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Show Us Your Sonys!!!

I wasn't thinking along the lines of resentment over WWII ,but a form of market protectionism.
We all know which brand was responsible for instance for the assumed(and wrong in my opinion)attitude that belt-drive is automatically superior to direct-drive.That brand did such a good job of denigrating the opposition that even to this day adherence to the the notion that the company's turntable is the 'best in the world' is more like a religious following.Acolytes of the brand will hear no argument that there can be any possibilty that any other turntable might be able to bear the title of 'best'.To the blind and obedient followers of that brand there will only ever be one 'best turntable in the world',the one which they worship.
To suggest to them that it's overrated is sacriledge.:nono:
All other turntables(so the faithful have been told) are incapable of music and by extension only capable of making sounds.The triumph of the corporate marketers over commonsense.
The eager many who swallowed the party propaganda about this turntable were convinced(in my opinion)by journalists in the pocket of that coporation to shun the opposition,and also convinced to reject utterly any notion that competing technological approaches to the problem of vinyl reproduction posessed any validity.
Now extrapolate that attitude about turntables to amplifiers and the same stance was put forward about another company's amplification products.i.e. the only amplifiers capable of music reproduction came from this particular company(when mated to the above turntable.No other).
The worst demonstration of hi-fi gear I ever heard was in the showroom of a dealer of the above two products.The demonstration was of THE turntable manufacturer's TOTL TT/arm/cartridge,mated with THE amplfication corp's then TOTL preamp and poweramp.The speakers were low cost offerings of the turntable manufacturer.I was appalled at what I was hearing and the dealer was moved to ask "Have you ever heard anything like it?"meaning of course "Isn't this just the pinnacle of reproduced sound quality?"
I indeed replied that I'd never heard anything like it because, to this day I've never heard music so mangled by any device anywhere.
I often recall this because whenever someone comes forward to say that they've heard these brands and doesn't like what they heard,the faithful trot-out the party-line that the turntable has to be set-up by someone with the magical knowledge which unlocks the hidden potential.Therefore by extension anyone who says that they've heard the product and didn't find it to be the 'best' was disqualified because the turntable hadn't been set-up by The Priests of their religion.
The propaganda machine had an answer to everything,even when their Emperor was exposed to be wearing no clothing.
I'm glad the Japanese never stooped to these gutter tactics in the promotion of their products,and I laugh today when I hear the 'faithful' still trotting out the well-worn cliches about these products.
I'll expect some criticism for what I've just put forward,of course.:D
Don't get me started on the way horn-speakers were denigrated.
 
MY Sony TA-F808ES

Here"s is my Sony TA-F808ES:banana:
 

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Sony Sound Report

So far so good. I added some Kimber Kable Silver streak rca interconnects, big improvement, I highly recommend them. I would of liked to heard them with the Kenwood 600. I will post a full sound report later went the cables burn-in all the way. No I don't miss the 600 but, I would like to hear them side by side with the new Kimber Kable. :thmbsp:
 
70's sony amp repairer in surrey uk?

My repairer is struggling to repair my TA-4650 (speaker muting circuit problem?), TA-E7B, TA-2000F, and TA-3200. anyone know a reasonably priced repairer who knows sonys locally? thanks
 
Hope you find someone gilbodavid... same problem around these parts. Good thing I have a friend that knows his way around electronics.

I finally got around fixing up my Sony PS-X75 biotracer.

Took off the platter to make shine again like it should, cleaned the base as good as I could (it does show some wear and tear), took off the element, cleaned that carefully.

But most importantly I cleaned the cilinder attached to the plastic piece that lifts and lowers the arm. It had remnants of old grease and oil on it that had dried up due to age. Put some new grease on there, let it move up and down a couple of times, with some slight help at first, and now it works like a charm again. Before the little motor was struggling to lower the arm or would refuse, and going up was very slowly as well.

So after setting it up the right way, all the automatic functions work great again, it is a real sight to see the arm move to the platter, adjust slightly and then slowly lower onto the record, and enter audio nirvana :D Gotta love records...

Found out while testing that when you take off a record (an old worn down one) while the platter is spinning and the arm is moving towards the record, it immediately goes back to its armrest, neat security feature ! The auto 33/45 rpm feature works great too ! (and uses the same sensors).

Now the only thing left is wait for the Denon DL103 to arrive and see how that improves things because the Ortofon MC20 on there has had its best time.
 
My repairer is struggling to repair my TA-4650 (speaker muting circuit problem?), TA-E7B, TA-2000F, and TA-3200. anyone know a reasonably priced repairer who knows sonys locally? thanks
Believe it is AK member morksbeanbag who has his B-2x under repair at the moment. He lives in Derbyshire, so might have some leads for repairs.

Kristoph - good to hear your PS-X75 is singing sweetly, again. eventually I'll have to address the issues with mine.
 
Good for you Bigredplane!
Nice photography also-Love the anti-vibration feet.
How do they mount on the bottom?
Mark
 
ss-m7a speakers

some pics
 

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Very nice speakers. Chip HP has invited me to audition his SS-M7s while on vacation out west. Will be dropping by for a brewski and a listen in mid-July. Am looking forward to same. Chip also has the NS-1000Ms, so perhaps we can A/B. Nothing like a good brew and some good music. Maybe I can even treat us to some great TX BBQ or TexMex. Sure do miss that good food.
 
toolik,
The SS-M7s were one of the rare occaisions that the mainstream press reviewed a top class Japanese speaker(Stereophile).They were well liked also.
Wasn't there a SS-M9 as well?I recall the 9 having two woofers.:scratch2:
The PX-3 and the B-2 make a great combination.:thmbsp:
 
The SS-M9Es, indeed, does has two 8.5" woofers and is a floor-stander. The TOTL was the SS-M9ESD, which has a super-tweeter mounted on the top of the cabinet and received a very favorable review from Stereophile. There is a set of the SS-M9Es speakers on Audiogon at the moment. The seller is keeping his SS-M9ESDs in piano black.
 
Hi all! I sold my ES system 10 years ago and regretted it ever since. I have recently decided to purchase some components to try and replace them! Here are a couple photos...Now if I can only find a TA-E80ES to replace the 2 I sold, I'll be happy! PS I have a X339 on the way...
 

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Well, finally tax season is starting to slow down just a fraction but enough for me to think about you guys again. Got the STR-6120 yesterday from Warren. He was most patient hiolding it until the glass was found and then holding it while my mind was elsewhere. Sitting in the office in the box unitl somethime next week when I'll have more time to move it to the house and play.

For some reason the unit came with a STR6060FW service manual rathere than a 6120 but, as I have 3 6060s not any big deal for me. I have not before seen the specs of the 6060FW nor the technicals. The unit is rated at 45 watts per channel @ 8ohms but does not specify the related measurement criteria such as 20-20,000, both channels driven, etc. It does specify the dynamic power as 110watts both channels @ 8ohms but again something gets lost in the translation. Does it mean a total of 110 or 55 watts per channel or 110 watts per channal with both channels driven. Could be either as it would be only +3db. It does specify .2% HD and ID at rated output but does not specify which rating. Oh, those days before the FTC ratings.

62 transistors and 29 lbs for something like a 45 watt per channel receiver. 5 gang front end with 8 if stages. The only spec that is not quite 1st rate is the phono S/N which is -70db. The line level S/N is -100db.

There was a production change evidenced by a service information bulletin dated Jan '60 and a correction to the service manual dated Aug '69. It is for production changes: UL s/n 86871 and 85901, for CSA s/ns 75001 and 75101 and for General Export s/ns 55831 and 55301. I am assuming that the addendum got the CSA and General Export numbers mixed up as they are the reverse of the assignments in the service manal. The service manual does not have a date code I can find but has 2 FM front end sections in the manual (FAF-010A amd FAF-010B). The B board starts with s/n UL units s/n 85902, CSA 55302 and General Export s/n 75001. The A board starts with US s/n 85001 to 85901 and CSA 55001 to 55301. It does not list a General Export s/n range for the A board. There is a note on the A board that the diodes D210 through D205 use a IT243 for s/n 80001 to 80101 so possibly this is the Japanese market s/n assignment range.

In thinking back to this period of about '69 this unit is running with the McIntosh MAC1700 (hybrid), Marantz 18 (not sure but maybe the 19 was released in '69) Fisher 600T (hybrid) and 500. I think the Sherwood S-8900 and 8800 were out then but believe the SEL-200 bowed in later - about '72 or '73 so not in the period. At least until the 6120 hit the shelves given the realtively close power specs these all had, the 6060FW was knocking up against some US heavy weights at the time.

It will be interesting to see how the 6120 stacks up against the 6060FW for me.
 
Managed to kickstart my CDP-X777ES back into regular life after it started skipping just recently. But strangely enough only the first three tracks of the cd or so. Never the fourth or any tracks further down the spiral.

Knowing that spare laserblocks are nowhere to be had anymore, I was hopeful as I opened the lid, cleaned out all the dust carefully, cleaned the lens, checked if all the guidance rails, gears and other mechanisms needing some grease or oil were still sufficiently greasy and oily (which they were, although I plan on redoing that some time after getting some specific product for it), and after that closed her back up.

Been playing cd after cd and no sign of hiccups anymore. Yay ! :D

However, an overhaul on the TA-E88B preamp is getting necessary as the volume and balance pots are scratchy, and even some of the other switches are sometimes the culprit of an uneven balance. Turning them a couple of times when everything has heated up usually solves the problem though so it is bearable for now. Still a thorn in my eye though.

I know I have been saying this for quite a while but now it is really getting time to do this.

So KICK me please ;)
 
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