chris,
were you running all the maggie drivers full range or were they limited somehow?
were you running all the maggie drivers full range or were they limited somehow?
any maggie experts around? wonder if the amp/pre had some crossover built into it.


Careful with piano hinges, they tend to want to rattle like mad.
Great! Can you recommend a brand that doesn't rattle? Home Depot and ace hardware sourced piano hinges rattled enough that I had to remove them from speakers I had built.
Wild Burro Audio recommends piano hinges and speaking from experience there's no rattle. Unlike door hinges they fill the gap between the panels so you don't have to tape the seams.
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I asked this question earlier but it never got answered so I'm going to try again as I think it relevant for all who may be dabbling in OB's. What influence does the width of the baffle have on mid-range content....say from 250 to 2500 Hz? I understand the influence width has over LF reproduction, but what are the implications above that? How does dipole effect factor in?
Thanks
I asked this question earlier but it never got answered so I'm going to try again as I think it relevant for all who may be dabbling in OB's. What influence does the width of the baffle have on mid-range content....say from 250 to 2500 Hz? I understand the influence width has over LF reproduction, but what are the implications above that? How does dipole effect factor in?
The width (really the entire shape) of the baffle will determine the frequency of the dipole hump. Below the hump the baffle will contribute an even 6 dB/octave roll off of the driver's SPL response. Above the hump the baffle will contribute a ripple to the driver's SPL response, if the driver is centered a significant dip in response will occur followed by the ripple. The driver selection, the shape of the baffle, and the crossover point, order, and EQ need to be traded off to get an optimum smooth and extended SPL response for both the midrange and the bass frequencies. Since they are all related, winging one of the three will only compromise the results to some extent.
Is that tweet firing backwards? how do you think that is wired ?
(sorry if that is a dumb question, but certainly that crossover is minimal)
thanks.
The width (really the entire shape) of the baffle will determine the frequency of the dipole hump. Below the hump the baffle will contribute an even 6 dB/octave roll off of the driver's SPL response. Above the hump the baffle will contribute a ripple to the driver's SPL response, if the driver is centered a significant dip in response will occur followed by the ripple. The driver selection, the shape of the baffle, and the crossover point, order, and EQ need to be traded off to get an optimum smooth and extended SPL response for both the midrange and the bass frequencies. Since they are all related, winging one of the three will only compromise the results to some extent.
Ok, then....how does one best address and avoid these issues when putting an unproven design together? For example....let's say I take these Beta 12-LTA's I have sitting around and would like to properly implement them in a OB design. Do I just mount them up with a little offset in a baffle, get some baseline measurements and go from there or can the T/S parameters of the driver point to some design requirements?