So do I, Meggy... and I'd have to count the 2 powered subwoofers as yet another pair of amps, for a total of 8 amps — 3 amps to drive each of my 3-way speakers, for a total of 6, then add the 2 sub amps for a total of 8. The main speakers have no internal passive crossovers, so each driver is driven directly by its own amp.
I have to use 4 x 2-way way splitters for each channel, all plugged into one little RCA pre-out socket on my little passive preamp. I think using a simple passive pre, sending a direct signal to each of the drivers, yields a very clear and "present" sound with tons of detail, and subtle ambient sounds of the recording venue which get lost when they have to pass through an active preamp and then complex passive crossovers in the speakers. It's called "insertion loss", and it's not just a loss of volume, it's the loss of small details, overtones and harmonics, the slight reflections from the walls of the original venue, the whispers of the musicians, the clink of ice-cubes in the glasses of ringside patrons at the Jazz club — restoring all these sonic "cues" comes really close the original sound.
All but one of the power amps has a Volume control for each channel, and I use these to balance the outputs of the 3 main drivers. I need this feature because my Tweeter is the JBL 077, the Midrange is the JBL LE-85, and the woofer (temporarily) is just a generic polyprop 8-incher. It's sensitivity is only 93dB, whereas the two JBL's are 105dB — without the volume controls, the JBL drivers would be way too loud, and overpower the woofers.
I'll soon replace the woofers with JBL 2213 12-inch drivers, which I hope have better sensitivity, and I hope give deeper bass — and they have those very cool White Aquaplas cones.