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Electrolytic Capacitor Shoot-Out

Very nice review and thank for the link. This is helpful since I'm starting to recap and restore a Sherwood HP 2000 amplifier.
 
Nichicon KZ

Here are the Nichicon KZ



In and running!



I had to use one FG (Fine Gold) There was no 470uf 63V in KZ only goes up to 50V.

Initial Impressions: The KZ/FG are very analytical and clean sounding. They are probably the most accurate and natural yet across the board. Unlike the FC's they image well and go all the way down in the bass and have no high frequency roll off. There is a small problem in the lower mids they sound a bit scooped out here. I do want to break them in well before I commit to this though. They are not in the "tube like" catagory like the Silmics, and they do not have the detail and low bass articulation of the Cerafines.
 
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I'd be interested in the part with Nichicon FG, KZ, and Silmic II. I mostly buy from Mouser because Digikey has almost nothing I wanted to buy. Sucks Mouser don't have Silmics.
 
Just now checked. JUST the beginning I hope for Mouser. No RFS to buy but listed unassigned. Wasn't listing ANYTHING about Elna RFS (Silmic II), not even datasheet before.
 
I've been following this thread since it began. I find the results interesting. One question that comes to mind while I read Patfont's descriptions of each type of capacitor's effect on the units sound is, why do we use "tube like" as a yardstick to measure or describe our solid state receivers by?

If I wanted a "tube like" sound, I would use a tube amplifier. I don't find that members in the tube forum are trying to make their amplifiers sound "solid state like".
 
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.... I don't find that members in the tube forum are trying to make their amplifiers sound "solid state like".

Of course not. Wouldn't it be cheaper to get solid state as a whole rather than trying to make tube sound solid state? I know I wouldn't.:D

It is cheaper to get solid state to sound like tube (as much as possible) than to get an actual tube amp.
 
I've been following this thread since it began. I find the results interesting. One question that comes to mind while I read Patfont's descriptions of each type of capacitor's effect on the units sound is, why do we use "tube like" as a yardstick to measure or describe our solid state receivers by?

If I wanted a "tube like" sound, I would use a tube amplifier. I don't find that members in the tube forum are trying to make their amplifiers sound "solid state like".

This is a great question. The answer for me is this. The ability to throw out a wide and deep sound stage and to get the feel of air and dimension around a vocal or an instrument is a hall mark of a good tube amp. They also sound liquid smooth. I would say a good popular starting point for this would be an updated and reworked Dynaco ST-70. You can get a nice one for between $400-$600. You can get into a Marantz Receiver like the one I am using for this test $65 off craigslist. And you can get pretty darn close but without the transparency in the mids of the Dynaco. So there is always the tube and solid state debate. When I write my final conclusion I am very keen to that subject and I will recommend to who each Capacitor would be attractive to so thanks for the question and stay tuned.
 
Update on the Elna Cerafine's

As far as my listening is concerned I am not really going to commit to any real short comings for these caps. It is obvious that the mids are pushed up a bit and that the high end has a gentle rise. The high end is not shrill or strident but clean and very detailed. The small mid bump will bring a vocal just to the front of the speakers. You may or may not like this, I really enjoyed them and really did not want to remove them from the receiver. A real jaw dropper was when I played the song "Reunion" off of the Album Dafos (Reference Recordings) It really made me sit up and take notice, a very very real and convincing presentation! Just finishing up with the Nichicons and will work on getting a conclusion up.
 
Of course not. Wouldn't it be cheaper to get solid state as a whole rather than trying to make tube sound solid state? I know I wouldn't.:D

It is cheaper to get solid state to sound like tube (as much as possible) than to get an actual tube amp.

I think tube amps sound MOSFET-like..:scratch2:
 
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http://en.wikipedia.org/wiki/Dielectric_absorption


This Wiki is Wright....

For us audio types..... DA causes a "Hysteresis like" charging and discharging pattern in the audio signal....The cap current flow does not follow the signal correctly and that is bad news.

It blurs the details. Buries the micro details. And loosens up the bass.

A good cap will...

Improve the detail. Bring out the micro details. And tighten up the bass..... Kind of tube like to me....

Same bad news for the Supply filters too. This is one of the reasons why a film bypass cap on the supply filter "speeds up the response".

jk


Glad you're back...
 
IMHO --- This may shock you, but depending on the units design.... upgrading the resistors to low noise metal film or metal foil may provide a greater improvement in sound than Caps.... Think of it.... In an power amp there may be only 2 or 3 electrolytic caps in the signal path... How many resistors are in the signal path?jk

This I agree with completely. Resistors are probably the most overlooked component during a refurbishment. Unless they are burnt out or the source of a serious problem in a circuit, they are mostly ignored. This is probably because it's very time consuming to measure the value out of circuit and replace the bad ones. I have begun to check all resistors as part of the rebuild process. I have found that it seems common that 25-30 percent of resistors are out of spec in many models. Precision resistors don't seem drift as often as carbon comp resistors do.

I recently rebuild two model 16 amplifiers and in each amp (4 total) about 50% of the resistors were out of spec.

Using low noise metal film or metal foil resistors are a good choice for replacement of CC resistors.

Oh, yes I did look over a model 7 schematic :thmbsp:
 
This I agree with completely. Resistors are probably the most overlooked component during a refurbishment. Unless they are burnt out or the source of a serious problem in a circuit, they are mostly ignored. This is probably because it's very time consuming to measure the value out of circuit and replace the bad ones. I have begun to check all resistors as part of the rebuild process. I have found that it seems common that 25-30 percent of resistors are out of spec in many models. Precision resistors don't seem drift as often as carbon comp resistors do.

I recently rebuild two model 16 amplifiers and in each amp (4 total) about 50% of the resistors were out of spec.

Using low noise metal film or metal foil resistors are a good choice for replacement of CC resistors.

Oh, yes I did look over a model 7 schematic :thmbsp:

Here is my pre board in my 1070:



1% metal film resistors, foil caps at audio coupling locations=TRANSPARENCY

IMHO: The real game changer are the Power Supply Caps, repeat after me Power Supply Caps. Changing them will change the sound and about 75%. The resisters give you transparency. I am not a technician I am only going by what I hear and I am sure some of you have way more experience at this then I do.
 
IMHO --- This may shock you, but depending on the units design.... upgrading the resistors to low noise metal film or metal foil may provide a greater improvement in sound than Caps.... Think of it.... In an power amp there may be only 2 or 3 electrolytic caps in the signal path... How many resistors are in the signal path?

Sorry, I meant to quote this post see above.
 
--- This may shock you, but depending on the units design.... upgrading the resistors to low noise metal film or metal foil may provide a greater improvement in sound than Caps....

You are correct. To add to that, it also depends on what you want to hear out of it. Some may feel upgrading the resistor may sterilize the sound. From reading the posting a few years ago about an AK'er replacing all the resistors to 1% film and using Silmic II in his Marantz benefits alot along with upping some capacity in the preamp section also benefits as well. I kept his suggestions in my notepad file in another computer. I'll have to find it. I'm going to consider the suggestions for my 2385
 
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