Taylor Swift is just the tip of the iceberg IMO. The music mavens have taken everything that had value out of country music, and replaced it with the same old tired, cookie cutter pop that has taken over the airwaves just about world wide.
She's got an decent voice, and good stage presence, but if that's country music I'm Mahatma Ghandi. True country is ROOTS music. The same as Celtic, African, Bluegrass etc... Country music comes from certain, select instruments, played in a particular way, and it tells a story in a way that other music types don't. You can bend the rules some, but go too far and (for good or bad) it ceases to be country music. Just because it's sung with a southern accent, mentions a pickup truck or a trailer park, or has a fiddle line, it doesn't automatically qualify as country. I'm not saying it's good or bad music (although there's very little of it I like) it's just not country.
I've said this a hundred times in private, but I'm happy to say it here as well. When money becomes the sole object of the enterprise, then the money people will only accept a homogenized product. They want something they can sell to the largest group of people possible, and true country music doesn't appeal to the whole damn world. True country music speaks to a particular audience, one that is not large enough to satisfy the bean counters.
The folks in Nashville can call what they're peddling country all they like, but as my Grandmother was fond of saying; "Just because a cat has kittens in the stove, don't make 'em biscuits".
You have nailed my philosophy of music. Now as a suburban kid whose teenage years started at the end of the 60s, country was not my cup of tea. I was more interested in folks like CSN, Jethro Tull, Allman Brothers, Beatles, Jefferson Airplane, Hendrix, Zappa, Neil Young, BB King, Muddy Waters, Johnny Winter, Stones, Who, Van Morrison, Jeff Beck, Faces and early Elton John (and yeah, Steppenwolf, Deep Purple, Yes and Grand Funk too, which haven't stayed with me). I was becoming very interested in working-class issues in my late teens - college years, and I found the Bruce Springsteens music had a voice for that area, although his music became more watered down as he coasted on his success.
There are a lot of commercial successes in my list, but it certainly did not appear to me at the time that commercial success was the point of the music. I will say that by the time I was 12, I couldn't stand to listen to top 40 radio any more, having discovered FM. Eventually, of course, AOR became more commercial as well.
As I have grown older, my tastes have broadened quite a bit, but few of the areas into which I have ambled were big commercial successes.
Before rambling too long, I will ask you Fotno, and the others identifying "true country" where you place bands like Uncle Tupelo, and its offspring, Son Volt, Wilco, and the Bottle Rockets? It doesn't sound like any of them designed their sound to fit into any particular mold, although it is pretty clear that each of the last three derived from Uncle Tupelo (as they included personnel from UT). I've heard them called alt country, but to me, they're more true to country than most of what's out there.
Regards,
D-Ray