than the others by quite a distance.

Trying to get a better feel for what you value in a speaker.
 
I honestly wasn't suggesting to you anything like what I use, but from what I was hearing you say, you feel the speakers are too big for the space and causing standing waves.

A room is going to create a standing wave, not the size of the speaker.. .unless someone can explain to me how I'm totally wrong with that...

I can understand if you are wanting to change speakers because you are looking for a different sound, but it sounded to me like you were wanting to change because of room problems, and not speaker problems.

Well, you are right about room size. The speakers (Snells) are big floorstanders. When you raise the DB level (nowhere near clipping), they seem to overpower the room if that makes any sense. I know I won't get a stand mount that compares to the big boys, but they may sound better in the small space.

I had recently read a review of the EPOS...those look very interesting. I need to track down a pair.

If you hear them or anybody you know has heard them, please let me know. They could be the answer here.

Probably the standmount that fits that description more than any I know of is the Totem Mani-2. Above your budget and even though they come up used from time to time they are probably too much for the room. Simi is correct though. If your are looking for a standmount with similar bass response as a floorstander the issues with room won't change. Where we may differ is that I do believe that some rooms, even moderately treated, are unfriendly for some speakers.

For me, I'm not looking for a 3 dimensional soundtage and air. Also not looking for pinpoint imaging and all of that. I'm looking for a musical experience that moves me and for me timbre is the most important piece of that.

I kinda want all of the above. I don't need a speaker that does just one thing well; I guess I would like a jack of all trades, master of none. Out of the qualities you mentioned, 3 dimensional soundtage and air are my higher priorities. Maybe I am expecting too much for 2k.
 
Well, you are right about room size. The speakers (Snells) are big floorstanders. When you raise the DB level (nowhere near clipping), they seem to overpower the room if that makes any sense. I know I won't get a stand mount that compares to the big boys, but they may sound better in the small space.

Make a lost of sense. I even started a thread about this that had a lot of discussion... Like the pressure in the room is loaded up and it cause the sound to change fairly drastically... but I've not found that to be a negative :music:
 
I was sold on Timbre correct speakers untill I moved. They are calibrated in one of those chambers, if they are Timbre correct in your room, it's more by accident than by design or you are using an EQ. Give me an accurate speaker, I'll move it to anouther room and can throw it way off with bass, and brighten the high's to very bright no matter where they where calibrated. I know, I did it when I moved from a plaster house with windows to a Dead 30' rec room that will suck the life out of a pair of Altec Lansing Model 19's. My new speakers which are not as timbre perfect as the ones they replace and Sound Way better.
 
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