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Open Baffle Epiphany!

I alluded to it earlier, but in order to produce very deep bass in OB systems, you need a lot of displacement from your woofer. Where many of the pro woofer fall short is they have limited xmax. Doubling up drivers can help that situation. Trying not to recreate a spinal tap concert can also help.

The reason that limited xmax can be an issue is as you approach the published xmax, the driver will become increasingly non-linear. The Alpha, for instance, has a rated xmax of 3.8 mm (this is from memory) but somewhere around 2mm, the suspension becomes progressively stiffer to protect itself, but in the process, it's very non-linear.

For low level listening, you might never catch the issues. At moderate volumes, I found them unacceptable unless I used 2 per side, and even when I did, they didn't remain as composed as I like. That said, I'm also extraordinarily picky about low distortion bass. I got the but 16 years ago and haven't been able to go back to anything but low distortion bass. What some find pleasing bothers me.

What kind of sensitivity or efficiency levels are we looking at with these drivers in an OB configuration with a ribbon or Heil type tweeter?
 
What kind of sensitivity or efficiency levels are we looking at with these drivers in an OB configuration with a ribbon or Heil type tweeter?

Unless you're planning on using passive networks, which I would discourage, it shouldn't be an issue. An active xover or MiniDSP will allow you to adjust output levels for each individual driver.

But I'm not so sure the Dipole 15's can play up high enough to meet a Heil or ribbon. Pretty sure you'd need another driver to couple the two. And at that I probably wouldn't want the Heil playing down much in the mid range as I'm not too keen on the idea of splitting mid range reproduction between two different drivers.

I have four AE IB15's....close relatives to the Dipole 15's.....that I'll soon be prototyping with, shooting to recreate something along the lines of the Lotus Group Grenada, perhaps (but without that insane field coil driver). I have other ideas, but first need to determine how high up I can get them to play. It's certainly a concern I need to address and measure before I proceed with any ideas because I can't find measurements/response curves anywhere. Dave, you probably already know or have an idea. Can you throw me a bone? Being designed for infinite baffle I'd be surprised if it did much above 250.

The Grenada, for anyone interested...

http://lotusgroupusa.com/Granada.htm

- Michael
 
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Here's the $5000 Emerald Physics with those "entry level" :D Alpha woofers.



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Unless you're planning on using passive networks, which I would discourage, it shouldn't be an issue. An active xover or MiniDSP will allow you to adjust output levels for each individual driver.

But I'm not so sure the Dipole 15's can play up high enough to meet a Heil or ribbon. Pretty sure you'd need another driver to couple the two. And at that I probably wouldn't want the Heil playing down much in the mid range as I'm not too keen on the idea of splitting mid range reproduction between two different drivers.

I have four AE IB15's....close relatives to the Dipole 15's.....that I'll soon be prototyping with, shooting to recreate something along the lines of the Lotus Group Grenada, perhaps (but without that insane field coil driver). I have other ideas, but first need to determine how high up I can get them to play. It's certainly a concern I need to address and measure before I proceed with any ideas because I can't find measurements/response curves anywhere. Dave, you probably already know or have an idea. Can you throw me a bone? Being designed for infinite baffle I'd be surprised if it did much above 250.

The Grenada, for anyone interested...

http://lotusgroupusa.com/Granada.htm

- Michael

Damn, I forgot to mention that a full ranger would be used in between. I need to quit flirting around with the idea of OB's. I just don't have the space.
 
Unless you're planning on using passive networks, which I would discourage, it shouldn't be an issue. An active xover or MiniDSP will allow you to adjust output levels for each individual driver.

But I'm not so sure the Dipole 15's can play up high enough to meet a Heil or ribbon. Pretty sure you'd need another driver to couple the two. And at that I probably wouldn't want the Heil playing down much in the mid range as I'm not too keen on the idea of splitting mid range reproduction between two different drivers.

I'd have two primary concerns with pairing dipole 15s to something like a Heil or a small ribbon, one of which you described very well. The best implementation of Heils I've heard have always used them as a tweeter in a 3 way, or in the very least, a higher crossover frequency than their specs lead you to believe. Cross them over at 1000hz and you're asking for trouble, cross them over at 2k and they are a very fine tweeter. You can get lower, but they start needing very steep slopes. Big ribbon tweeters or planar dynamic speakers like a BG RD75 can go much lower and can perform superbly mated up to a couple of pairs of large diameter OB drivers.

The second concern is power response. The polar response of a 15" woofer is going to look significantly different than the ribbon/heil anywhere near the crossover freq. The problem may be slightly curtailed going OB, but any reflected material will have a different sonic character than the direct signal.

I have four AE IB15's....close relatives to the Dipole 15's.....that I'll soon be prototyping with, shooting to recreate something along the lines of the Lotus Group Grenada, perhaps (but without that insane field coil driver). I have other ideas, but first need to determine how high up I can get them to play. It's certainly a concern I need to address and measure before I proceed with any ideas because I can't find measurements/response curves anywhere. Dave, you probably already know or have an idea. Can you throw me a bone? Being designed for infinite baffle I'd be surprised if it did much above 250.

I believe they still use the copper shorting rings which does a great job of keeping Le linear (and low) throughout the stroke of the woofer. I wouldn't be surprised to see that it could play nicely up into the 400-500hz range, if not higher. The dust cap may start to come into play above that. I believe the only time I've seen them used in a non-subwoofer application was with RD75s in an inwall system where they were crossed over at 300-400hz.

The Grenada, for anyone interested...

http://lotusgroupusa.com/Granada.htm

- Michael

Those look nice.
 
It looks like there are some studio monitors using TD12s and a small ribbon, perhaps it's not as big of a stretch to think it might work....

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I'd still have concern about the polars, but in the right room, it may work ok.
 
FWIW, I plan on using Dipole 15s with a couple of future electrostatic projects. I have some panels from ML CLS speakers as well as some small electostatic panels that show a lot of promise. I might just go with a 2 way with the dipole 15 to make it easy. I'll document the build when I get it all worked out.
 
I need an audio epiphany and if it's going to happen it will be through speakers. Would these be a viable representative of OB design for the non DIYer?

Hell yes they would....or at least I'd say so based on the reviews I've read. There was a set on our local CL last week....the first generation. Seller was a little proud of them. Did you see them?
 
I need an audio epiphany and if it's going to happen it will be through speakers. Would these be a viable representative of OB design for the non DIYer?

Absolutely. I've used all the same drivers in OB bi-amped with an active crossover and the sound is remarkable.

Here's a poor man's DIY version of the Emerald Physics using four Alphas, Vifa tweeters, Dayton wave guides and a Behringer active. The author states these can be built for around $700 but when I add up the part's cost I get a lower total.


http://www.tweakaudio.com/EVS-2/Modding_the_Emerald_Physics_spe.html
 
Absolutely. I've used all the same drivers in OB bi-amped with an active crossover and the sound is remarkable.

Here's a poor man's DIY version of the Emerald Physics using four Alphas, Vifa tweeters, Dayton wave guides and a Behringer active. The author states these can be built for around $700 but when I add up the part's cost I get a lower total.


http://www.tweakaudio.com/EVS-2/Modding_the_Emerald_Physics_spe.html

Hey Nailer...let's build you a set of those! Seriously! I have the tools and facilities......those look too easy to not try!
 
I guess my only question as a skeptic is: If OB speakers offer so much more, why aren't they marketed widely / more popular? Is it just a case of old technology setting standards and people are skeptical? like me :)
 
I guess my only question as a skeptic is: If OB speakers offer so much more, why aren't they marketed widely / more popular? Is it just a case of old technology setting standards and people are skeptical? like me :)

They're difficult to market to the average consumer/enthusiast because of their appearance (large size, naked drivers in the rear, among other ingredients that add up to low WAF), unique placement requirements (they have to be three to four feet or more out from the wall behind them), complex power and filter requirements (usually require multiple amps and active crossovers), and they defy conventional thought and attitudes....just as you've demonstrated. :D
 
I guess my only question as a skeptic is: If OB speakers offer so much more, why aren't they marketed widely / more popular? Is it just a case of old technology setting standards and people are skeptical? like me :)

1) OBs are big & low WAF. Beauty is in the eye of the beholder, and many people think they are butt ugly.

2) IME, they need a a good sized room; need to be at least 3' out from the front & side walls.

3) the sonic presentation is VERY appealing to some folks, while others absolutely loath the reflections from the front wall.

If you haven't listened to OBs, you should, just so that you know what they are like. And as with speakers in general: no two sound alike, and no two rooms sound alike.

And let me also suggest that while you are at it, you check out some good single full range drivers as well. Why not check out all that audio has to offer?

Cheers, Jim
 
Back to crossover frequencies for a moment... My drivers are 15" two way coaxials with a crossover around 2 khz with lots of overlap. There was a time not so long ago that I thought a 15" two way would never work well. Well, times have changed. I get very nice midrange from the 15" driver and I cannot detect the crossover point whatsoever by listening.

I suspect the coaxial arrangement helps to make the crossover region more transparent due to the point source nature of the driver. The dipole arrangement probably helps too. I also think the pro style drivers have lighter cones and play better into the upper ranges than a relatively heavy woofer.
 
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