Nice... Ported W60's, right? ... There are so many W60 owners on here, it's hard to keep track...
That's an underrated model. In the right setting (amplification, placement, etc.), it's a truly-excellent speaker. Perfect for '60's music, including jazz, classical, '60's funk/soul/R&B, folk music, '60's and early '70's classic-rock (and especially psychedelic-rock like Hendrix), Beatles and other British Invasion groups, Sinatra and other crooner-types (The W60's really hit the mark with Sinatra), and they sound alive with tube-cut vinyl from that era.
Here's a video of my W60's with my Fisher 800C, post-restore. Should give you an idea of their lively, open sound signature. They have that lush, full-on British, "breath of life" sound that gives you goosebumps. More than the W90's even (The design of the W90's intentionally-dials that lushness back with the mix of woofers):
http://m.youtube.com/#/watch?v=qxPljs82Xgw
And keep in mind, Raymond Cooke was still at Wharfedale and would have worked with Mr. Briggs on this model, since they WERE the heads of the design team, just prior to the last of those "live vs recorded" events. The British line remained virtually-unchanged in 1960. That's because they were working on the W60 and an eventual W*0 series to be marketed in the US. And they would have worked on the W70 as well, which was introduced later on that same year (and possibly the W40). The W90, on the other hand, wasn't introduced until 1962 (Apparently, Joe Ackroyd, formerly of Goodmans and later of Royd Audio, was the one who came up with that design). After whatever work was involved for him with the W60 and W70, Cooke spent his last months at the company working on a Wharfedale slimline model as well as what would be his first KEF model, the K1 (Mr. Briggs was reportedly NOT happy when Cooke turned in his resignation...It temporarily-ended their friendship, though they did reconcile that friendship later on). A very-pivotal time in the company's history.