W 25 brings up a valid point in that there is a definite visual sensory aspect to vintage equipment. There’s an added something to sitting across the room, listening to a tune and taking a good vibe in seeing the softly glowing dials and lively meters at work. Think about it, how many times do you find vintage equipment stuffed in a closet or crammed in an out of the way nook or cranny? The equipment is part of the process; part of the listening experience in a non-listening manner.
That young folk have learned to equate convenience and volume with high fidelity is no surprise when one considers that most modern ‘music’ that fills the main-stream void does not possess the nuances that true hi-fi delivers. Over-blown bass lines, high-frequency jitters, and a voice delivering a non-rhyming chant really does not require much of a set up for an adequate delivery.
Guess I’m trying to say that the music tends to determine the method of delivery. But even at that, I don’t think ‘we’ are doomed. I’ve noticed that followers of Americana and acoustic genres really care about the sound of their music.
2¢
That young folk have learned to equate convenience and volume with high fidelity is no surprise when one considers that most modern ‘music’ that fills the main-stream void does not possess the nuances that true hi-fi delivers. Over-blown bass lines, high-frequency jitters, and a voice delivering a non-rhyming chant really does not require much of a set up for an adequate delivery.
Guess I’m trying to say that the music tends to determine the method of delivery. But even at that, I don’t think ‘we’ are doomed. I’ve noticed that followers of Americana and acoustic genres really care about the sound of their music.
2¢

But that is just my tastes.
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