Although I'm an LP lover I'm the first to admit they don't sound like live music either.
Of course I regularly go to concerts of unamplified music and that's my reference.
The last time I was at Sea Cliff, Mike Hobson brought some of his really nice vinyl where the top end sounded far more like live than any CD I've ever heard.Although I'm an LP lover I'm the first to admit they don't sound like live music either.
I go to live events for the atmosphere and to watch the musicians, and not for the clarity of the music.
CDs and vinyl are clearer and often better definition musically, than rowdy venues, muffled noises of the crowd and often poor venue acoustics.
It is an unauthorized copy of Nelson Pass' sliding class A designs. It is most certainly not a switching amp.is my new amp a technics su-v8x considered digital or analog?
That is solely a function of sensitivity and gain. I would not like having a preamp (or integrated) where the gain control is not used in its optimal range.I know it is a beast though i cant go past 2 on volume without knocking stuff off the shelves.
And absolutely no one records at the crippled Redbook specification. The best ones use DXD.Technically there has to be a better one and the Pro's clearly went digital.
Neither media sounds like live music. Not even with 100000000 bit / 10000000000000000 GHz resolution. This is why I said there is not Santa.
Therefore, the dilemma remains, which media format is better for RECORDING - MASTERING - DISTRIBUTION - REPRODUCTION. Technically there has to be a better one and the Pro's clearly went digital.
So are we audiophiles swimming upstream or downstream?
It is an unauthorized copy of Nelson Pass' sliding class A designs. It is most certainly not a switching amp.
That is solely a function of sensitivity and gain. I would not like having a preamp (or integrated) where the gain control is not used in its optimal range.
no my friend there cant be one better,,because neither is a perfect "one" both suffer.but i will go on a limb and break each down but i am not what is considered a audiophile i am just a lover of music. ok,
RECORDING goes to digital because the different sound fields can be honestly reproduced digitaly.
MASTERING digital for the same reason
DISTRIBUTION once again digital obvious reason
REPRODUCTION both some listeners have analog some digital.
now unless i mis understood the question that is my answer.

You forgot the last one..... Sound Delivery!!!!
All this digital goodness is turned into analog when it goes down the wire to your speakers. Speakers, headphones, ear buds are analog devices, so your analog ears can hear things.![]()
You forgot the last one..... Sound Delivery!!!!
All this digital goodness is turned into analog when it goes down the wire to your speakers. Speakers, headphones, ear buds are analog devices, so your analog ears can hear things.![]()
Thank you. First straight answer so far.![]()
Reproduction = Sound delivery, same thing.
:wave:
It was most certainly a patent infringement and I'll repeat - it is not a switching design, aka digital. It's simply an AB amp with a sliding bias that keeps it into the class A range most of the time.E-Stat,,so did they rip off this guy for his class a design,and i still dont know,is it consdered digital.
Most attenuators work best between 12:00 and 2:00. When you are forced to attenuate the signal too much, the impedance match is not idealso what would you consider the optimal range of my unauthorized amp. and i thought it was a good piece of equipment oh well, i still like it though.
And at least using 24/192 or DXD (24/352) resolution.RECORDING goes to digital because the different sound fields can be honestly reproduced digitaly.
Because its cheaper.MASTERING digital for the same reason
Agreed. Because its cheaper.DISTRIBUTION once again digital obvious reason
Exactly and the spectrum of digital runs from mediocre compressed MP3s through so-so Redbook to high rez as it was recorded.REPRODUCTION both some listeners have analog some digital.