• The move to the new server is done. There are some software and database maintenance updates in process. This has us passing the hat around to help out. We appreciate any donations. Seriously, even a dollar helps. The payment page may be found here - https://www.audiokarma.org/support.html

Post a picture of your turntable

DSCN2176a.JPG
DSCN2177a.JPG

Elac Miracord 50H Studio 3100 waiting for its Grado 78E (and speed control lever repair...)
 
There is a new addition to the family, a Rega P1. I'm just trying to decide where it should go... I have to be honest, I was a little disappointed in the construction at first. It looks kinda cheap, plastic hinges and the platter made out of wood. But damn does it sound good! :smoke: I'm noticing details I haven't heard before on my other tables. Even heard differences between a 30 year old copy of Hotel California & the cd, and like the LP... more depth and just sounds better.

That's the result of good design. It looks and in some ways feels budget, but doesn't really sound it.
 
^I had an SMMC3 on by Beogram for a while before the motor started going haywire. Sounded GREAT! Not really worth the cost per say, but if you're desperate to get a B&O up and running it's a solid investment.
 
Hey pmsummer, have you ever heard any of the Soundsmith replacement cartridges?

No, I haven't. But I probably will at some point in the future.

I do know that B&O and Ortofon (the oem for the MMC line) both approve of what they are doing.
 
I bought it of a guy who got it from a German collector. It is in top condition, no scratches or anything. And as far is I know it is original, although I can't find any further info on it. It weighs 16 kg!
But thanks for the compliments, it makes it easier to explain these kind of purchases to the miss...
Compliments to the rest as well, there are a lot of nice tables around!
 
My Sony TTS-3000 with PUA286 tonearm. A large turntable! And with belt drive, which is uncommon for a top-end Sony model. It's from the late sixties.
 
Last edited:
Thanks! Yes, it is very nice actually. Bought it a few months ago, and it has relegated my Thorens TD166, Linn Basik and Luxman PD277 turntables to the attic. I'm kind of fascinated by this TT. It's so old and still sounds very good and has a definite quality feel to it. It also makes my other turntables look like toys, with its long tonearm and the sheer size of the whole thing.

Jake
 

Attachments

  • DSCN3160_edited.jpg
    DSCN3160_edited.jpg
    88.4 KB · Views: 2,000
Hmm, I wonder what the effective mass of the tonearm on that Puritan is.:D

I've posted pictures of my beloved turntables before, but I just took a few new ones, so here they are.

Thorens TD125 MKII w/Benz MC20E2 cartridge

Pro-Ject RM-5 w/Dynavector 10X5 cartridge


Both of them sound fantastic!

That looks to be a TD160 type tone arm on your TD 125. Is it manual cuing by the headshell only? Also is that a tube damper on the arm, and your sonic thoughts on it.
Both tables look good!
Jim
 
That looks to be a TD160 type tone arm on your TD 125. Is it manual cuing by the headshell only? Also is that a tube damper on the arm, and your sonic thoughts on it.
Both tables look good!
Jim

Thanks Jim. As far as I've been able to discern, my TD 125 has the original TP16 tonearm. The one on the TD 160 can be separated into two pieces, or something like that. It looks almost exactly the same, but the mass is different.

The damper is from Herbie's, and it's meant as a tonearm or capacitor damper. Although I didn't notice anything different at first, once I changed out my Grado Silver for the Benz MC20E it seems the Benz has never sounded so good. The Benz is better with a higher mass arm, so I'm not sure if it's the extra mass the Herbie's damper added that improved the sound, or if it's just that the Benz is starting to break in more (it's new).
 
Back
Top Bottom