on another note, any benefit to moving up to this big-@ss econowave?
http://audiokarma.org/forums/showthread.php?p=1726116#post1726116I came across these two reviews, though I'm not sure if either is the one to which you were referring:
New Speakers in Da' House- JBL S2600
JBL 4430 vs S3100 vs S2600 in home
All of this leads me to conclude that accurate imaging results when the audio signal from left and right channels arrives at the listening position according to (at least) three theretical aspects:
1. frequency response must be the same (including any reflections)
2. amplitude must be the same
3. arrival time must be the same
Only to the determinedly resourceful DIYer.Are S2600 horns available?
Very similar.How do the Everest I/S2600 style asymmetric horns compare with Econowave for the equidistant listener?
Not, basically. While the effect is generated via narrowing vertical dispersion inboard, it is normalized by the system vertical nulls.Do the asymmetrics create any other problems, such as with the reflected sound that makes them undesirable?
Check out the 108 dB sensitivity of this implementaton:on another note, any benefit to moving up to this big-@ss econowave?

RTA of Eminence APT driver on standard E'Wave crossover:
First on Crites Tweeter (APT 50 on Crites horn -- made for Klipsch Heritage series to replace K-77 or T35.)
Next on APT200, integral driver horn assembly:
http://www.parts-express.com/wizards/searchResults.cfm?searchFilter=eminence+apt&FTR=&search_type=main&WebPage_ID=3&x=0&y=0
Then APT 50, using APT 200 screw on adapter, with 6x6 PT.
Finally APT 50 ...with 8x8 PT.
The crites tweeter, so small, actually sounds good, as does the APT 200. The top end is cleaner in all instances when compared to the 18 Sound HD120.
The APT on 6x6 is very good.
My Heresies sacrificed for the experiment. So I'll listen to this on 6x6PT for a while, but it's not permanent. Crites tweeters go back into Klipsch, and the 6x6 will be installed along with 18Sound HD120; it's pretty good too; they get donated to the school radio station.
PS: My measurement mic has a few dB hump centered at 10kHz.
The first order of improvement is better drivers. The E'waveguide will play nicely down to ~1 kHz, and its constant directivity behavior is tough to beat. The Seleniums are the limiting factor, presently.... :yes:
2352. It's 1.5" throat, but you'll be going there eventually anyway, and 1" throat adapters will work in the meantime.
[Give Coytee's Jubilees some serious competition.... :thmbsp: ]
HUH?Question: Have we/anyone done an impedance sweep of an Enonowave setup?
I'm curious what you're trying to gain with a larger horn over the econo or PT waveguide? More dynamics, volume, directionality?You'll get no argument from me there Zilch, but I'd still be interested in a larger
horn with simular aspects that was "obtainable" I've got a few drivers around in
my stash that I'd like to play with on a different and larger horn.
I have and have had smallish to medium sized horns but never had the large ones
in my own home, I'd be plenty temtped by a reasonably priced BIG HORN to try.![]()
Interestingly, the smaller 2381 does the identical directivity thing. They both head immediately back to 50° at 10 kHz, tho, so they're not "beamy" in the conventional sense, like the Klipsch Tractrix.... :thumbsdn:Zilch,
The 2352 shows really steady horizontal coverage at 90 degrees, but the vertical narrows down to 30 at 6.3kHz. A characteristic of bi-radial horns? I assume it's not a problem used with greater listening distances, like in a theater.
Better pattern control down to 800 Hz and below, if the driver will support those frequencies.I'm curious what you're trying to gain with a larger horn over the econo or PT waveguide? More dynamics, volume, directionality?
:lmao:Better pattern control down to 800 Hz and below, if the driver will support those frequencies.
[Also, imaginary gonadotrophia and "big horn" braggin' rights....]
Those are smaller than E'Wave, actually, JBL Consumer biradials, H4348. JBL plays them down to 800 Hz, as I recall. $800 a pair unobtanium.What about the larger (wider and not very tall) waveguides I first heard the 2452H-SL's on? The ones in the custom cabinets. They are larger! How low do they play?
There's an inherent transparency to the big horns that's hard to describe. The TOTL JBL Consumer horns have that, too, and the big TADs.So then to follow up on Duffinator's question, what's the attraction? Personally, I do think it's cool, industrial art; I guess the lower crossover point, it looks like a real 500Hz horn. But better power response can be had perhaps in our cheap waveguide. Sensitivity?