Russellc
Addicted Member
81/2" spacing with a 10" woofer is probably as tight as you can get, I'm guessing. Looks to be about 50 degrees? A beautiful graph.
This is center to center measuring, right?
russellc
81/2" spacing with a 10" woofer is probably as tight as you can get, I'm guessing. Looks to be about 50 degrees? A beautiful graph.
On my new OLA conversion I'm angling to get the C-to-C distance down to 7" by back mounting the woofer and overlapping the frames. I just bought 3'4" Baltic birch to make the new baffles. I haven't touched a router in 10 years so the learning curve could be pretty comical.
Tsloms is "Official E'Waver #51" with his excellent DIY curved-cab tower design:
http://www.audiokarma.org/forums/showthread.php?t=227959
The list:
http://audiokarma.org/forums/showthread.php?p=2260584#post2260584
The LS35A, I always wanted a pair of those back when mini monitors were first big. Havent heard one in over 10 years!
russellc
That just reminded me that I have A25s in the closet as well. I don't have to be listening to these HPM100s that happened to be sitting here when I took the main system apart for a minute.
Actually I've sorta been collecting mini speakers lately. The Control 1s, Minimus 7s, Minimus 77s, some kind of nice Nakamichi 2-ways and most interestingly, Fried Model R's. These are LS3/5A sized cabinets with T27 and B110 in them. I like the B110 but not the T27. The cab is too small to jam a conventional compression driver inside, so I'd love to find a different WG and driver for these. Mind you, that's 9th or 10th on my projects list, but I am curious about that little tweeter thingy Zilch shows on the Minimus in the pic. Quit teasing!
BTW, My PH612 WGs from Pants Excess were delivered today, so they're filling back orders on those now.
The LS35A, I always wanted a pair of those back when mini monitors were first big. Havent heard one in over 10 years!
russellc
I replaced a DQ-10 ensemble with Rogers LS3/5A as a "shoebox" substitute in the mid-late '70s for whatever size room I found myself on that transfer.
They added an exaggerated "etched" overdetailed effect to everything and had no low end to speak of outside of being used as a nearfiield monitor in a small space. I'm a lot more impressed with the AR 2-ways of that period for naturally balanced transparent sound and extended response but was unaware how good those were then, esp for the price. I'd just E-W a pair of AR-4s and never look back if I was getting nostalgic about the LS3/5A, they weren't/aren't that good by todays standards IMO. YMMV
I sold a very nice pair of Rogers LS3/5A's that I owned since 1990 to a fellow in Hong Kong for 1700$. They were excellent but not a match for most of today's high end speakers.
Ray
I replaced a DQ-10 ensemble with Rogers LS3/5A as a "shoebox" substitute in the mid-late '70s for whatever size room I found myself on that transfer.
They added an exaggerated "etched" overdetailed effect to everything and had no low end to speak of outside of being used as a nearfiield monitor in a small space. I'm a lot more impressed with the AR 2-ways of that period for naturally balanced transparent sound and extended response but was unaware how good those were then, esp for the price. I'd just E-W a pair of AR-4s and never look back if I was getting nostalgic about the LS3/5A, they weren't/aren't that good by todays standards IMO. YMMV
Yep, back a number of years ago they were the "stuff". I acquired mine when I took them in a trade against a pair of Conrad Johnson MV50's. Used them in the kitchen and den for a while; can't say that I miss them...
Ray
The DQ10 is one classic speaker I've never owned. I passed up too many because of size when they were cheap and now they're not. If I found a pair with good cabs & woofers I'd be tempted by an ewave conversion of those as well. Driver spacing would be a compromise.
Actually, now that I look at them, the DQ-10 woofer is right up to within an inch of the upper edge of the cabinet. A PH612 would nestle right up to the frame pretty as you please.
Hmmmmm....
One advantage of that 'conversion' is it would be totally reversible.
Regarding ARs and Ewave, I'd love to do a 3-way ewave with the AR3 cab and woofer, a B110 and a 6X6 ewave. Unfortunately the baffle is just too small for that to work without major butchery and compromises. Would be cool, though. I have a pair of AR3 cabs & woofers with B110 on the baffle and have used them with PH612/D220Ti on top. I REALLY like the sound.
I replaced a DQ-10 ensemble with Rogers LS3/5A as a "shoebox" substitute in the mid-late '70s for whatever size room I found myself on that transfer.
They added an exaggerated "etched" overdetailed effect to everything and had no low end to speak of outside of being used as a nearfiield monitor in a small space. I'm a lot more impressed with the AR 2-ways of that period for naturally balanced transparent sound and extended response but was unaware how good those were then, esp for the price. I'd just E-W a pair of AR-4s and never look back if I was getting nostalgic about the LS3/5A, they weren't/aren't that good by todays standards IMO. YMMV
... but I am curious about that little tweeter thingy Zilch shows on the Minimus in the pic. Quit teasing!