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Show us your V-Fet / SIT gear

Here is another:
Digital do MaiN B-1a amplifier (made in the 2000's) inspired by the 1970's Yamaha B-1 legend.
The Yamaha's own B-1 is a statement amplifier of all times. Unfortunately The Yamaha B-1 was a cost no object / lead-loss product. Yamaha likely never recovered the cost of Research and Development investment, hence they needed to build different siblings to increase gross sales (read B2 and B3). During the 80s economic crisis in Japan and rest of the world, and with the earlier introduction of Mosfets by Hitachi (which were much cheaper to produce), it was a lost business case for any major Japanese manufacturer to continue to produce v-fet amplifiers or preamplifiers.
That said, most of everyone that had the privilege to listen to a v-fet amplifier, knows that they provide one of the most engaging listening experience of new or old amps.
This was the case for a wealthy Japanese billionaire (Mr. Kazuhiko Nishi the founder of ASCII corporation) during the 2000's, who was so impressed with the original Yamaha B-1, enough to want to re-imagine a modern version of (modern by 2000s ). To be successful, Mr Nishi hired an old Yamaha Engineer and also hired the NEC foundry to produce a new version of the old B-1 v-fets, using NOS Yamaha silicon. The naming scheme of the new v-fets was just as that of the amplifier model, which was to add an "a" at the end of each v-fet model. For example, the old Yamaha output v-fets, the 2SK77, was named 2SK77a for the Digial do MaiN version.
As a result, the new Digital do MaiN B-1a is born as an Yamaha B-1 inspired amplifier that uses a relatively similar amplifier circuit, simpler protection circuit, a servo for dc balance, mono-block / BTL setup and and other thought to be improvements. In the end, the B-1a is an excellent amplifier. I own one of these rare birds and I can say that it sounds neither better or worse than the original Yamaha B-1, but that it sounds rather different.
Only a very limited number of the B-1a 's were produced, each was made as special order only and for a hefty price of about $10,000 (year 2000's dollars) each.
Eventually I will upload a video of the B-1a on my tube channel here:
https://www.youtube.com/channel/UCbhA9G0JwKaxB_3Nyv0plCQ
In the meantime I am sharing some photos with the group.

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I was idly rambling through the internet when I found this review:

 
I was idly rambling through the internet when I found this review:

Thank you for sharing Steve,
Definitely a unicorn and something to be admired, from both execution and sound quality. I love mine.


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And a bonus non related but familiar to you, unicorn monoblocks

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Btw, the B1 itself is biamp-able with some thought. A -500wpc vfet monoblock beast. Makes the B1a seem like a toy

Cheers,
Pete
 
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I was very lucky as a 20 year old to hear those Stax monoblocks. Well, it wasn't luck in a way. I used to do the rounds of the Sydney HiFi dealers and ask to listen to what they had set up in their listening rooms. If there were 25 hifi shops in Sydney at the time, I used to go to all of them. It gave me exposure to an enormous amount of the best gear of the time. I did this for 15 years.

I listened to the Staxes at the listening room of the Australian importer. He also handled a lot of other brands including Luxman. I was so in lust with the Stax monos that I fantasised about breaking in and taking them. To put that in perspective: I am an honest man who doesn't steal but those monoblocks got my juices flowing. Obviously I understood that it was a pipe dream but that is how much I wanted what I couldn't afford. I can tell that in doing your research you found my comments about them.

I'll go on record that I feel a lot of hifi gear sounds uninspiring and especially the stuff that seems to be getting good reviews...

Mind you I have gone on record before to the effect that most dealers couldn't get the best out of the best components anyway. I would never buy from a dealer who had lousy sounding demo systems. My notion was that if he couldn't get them to sound good when his livelihood depended upon it, why would he be motivated to get them to sound good for me. I also resolved to do my own system set up. I could depend upon that installer.
 
Amazing thread which I'll have to revisit on a quiet evening with a drink :cool:

Have just unearthed my TA-N7B again after 3 years of storage and set up temporarily as I'm awaiting delivery of a new equipment rack.

Such a beauty to look at and listen to, rediscovering music old and new.
 

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