What about some thin MDF or Plywood with something like Dynamat sandwiched between a couple layers?
Just an idea, not anything I've tried.

No don't use that it never will dry. I just wanted to say the natural finish looked awesome. You could stain to richen the grain and then poly the wood...
That would look cool too.

I played some Sinatra and Fleetwood Mac so far, WOW there IS a very noticeable difference in the clarity and the sound stage! Awesome! Bass is cleaner and has punch!
From a block of wood?
Thanks,
John.![]()
Hi, Thanks for the info on the LACK tables. I have a Ikea right near me. Are they using the table as a seperate table for the TT alone or are they cutting the top down?:scratch2:
Thanks,
John.![]()
How about sitting on bubble wrap?
You can use it as a separate table, use the top only with cones (I think), or you can get buy several, cut down the legs and stack them with brass cones to make a rack which look pretty sweet. Ken runs, or ran, Neuance Audio and made a strong case for the black Lack being a cheap alternative to his own $200 platform due to the construction/materials used. I would provide a link to the main discussion by Ken on AA but I'm not sure what the protocol is on linking to other forums...

Air pressure is too high. It has to work as a filter for resonances in the 3-12 Hz range.
We have several marble pastry boards given to us.
One of them measuring 12" X 18" is being used to support one of the turntables.
Initially it was just placed there just to save space.
But then we found out that the vibrations caused by walking around the turntable have been eliminated. :thmbsp:
The marble pastry board comes with little rubber feet measuring about 1 centimeter, approximately 1/3 inch.
Here is an inexpensive one ( $12.99 ) of similar dimension.
http://www.kitchencollection.com/Temp_Products.cfm?sku=00643423
Sorry, I put in a different web site the first time, this one is the correct one.
Puma Cat,
If the bubble wrap is too "rigid" due to the pressure, how does solid wood filter those resonances? Or doesn't it? What about using 3 or 4 gel pads?
The marble pastry board is an excellent idea. Years ago I purchased a pair from Ikea. I unscrewed the little feet and sandwiched a thin layer of Sorbothane (I'm sure that any damping compound used for automotive sound control would work) between the marble boards. The whole, heavy platform sits on four large Sorbothane feet on top of my Billy Bags equipment rack. One afternoon, while listening to my turntable, (and to quote Tom Petty: while "living in Reseda") an aftershock from the Northridge Earthquake hit the house. The VPI played right through, without missing a beat.
You can see the double marble sandwich in this photo...I no longer live in Reseda.
![]()
Mike
I didn't say it was too rigid, I said the air pressure was too high. This causes an artificial mid-bass hump, the higher the pressure, the higher the frequency this occurs. The inner tube works differently than the board at functional level. The idea behind the board is to drain resonances as quickly as possible, and why stiff but light, lower mass boards are better than thick, massive ones. This is why the Neuance platforms were so effective. If you look at the design history of the Rega turntable, you will see that the trend for the plinth is in the direction of lower mass, not increased mass. This why the P7 and P9 tables cost more than the P3 and P5; their plinths are a lighter, lower mass design that is also stiffer.
Now, put your board a 12" or 16" inner tube inflated to 10-12 psi. You've haven't heard anything yet...


I played some more records yesterday, Tina Brooks,Floyd, Etc.
The sound is so clean, I have no other way to describe it. Words are clear as if they were here in the room. And my room is not really set up for playing music speaker location wise, I have to Balance it out to get a sweet spot.
Thanks for all your suggestions.:thmbsp:
John.![]()
I'm interested in trying this with my TT, what are you using as the 'feet' under the wooden board?
