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Inside the cockpit of the SR-71

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Use to enjoy them flying in/out of Kadena on Okinawa. You usually knew when one was going on a mission because several KC-135's would take off a half hour or so before the habu did. These puppies were loud and the shock diamonds were beautiful to see, particularly at twilight/night time.

Thanks for sharing!
 
great article and video. Have you seen the SR-71 at the Evergreen Air Museum in McMinnville OR?

thanks for posting!

That is a pretty bird at Evergreen. Been about 4 years but I noticed 2 years ago when I drove by the place has expanded.

Go back 40+ years and I remember going with my dad to pick up surplus WWII aircraft parts for the racecar across the street. :D
 
Would like to add my thanks for posting also.

I actually stood in the cockpit of one testing the oxygen regulator back in 1969 when it made an emergency landing at our base. The pilots wore partial pressure suits in those days and used standard oxygen systems and masks.

Thanks for bringing back a fond USAF memory.

-Mark
 
Use to enjoy them flying in/out of Kadena on Okinawa. You usually knew when one was going on a mission because several KC-135's would take off a half hour or so before the habu did. These puppies were loud and the shock diamonds were beautiful to see, particularly at twilight/night time.

Thanks for sharing!

That brings back some memories! Watched one do "crash and dash" practice one Saturday for about an hour. Got many pics with my telephoto lens ad 35mm camera. That was back in 1977. Was stationed at Camp Hansen about halfway up the island, and could hear them for quite a long time on climb out. There was no mistaking that sound!
 
The Habu was my 1st bird out of tech school (75-76). I was an avionic senosor systems specialist. I disagree with the article, in that, most of the birds were actually single-seaters. I always thought the two-seaters were trainers.

We had to have serious security clearance to be assigned to the Habu squadron. The tarmac had "shoot to kill" warnings posted all over the place. We were based out of Beale AFB in northern Ca., with an FOL out of Kadena AFB in Okinawa. I don't know what has been declassified, so I won't say more. Lets just say that for us, it was a super sweet bird to work on, and Okinawa was a heck of alot of fun.

I was in Okinawa in '75, when a typhoon hit, turned around and hit us again. Don't tell anyone, but we put the gas-powered brake fans on 3-wheeled carts and had races around the shop hallways during the typhoon. All the shops had to have members present in the hangar/shops during typhoons.

You had to get used to walking around on hangar floors constantly wet with leaking JP7 fuel. We were told that they did not seal until they got up to altitude.

One of my favorite memories of Okinawa was going to Charlie's Tacos, and seeing who could set the most impressive records: how many (who knows what meat) tacos and Orion beers were consumed. The walls and ceiling of the place was papered with recorded attempts to be the best...HABU BABY!

Good times,
Rich P
 
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These planes were always awe-inspiring to me. I devour everything there is to read about them, so thanks for the link!

When I was a kid there was very little known about them, except that they were the fastests jets in the world, and in a world without internet only a picture here and there.

I've seen several on display now (luckily there is on display in the UK, but also saw some in Cali), and they just make you quiet and wonder what it must have been like to fly these or be around them.

Aside from that, they are just an amazing piece of engineering. Modern stuff, even if they would be twice as fast, just don't seem to have the soul like an A-12 or SR-71.

They will be forever my favorite jet!
 
Dunno which one I like better/wish they'd put one in my back yard to play with-Either the Blackbyrd or the immortal Bongo-52. You gotta wonder WHAT they have out there now that makes the SR-71 look like a Model T, like IT did to everything else in '62..
 
Dunno which one I like better/wish they'd put one in my back yard to play with-Either the Blackbyrd or the immortal Bongo-52. You gotta wonder WHAT they have out there now that makes the SR-71 look like a Model T, like IT did to everything else in '62..
Satellites baby.

Enjoy,
Rich P
 
My dad was stationed in Colorado in 1968, and he sneaked in the back of a cargo truck and snapped photos, some of which I still have. That stunt would have landed his ass in Leavenworth lickety-split. He also destroyed a $60,000 telescope, so his military career was spotty, at best.

In 1999, I physically laid my hand on that bird. Hard to believe that we created the P80 Shooting Star in 1946, and only 14 or so years later, came out with the YF-12A, prototype for the Blackbird. Way to go, Skunkworks!
 
I'm sure i've posted this before, but one of my favorite stories about the SR-71 is an excerpt from Brian Schul's book Sled Driver; Flying the Worlds Fastest Plane

There were a lot of things we couldn't do in an SR-71, but we were the fastest guys on the block and loved reminding our fellow aviators of this fact. People often asked us if, because of this fact, it was fun to fly the jet. Fun would not be the first word I would use to describe flying this plane. Intense, maybe. Even cerebral. But there was one day in our Sled experience when we would have to say that it was pure fun to be the fastest guys out there, at least for a moment.

It occurred when Walt and I were flying our final training sortie. We needed 100 hours in the jet to complete our training and attain Mission Ready status. Somewhere over Colorado we had passed the century mark. We had made the turn in Arizona and the jet was performing flawlessly. My gauges were wired in the front seat and we were starting to feel pretty good about ourselves, not only because we would soon be flying real missions but because we had gained a great deal of confidence in the plane in the past ten months. Ripping across the barren deserts 80,000 feet below us, I could already see the coast of California from the Arizona border. I was, finally, after many humbling months of simulators and study, ahead of the jet.

I was beginning to feel a bit sorry for Walter in the back seat. There he was, with no really good view of the incredible sights before us, tasked with monitoring four different radios. This was good practice for him for when we began flying real missions, when a priority transmission from headquarters could be vital. It had been difficult, too, for me to relinquish control of the radios, as during my entire flying career I had controlled my own transmissions. But it was part of the division of duties in this plane and I had adjusted to it. I still insisted on talking on the radio while we were on the ground, however. Walt was so good at many things, but he couldn't match my expertise at sounding smooth on the radios, a skill that had been honed sharply with years in fighter squadrons where the slightest radio miscue was grounds for beheading. He understood that and allowed me that luxury.

Just to get a sense of what Walt had to contend with, I pulled the radio toggle switches and monitored the frequencies along with him. The predominant radio chatter was from Los Angeles Center, far below us, controlling daily traffic in their sector. While they had us on their scope (albeit briefly), we were in uncontrolled airspace and normally would not talk to them unless we needed to descend into their airspace.

We listened as the shaky voice of a lone Cessna pilot asked Center for a readout of his ground speed. Center replied: "November Charlie 175, I'm showing you at ninety knots on the ground."

Now the thing to understand about Center controllers, was that whether they were talking to a rookie pilot in a Cessna, or to Air Force One, they always spoke in the exact same, calm, deep, professional, tone that made one feel important. I referred to it as the " Houston Center voice." I have always felt that after years of seeing documentaries on this country's space program and listening to the calm and distinct voice of the Houston controllers, that all other controllers since then wanted to sound like that, and that they basically did. And it didn't matter what sector of the country we would be flying in, it always seemed like the same guy was talking. Over the years that tone of voice had become somewhat of a comforting sound to pilots everywhere. Conversely, over the years, pilots always wanted to ensure that, when transmitting, they sounded like Chuck Yeager, or at least like John Wayne. Better to die than sound bad on the radios.

Just moments after the Cessna's inquiry, a Twin Beech piped up on frequency, in a rather superior tone, asking for his ground speed. "I have you at one hundred and twenty-five knots of ground speed." Boy, I thought, the Beechcraft really must think he is dazzling his Cessna brethren. Then out of the blue, a navy F-18 pilot out of NAS Lemoore came up on frequency. You knew right away it was a Navy jock because he sounded very cool on the radios. "Center, Dusty 52 ground speed check". Before Center could reply, I'm thinking to myself, hey, Dusty 52 has a ground speed indicator in that million-dollar cockpit, so why is he asking Center for a readout? Then I got it, ol' Dusty here is making sure that every bug smasher from Mount Whitney to the Mojave knows what true speed is. He's the fastest dude in the valley today, and he just wants everyone to know how much fun he is having in his new Hornet. And the reply, always with that same, calm, voice, with more distinct alliteration than emotion: "Dusty 52, Center, we have you at 620 on the ground."

And I thought to myself, is this a ripe situation, or what? As my hand instinctively reached for the mic button, I had to remind myself that Walt was in control of the radios. Still, I thought, it must be done - in mere seconds we'll be out of the sector and the opportunity will be lost. That Hornet must die, and die now. I thought about all of our Sim training and how important it was that we developed well as a crew and knew that to jump in on the radios now would destroy the integrity of all that we had worked toward becoming. I was torn.

Somewhere, 13 miles above Arizona, there was a pilot screaming inside his space helmet. Then, I heard it. The click of the mic button from the back seat. That was the very moment that I knew Walter and I had become a crew. Very professionally, and with no emotion, Walter spoke: "Los Angeles Center, Aspen 20, can you give us a ground speed check?" There was no hesitation, and the replay came as if was an everyday request. "Aspen 20, I show you at one thousand eight hundred and forty-two knots, across the ground."

I think it was the forty-two knots that I liked the best, so accurate and proud was Center to deliver that information without hesitation, and you just knew he was smiling. But the precise point at which I knew that Walt and I were going to be really good friends for a long time was when he keyed the mic once again to say, in his most fighter-pilot-like voice: "Ah, Center, much thanks, we're showing closer to nineteen hundred on the money."

For a moment Walter was a god. And we finally heard a little crack in the armor of the Houston Center voice, when L.A.came back with, "Roger that Aspen, Your equipment is probably more accurate than ours. You boys have a good one."

It all had lasted for just moments, but in that short, memorable sprint across the southwest, the Navy had been flamed, all mortal airplanes on freq were forced to bow before the King of Speed, and more importantly, Walter and I had crossed the threshold of being a crew. A fine day's work. We never heard another transmission on that frequency all the way to the coast.

For just one day, it truly was fun being the fastest guys out there.
 
I am in the process of reading "Skunk Works" by Ben Rich. It's required reading for anyone interested in the Skunk Works projects, employees, mgmt, politics, and the times they were in. Thanks for the link- it more completes my picture of this awesome airship and the people who were involved.
 
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