Yeah, I agree with you about the Lowboy comments, and your understanding of this model is the same as mine. Mostly, I posted the blurb to offer someone's opinion about the IIIa (which I've never seen) which is contrary to the opinion stated in post #14. I also agree that Njord's site is a terrific resource for trying to figure out the various models.I am not sure that blurb is trustworthy.
Not sure where I found this blurb, but interesting nonetheless. Some of it is similar to info already included here, and some of it is different. Rectilinear info is generally pretty scarce and often conflicting, and it's hard to pin down the specific dates and all of the minor variants.
View attachment 1381459

When would you speculate that 111a was made?I have a few variations on the III model. The highboy with the smaller port and two pots on the back, later with the larger ports and two pots on the back, and the IIIa picture included. The IIIa does not sound bad but it's different than the quality of the previous models. The tweeters were peerless but the mid was a pioneer and woofer was a eminence. ThanksView attachment 1381775
Thx, that might be the first time I've seen the IIIa.....and still never seen a IIIb. Too bad the Phillips mid was ditched, and the cabinet (vinyl?) seems to be a victim of cost cutting.I have a few variations on the III model


I have a schematic, but its an adobe file and I cannot figure how to post it here.This is a pleasant discussion of the Rectilinear line-up of speakers - - all of the original models that I have experienced have been well-built and excellent loudspeakers with gorgeous veneer. These days they still fly under the radar and often represent good value for vintage speakers. Too bad they used the Roman numerals for model designations - - it's like trying to identify Super Bowls.
I've read about and viewed pics of the various iterations of the Rect-III, but not sure I've ever seen an official schematic. Can someone explain how the tweeter and super tweeter arrangement works? Do the two different small Peerless drivers cover separate frequency ranges or is there a substantial overlap? Do they each have their own associated cap value, or do they share the same single cap?
"same"?....perhaps, but how about the possibility of "better". Not sure why this would be your first thought without auditioning them. Don't you think the design team thought they were making an improvement with the subsequent gen 2 version?
I enjoyed reading the OP's original write-up, but it failed to mention one of my favorite things: the odd variety of grille cloth fabrics that Rectilinear employed. Also, any company history should always give a nod to some of the notable names involved in the early years, particularly Jon Dahlquist and Richard Shahinian.
Mine is on the leftThx, that might be the first time I've seen the IIIa.....and still never seen a IIIb. Too bad the Phillips mid was ditched, and the cabinet (vinyl?) seems to be a victim of cost cutting.
Attached is parts list from 1976 which includes mention of IIIa and IIIb models. Also attached is pic of two early versions of the III.
View attachment 1381942
View attachment 1381951
Can someone explain how the tweeter and super tweeter arrangement works? Do the two different small Peerless drivers cover separate frequency ranges or is there a substantial overlap? Do they each have their own associated cap value, or do they share the same single cap?
Thanks, I sort of figured this since I've never seen a Rect III crossover with a third capacitor, but if the four small tweets consist of two different drivers, isn't it logical that maybe the smallest ones reach a little higher Hz?All four of them go through one 2.2 uF cap, so they cover the same range.
Thx for posting....here is the manual...
Great story, and yes they are somewhat rare, but almost nobody wants the last dregs of the Rectilinear company from when they were just running on fumes, despite the notion that some of them were probably very good speakers. In your hands, these oddballs would have emerged as a fully respectable loudspeaker product, but the "brand" was dead by the time the Rect-7 was born. I cannot recall what the R-7 looked like (I need to consult Njord's archive), but here are two pics of another lost warrior, the Rectilinear 5 and 5a.I had some empty Rectilinear 7's for a while....
