loopstick
Lunatic Member
Kid stuff?I use to when I was a kid, but now I don't.
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Kid stuff?I use to when I was a kid, but now I don't.
I get by with two tens in the car, but my main home speakers have been and always will be fifteens. They take a lot of room, but so worth it.You need more bass with a 12" woofer speaker? I would find that plenty for most people and usages.
I get by with two tens in the car, but my main home speakers have been and always will be fifteens. They take a lot of room, but so worth it.
'Til death do we part.
I get by with two tens in the car, but my main home speakers have been and always will be fifteens. They take a lot of room, but so worth it.
'Til death do we part.
I sure wish I could hear your systems. I can't find anyone near me with a set of 3.6'sOwning 4 pair of JBLs with the big white 12" woofers, I know what you mean, but then I have Infinity Kappa 9's with 4 12" IMG woofers and Maggie 3.6R's that are 6' X 2' panels with a 60" ribbon tweeter, so no need for 15's--that and the two 10" subs running on 850 wpc--controlled by a DBX 120 subharmonic synthesizer.
Deep bass is more than just deep bass Boom. True low end response adds so much ambiance to the recording. Deep bass, in a live recording, allows the room acoustics to sound so much more natural, and present. You can hear the hall sound with it. With out it, the soundstage shrinks, and so much reverb is lost. Hard to achieve, and even harder to forget, once experienced.
is right! With a SX-828 and either JBL L26's or Klipsch KG4's I'm at 70-ish db with loudness on or off and volume at 9:00. 12:00 volume would blow windows out of my 10x10 office - not to mention my eardrums.
The loudness circuit boosts certain frequencies in a way that the tone controls cannot. It's always on for me with tone controls straight up.
Deep bass is more than just deep bass Boom. True low end response adds so much ambiance to the recording. Deep bass, in a live recording, allows the room acoustics to sound so much more natural, and present. You can hear the hall sound with it. With out it, the soundstage shrinks, and so much reverb is lost. Hard to achieve, and even harder to forget, once experienced.
Not sure why this discussion always turns into some complicated thing as though using a loudness control is some sort of ethical or moral dilemma. Like it's the "forbidden fruit" of the audio world.
Scenario #1: turn loudness on. "Hey, that sounds great!" Leave loudness on.
Scenario #2: turn loudness on. "Nope. Liked it better without." Turn loudness off.
Scenario #3: I don't have a loudness control so I'm SOL.
Cerwin Vega AT-15s.Gotta try that window-shaking-shelve-topping-power in my small living room one day... are your 15's homemade or what brand/model?
Not sure why this discussion always turns into some complicated thing as though using a loudness control is some sort of ethical or moral dilemma. Like it's the "forbidden fruit" of the audio world.
On a good system at normal listening volume it should never be necessary to use the loudness switch. It is meant to compensate the human hearing sensitivity at very low volumes (reinforce bass quite a lot, treble a bit less). My amp Revox B750 MkII has a special volume potentiometer that automatically reduces the loudness effect when you turn the volume up. I only use the loudness occasionally when listening to YouTube music videos with poor sound recording to boost the dynamics.
It's official, I have to get a subwoofer just for the sake of experiencing it, the only drawback is shelling out another $200 or $300... meh!!
Of course that is what it amounts to in the end, my objective was to listen to real experiences and motives, people use it for different reasons and by the voting percentages it is not a black and white matter, it seems to be very grey, most guys use it according to the situation.
Thanks for all your inputs.