"On its release, it was reviewed in Rolling Stone magazine as sounding like "The tubular groaning of a galactic refrigerator" and "a night in a bus terminal". [citation needed] In the 1979 Rolling Stone Record Guide, critic Billy Altman said it was "a two-disc set consisting of nothing more than ear-wrecking electronic sludge, guaranteed to clear any room of humans in record time." (This aspect of the album is referenced in the Bruce Sterling short story Dori Bangs.) However, the first issue of the seminal New York zine Punk, placed Reed and the album on its inaugural 1976 issue, presaging the advent of both Punk and the discordance of the New York No Wave scene. To quote critic Victor Bockris Reed's recording can be understood as "the ultimate conceptual punk album and the progenitor of New York punk rock." The album was ranked number two in the 1991 book The Worst Rock 'n' Roll Records of All Time by Jimmy Guterman and Owen O'Donnell. [2] Only Elvis Presley's concert byplay album Having Fun With Elvis On Stage ranked worse. The book gives sympathy to legendary record cutting engineer Bob Ludwig for having to listen to the album in its entirety. (In fact, according to the liner notes of the 2000 reissue of the album, Ludwig was "totally into what Lou was doing" and compared the work to that of avant-garde classical composers Iannis Xenakis and Karlheinz Stockhausen.) In 2005, Q magazine included the album in a list of "Ten Terrible Records by Great Artists", and it ranked number four in Q's fifty worst albums of all time list.
Probably the most sympathetic appraisal of Metal Machine Music was given by rock critic Lester Bangs, who wrote that "as classical music it adds nothing to a genre that may well be depleted. As rock 'n' roll it's interesting garage electronic rock 'n' roll. As a statement it's great, as a giant F*CK YOU it shows integrity - a sick, twisted, dunced-out, malevolent, perverted, psychopathic integrity, but integrity nevertheless." Bangs later wrote a tongue-in-cheek article on Metal Machine Music titled "The Greatest Album Ever Made", in which he judged it "the greatest record ever made in the history of the human eardrum. Number Two: Kiss Alive!"
Despite the intensive criticism (or perhaps because of the exposure it generated), Metal Machine Music has reportedly sold 100,000 copies in the US."
Oh damn, I don't own it anymore. I wonder if I can download it from the itunes store?
uke:
