Cerwin Junki
New Member
On the A/B speaker thing. I think you misread what I said. If you have the A speakers connected and playing, then (leaving the A button alone) press the button to activate the B speakers, on some receivers/amplifiers the A speakers will go out. On these receivers, when using both A and B, they are run in series, and with the B terminals connected to nothing, you have an open circuit and that's why the A speakers go off. I've run across this many times, and stand by what I posted.
On the dust caps, Assuming you're not swapping caps of significantly different weight which would effect the t/s parameters, I also stand by my statement that they won't change the sound, especially in this case where we're talking such a small difference. Could test equipment measure some slight difference? Possibly. But test equipment can measure individual atoms these days. I will admit I don't know everything, so if you have any info to the contrary, I'm happy to be schooled any time.
On amps. The Bogen HTA-250A runs 250 watts rms, less than 0.5% total harmonic distortion from 20 to 20,000Hz. Before you say anything, I'll agree that those basic specs don't entirely tell the story of how an amp will sound. I was just putting out there that many people looking to put a system together, might consider commercial or pro amplifiers. We can't all afford Krell. I picked up those Bogens for $100 including a ton of other stuff. So basically for nothing, I have a system with a solid 250 watts per channel. My Biamp 650 is 325 per channel and cost almost nothing. And those amps sound GOOD!
My "best sounding" system, to me anyway, is Nad driving JBL's. I'm really really happy with it. And if I was going to study the timbrel differences between violins or something, that's what I would use. But when people come over and see monster Cerwin Vegas, they want to hear Molly Hatchet pounding them to the bone. For that, you need watts. And commercial/pro amps deliver those, sound great, and can be found for really cheap. I'm on a budget here as many are.
On the dust caps, Assuming you're not swapping caps of significantly different weight which would effect the t/s parameters, I also stand by my statement that they won't change the sound, especially in this case where we're talking such a small difference. Could test equipment measure some slight difference? Possibly. But test equipment can measure individual atoms these days. I will admit I don't know everything, so if you have any info to the contrary, I'm happy to be schooled any time.
On amps. The Bogen HTA-250A runs 250 watts rms, less than 0.5% total harmonic distortion from 20 to 20,000Hz. Before you say anything, I'll agree that those basic specs don't entirely tell the story of how an amp will sound. I was just putting out there that many people looking to put a system together, might consider commercial or pro amplifiers. We can't all afford Krell. I picked up those Bogens for $100 including a ton of other stuff. So basically for nothing, I have a system with a solid 250 watts per channel. My Biamp 650 is 325 per channel and cost almost nothing. And those amps sound GOOD!
My "best sounding" system, to me anyway, is Nad driving JBL's. I'm really really happy with it. And if I was going to study the timbrel differences between violins or something, that's what I would use. But when people come over and see monster Cerwin Vegas, they want to hear Molly Hatchet pounding them to the bone. For that, you need watts. And commercial/pro amps deliver those, sound great, and can be found for really cheap. I'm on a budget here as many are.
