what you don't seem to get from my posts is that I am not impressed by the minutia that is mulled over in this forum. Most of it is ingested and regurgitated to a point that any opinion to the contrary is looked upon as ignorance.You are excellent example of "know nothing but have opinion".
The title of this thread is.........
Replacement Stylus for Stanton 881S Cartridge
so before you resort to personal insults, do your homework so that you too are not a "know-nothing"
making it personal will not strengthen your argument, which by the way is not very clearMalden, you are hmm... strange.
the OP asked for a replacement so I offered a "solution", it may not be a solution for you so don't sweat itShibata is not solution to replace Stereohedron.
Okay, can you back that up?Jico replacement is crap.
Another argument against the JICO is that it does not sound the same as the original....will the original stylus replaced with a micro-ridge tip sound exactly like the tip it replaced?Retip with micro ridge is only solution to save performance.
making it personal will not strengthen your argument, which is not clear
a solution....so what is the actual problem?
Okay, can you back that up?
Another argument against the JICO is that it does not sound the same as the original....will the original stylus replaced with a micro-ridge tip sound exactly like the tip it replaced?
I have read this so many times in the forums.881S with with a micro ridge will sound better, than with original Stereohedron stylus, especially on inner tracks.
Because of smaller radius.
Malden, I agree with you, I have never heard the famous IGD, and although measurements can prove it, it is not audible in a quality and well-configured TT-cartridge set. But the issue does not end there! In a mediocre cartridge and a basic system to play vinyl, you will not hear IGD either, even if it were present (and yes, it is). Less than less. And the FR is not everything although a cartridge like the 881S was excellent in that aspect, (attached courtesy of Caffe Latte who talked about this, but did not see my previous post with my graphics) - copyrights must be respected, right? -............
Estos cartuchos vienen con un diagrama de frecuencia realizado con el lápiz óptico real que estaba comprando, la misma prueba se puede realizar en ellos hoy y ver si todavía están dentro de las especificaciones.
.......
did you happen to listen to the clips jp posted of a lyra kleos (i think thats what it was) vs an ortofon 2m blue?I have read this so many times in the forums.
I'll share with you my experience if you care to read and consider it.
I have many, MANY cartridges and styli and swap them in and out of my collection of turntables regularly. The Shure M3D would be at the low end thru the Shure V15 V-MR with original stylus (I have several) and all major Shure models in between manufactured from the early 1960's until Shure stopped making cartridges a few years ago. Most of my cartridges have original and JICO replacements. All of my turntables are vintage, restored and tuned.
I'll use an extreme example. Although there are obvious differences in sound between the M3D (.7 mil conical) and V15 V-MR (micro-ridge), I have never heard inner-groove distortion or any degradation of sound emanating, particularly from the inner-grooves with either of them or any in my collection. I've read about it, but I have never experienced it.
I'm not saying inner-grooves do not impart difficulties on stylus tracking, but I think there must be more to it than stylus shape, and for that reason, I do not consider tip shape as a deciding factor in choosing a stylus.
a richness in harmonics sounds like maybe you enjoy the added distortion the conical stylus on a 103 imparts?Malden, I agree with you, I have never heard the famous IGD, and although measurements can prove it, it is not audible in a quality and well-configured TT-cartridge set. But the issue does not end there! In a mediocre cartridge and a basic system to play vinyl, you will not hear IGD either, even if it were present (and yes, it is). Less than less. And the FR is not everything although a cartridge like the 881S was excellent in that aspect, (attached courtesy of Caffe Latte who talked about this, but did not see my previous post with my graphics) - copyrights must be respected, right? -
There are other factors involved. A DL 103 has a richness in harmonics that makes it far superior to an 881S, Shure V-15 - take your pick) and I would believe that it is due to the very nature of the construction. The windings of a moving coil detect minimal variations in voltage (V) in a way that a moving magnet does not, which is much "rougher", so to speak. There is a lot of literature and videos on the subject.
That said, here is a graph I made of the FR of the 881 S, it really was a great cartridge, it should be compared with other brands, but Shure, (P.S) did not usually provide the same data with their cartridges.
If someone finds it, and uploads it here, it will be appreciated, for comparison.
digital recordings posted online and then played back through my phone?did you happen to listen to the clips jp posted of a lyra kleos (i think thats what it was) vs an ortofon 2m blue?
how you listen to them is up to you.digital recordings posted online and then played back through my phone?
I prefer needle in the groove, phono preamp, class AB amplifier, speakers, low-slung chair, bottle of beerhow you listen to them is up to you.
Yes, I really enjoy that rich tone that I don't find in MM cartridges, even if they are harmonic with some distortion, the important thing is that they are there. Many needles, especially MM, do not give "the tone" of the instruments. Of course, I think you understand that I am not referring to electronic music, only to musical instruments without amplification or weird effects. That dull, gray tone of a Shure V-15 Typo III is like putting a blanket over your speakers. You recognize the instruments, but in the same way that you also recognize them in a cheap transistor radio. And you must not forget that the last link in the chain, the speakers, have a much greater distortion than any cartridge can generate. The big fish eats the little one. The hypothetical distortion of a DL103 (nothing verifiable, show me articles, graphs, whatever) is masked.a richness in harmonics sounds like maybe you enjoy the added distortion the conical stylus on a 103 imparts?
what speakers are you using?Yes, I really enjoy that rich tone that I don't find in MM cartridges, even if they are harmonic with some distortion, the important thing is that they are there. Many needles, especially MM, do not give "the tone" of the instruments. Of course, I think you understand that I am not referring to electronic music, only to musical instruments without amplification or weird effects. That gray and boring tone of a Shure V-15 Typo III is like putting a blanket over your speakers. You recognize the instruments, but in the same way that you also recognize them in a cheap transistor radio.
In my main system I use Troels Gravesen DTQWTII and a pair of corner subwoofers with 18" Eminence speakers. All DIY.what speakers are you using?
You have shown very little knowledge in this thread, you posted that the contact patch on a basic shaved elliptical is the same as conical, it is not, this is so basic stuff.I suppose you are some sort of authority on this subject but you have not proven any of your assertions.
As a life-long audio-nerd myself, there are a couple of things I have learned
1) there are very few absolutes in audio that can be applied to every situation
2) don't believe everything you read on the internet, especially when someone asserts their opinion as universal
My take-away from this silly back and forth, is that cafe latte are a "retipper" and that is what he recommends.
It's also worth noting that cafe latte also recommendeds the inferior Black Diamond brand which he is a reseller of but he DOES NOT recommend JICO, a company known for being one of, if not the most respected manufacturers of after-market styli.
niceIn my main system I use Troels Gravesen DTQWTII and a pair of corner subwoofers with 18" Eminence speakers. All DIY.
Yes I was stunned when he said elliptical and conical contact patches are the same.You are excellent example of "know nothing but have opinion". You do not know or understand (or both) even catridge/stylus basics, do not know nothing about stylus shapes etc. But have opinion. No matter Jico or anything, we are talking about stylus shape first.
I agree that the Shure V15 III is a bit on the dull side but it really shines when playing complex musical passages or recordings that are a bit bass heavy. For most of my recordings, I'm very happy with the Shure M44-7 with original and JICO styli. The high output works very well with my lower powered amps.Yes, I really enjoy that rich tone that I don't find in MM cartridges, even if they are harmonic with some distortion, the important thing is that they are there. Many needles, especially MM, do not give "the tone" of the instruments. Of course, I think you understand that I am not referring to electronic music, only to musical instruments without amplification or weird effects. That dull, gray tone of a Shure V-15 Typo III is like putting a blanket over your speakers. You recognize the instruments, but in the same way that you also recognize them in a cheap transistor radio. And you must not forget that the last link in the chain, the speakers, have a much greater distortion than any cartridge can generate. The big fish eats the little one. The hypothetical distortion of a DL103 (nothing verifiable, show me articles, graphs, whatever) is masked.