My responses have only been relative to the NAD components I own. I chose the PE versions due to the large amount of headroom of these amps and that I was interested in their older gear.How can a couple of PE-models present how all the NADs sound?
My responses have only been relative to the NAD components I own. I chose the PE versions due to the large amount of headroom of these amps and that I was interested in their older gear.How can a couple of PE-models present how all the NADs sound?
.It stands for Power Envelop. NAD developed the PE amps to put out high wattage power over short periods of time. This allowed to amp to simulate one with much higher power levels. The reason this works is that most music only requires these high power bursts for short periods of time. The PE amps could produce anywhere from 2-4 times the rated power of the amp over short time periods.What does PE stand for?
Sorry, but that is a load of horse manure.My thoughts are that when looking at 2.0 or 2.1 systems it seems from my recent experience that new components are better on average. One of the reasons might be that over time the electrical components like capacitors, transistors, etc. migrate from their original specifications. It seems like new audio components get to take advantage of design, component and build improvements that have occurred over the decades. Even small, inexpensive, minimal looking designs seem to produce sound quality that is beyond the sum of their parts, IMO. This is reflected in DACs, amps, disc transports, streamers, etc. At the lower end of audio gear the bar has definitely been raised ALOT in recent years. I am not sure about this occurring in the higher tiers of audio gear.
some even like the utilitarian looks ...
Everyone is entitled to their own opinion. Two opinions can be right or wrong either in unison or individually.Sorry, but that is a lot of horse manure.
I've actually grown quite fond of the NAD aesthetics. They look military grade. Serious. It's different, and the variety and originality is cool. The green button really makes it. If it had a mic input I'd have to rig up one from an ol CB. It'd be perfect.I only have a restored 3140, and if memory serves, soundstage is not one of its strength (nor the looks). Still wouldn't make any overriding conclusions (some even like the utilitarian looks).
I deleted my earlier post when I realized it wasn't some sort of industry standard term, rather than what is was - a manf. product line. Curious- did they use monster over-rated caps or some sort of power storage circuit....or hocus-pocus? I am not being annoying- I am curious.It stands for Power Envelop. NAD developed the PE amps to put out high wattage power over short periods of time. This allowed to amp to simulate one with much higher power levels. The reason this works is that most music only requires these high power bursts for short periods of time. The PE amps could produce anywhere from 2-4 times the rated power of the amp over short time periods.
This video explains the general design of PE amps. It is somewhat light on the details but does explain the general idea and reasoning why NAD went this route. Basically it is a dual rail design utilizing low and high voltage rails.I deleted my earlier post when I realized it wasn't some sort of industry standard term, rather than what is was - a manf. product line. Curious- did they use monster over-rated caps or some sort of power storage circuit....or hocus-pocus? I am not being annoying- I am curious.
Excellent point. For sure I've noticed differences in the 3d quality of soundstage accross all brands. Recently I was taken back by a Kenwood KR5200. Modest little thing with an absolutely immersive, deep and wide soundstage....in my room with my speakers. All my Pioneers are decent to very good, and the mid to late 70's HK's VERY good. Again, the NAD sound is thick and shimmery to me. Nice. And my unit is doing a wonderful job at my work, where people are all over the place in the space, moving around, busy. But in my limited experience (my and my friends pieces plus the mentions of others) it had me wondering if others found this to be true for them, the rather flat soundstage. I have a new to me set of KEF104ab's I'm looking to drive with more power and a nice NAD 7175PE is available........hence opening this discussion, but you know, I really value soundstage. What can I say? All I know is that after years and years, I'm not sure I even understand the elctrical alchemy needed to make great soundstage, but I like it when it happens. I used to think it was just get quality gear and then the speakers make the soundstage. Its a journey I guess.One might as well ask, does Sansui, Pioneer,
Technics, etc. Lack soundstage. They made some great stuff and some mediocre stuff. Some sound great, some don't. This question is pointless.
What you are saying is that you avoid the Audio Science Review Forum like a plague.Everyone is entitled to their own opinion. Two opinions can be right or wrong either in unison or individually.