musichal
poet emeritus
I assume from your profile page that you are using the 585 to drive the speakers in the deathmatch battle?
Yes, as reported above in the Kick-Off post, which may be too long for many readers.
I assume from your profile page that you are using the 585 to drive the speakers in the deathmatch battle?
You have a huge following....if the loser offers to buy you off, what will you ask for?Yes, as reported above in the Kick-Off post, which may be too long for many readers.![]()
You have a huge following....if the loser offers to buy you off, what will you ask for?
Up first is the Polk RTiA3 with Cherry finish. If you've been thinking of buying a pair at the current $239/pr sale price, then my advice is to go ahead and pull that trigger. I'm very favorably impressed with the value, and mine aren't broken in yet. For fit and finish, they compete at four times the price. For sound quality, well, I prefer them to the similarly-priced ELAC Debut - I think. I have yet to hear the B6 with this placement, amp and room - so we'll see.
I have tried and tried to tell people how nice the Polks were but all I heard was Elac Elac Elac.... As you have seen they sound just as good if not better AND they dont look like they came out of Fred Sanfords junkyard. If the Elacs at least had a decent vinyl case I would respect them a lot more. Vinyl does not have to look or be cheap at all.....again, look at Polk's vinyl covered units like the TSX 110Bs that I own......you have to get up close and touch them to tell they are not veneer.
The more I listen to them, the more I like them. Initially, I thought the tweeter sibilant, but no, it was the recording. Now that the woofers have loosened up some, bass has improved - and it wasn't bad right out of the box. Midrange resolution is good, too. Not quite as good as my Silver 6, but not that far off, either.
Of course, if one prefers a very warm speaker with the top rolled off, then the RTi-A3 would not be his choice. That is not a snide slur against anyone's preferences - we like what we like. This speaker fits my preference for a highly detailed, presentation with a bass alignment that doesn't overreach woofer size, thus allowing a better midrange presentation. It sounds more like my MA S6 than different.
As most realize, a detailed top end can, and will, reveal the shortcomings of some recordings. So your preference for a speaker may depend on which is more forgiving, your speaker or your ear. The last thing many of us want is a speaker that allows us to really enjoy only the best recordings. I guess, if this is true (and if I'm not totally full of crap) then I have a forgiving ear. Full of it, or not, I don't feel deprived when listening.
Weaknesses? Doesn't have quite the dynamic impact to which I've grown accustomed, but don't suck in this regard, either. There isn't much I find to criticize about its presentation, and when I consider size and price, well, that's saying something.
Christine, who is a decidedly non-audio-enthusiast music lover wonders why we need larger, more expensive speakers when this is available so affordably, "Sounds just like the big ones to me."
That jibes with my experience as a former RTiA3 owner.The more I listen to them, the more I like them. Initially, I thought the tweeter sibilant, but no, it was the recording. Now that the woofers have loosened up some, bass has improved - and it wasn't bad right out of the box. Midrange resolution is good, too. Not quite as good as my Silver 6, but not that far off, either.
Of course, if one prefers a very warm speaker with the top rolled off, then the RTi-A3 would not be his choice. That is not a snide slur against anyone's preferences - we like what we like. This speaker fits my preference for a highly detailed presentation with a bass alignment that doesn't overreach woofer size, thus allowing a better midrange presentation. It sounds more like my MA S6 than different.
As most realize, a detailed top end can, and will, reveal the shortcomings of some recordings. So your preference for a speaker may depend on which is more forgiving, your speaker or your ear. The last thing many of us want is a speaker that allows us to really enjoy only the best recordings. I guess, if this is true (and if I'm not totally full of crap) then I have a forgiving ear. Full of it, or not, I don't feel deprived when listening.
Weaknesses? Doesn't have quite the dynamic impact to which I've grown accustomed, but don't suck in this regard, either. There isn't much I find to criticize about its presentation, and when I consider size and price, well, that's saying something.
Christine, who is a decidedly non-audio-enthusiast music lover wonders why we need larger, more expensive speakers when this is available so affordably, "Sounds just like the big ones to me."

I'm a slow reviewer. The new Polks needed breaking in, anyway. But I'm slow at everything, like a Dodge Dart with a slant-6 engine stuck permanently in first gear, the motor working hard at 15mph and the tank is mighty low. I found the speaker a great value for a good speaker with great aesthetic value. So let's score them somewhat arbitrarily, as a reference for the models to come.
We'll stick with the old five-star system, in tenths.
Polk RTiA3 (cherry) gets all five stars for value from a fit-and-finish aspect. Great, though magnetic grilles (rather than pegged) would have been a nice touch. Couple that with good sound and for the current sale price of $239/pr it has to score: 5.00.
Sound. I'm impressed with the performance of these speakers. Decent output down near 50hz at fairly high levels. A smooth frequency response. Will play within their limits as loudly as most people would want to listen. So what's to fault?
Like many relatively small modern speakers (and some good old recapped small vintage models, too) they can be very revealing of a weak source, whether ii is the recording or gear at fault, but we know this, and have come to expect it with detailed sound. Despite the detail, there seems to be a lack of resolution in the upper mids, and a hint of fuzziness near the crossover notch. I thought perhaps the latter due to a cabinet resonance, but was unable to detect it using slow frequency sweeps, so perhaps it is a driver dynamic, or a combo of both. The former, the lack of resolution, was not an egregious error, either. Melody Gardot was not as present as usual compared with my modest reference Silver 6, though.
That's not bad, but the news could also be better in terms of imaging. Like many small-baffle speakers they cast a good image, but I've heard many models do it a little better (and a few a lot). The soundstage is fairly wide, but with little depth.
Still, despite the criticism, I really enjoyed my listening time with the A3; they are a fun listen. They remain unruffled at fairly high volumes. Could you live with them long-term? Well, you could do worse. Could I? I might, in a secondary system. No, I mean I really might. I may be selling my Klipsch Forte. Today. If so, I'll start with the Polks in there atop dual subs. The eventual winner of this shoot-out gets the spot, if the Klipsch go bye-bye.
Anyway, I decided upon a solid 3.8 stars for sound quality for the A3.
Polk RTiA3 bookshelf speaker pair:
SQ 3.80
Value 5.00
Overall 4.00
We'll see how the Elac B6 fares next. I have to listen awhile to speakers, so expect this thread to resume in a day or three, or so. I'm a slow reviewer.
I'm really looking forward to his ADS take. I'm looking at aa pair of ADS L620 here, another 2 Way speaker, and am wondering if their mid range will be satisfying. I am listening mostly to rock and metalOf these offerings, ADS for me is the one I could live with. It has the best midrange and treble, and reasonably decent low end. It's the closest tonally to my Dynaco A 25 speakers, which do nothing wrong.
I only have heard ADS of these brands. But Not this model. Easy too live with at least for jazz vocals, jazz, blues.Of these offerings, ADS for me is the one I could live with. It has the best midrange and treble, and reasonably decent low end. It's the closest tonally to my Dynaco A 25 speakers, which do nothing wrong.