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The Mighty Bogen MO-200A

Comments --

1. Of course the Bogen design already includes control grid stopper resistors, so the article must be referring to the lack of -- and therefore the installation of -- screen stopper resistors. Except that due to the physical design of the 8417 tube (cavity anode), use of screen stopper resistors has little if any impact at all on parasitic oscillations with this tube. This was (again) proven out back when I was involved in the project of this thread, where you will note that for the 2 X 8417 version, the plate stopper resistors were absolutely required, and left in as a result, but of course the 2 X 6550 version required no such resistors. And, because the screens were operating at a much lower voltage than the plate, and because there were only two tubes involved, the 2 X 6550 version actually requires no stopper resistors at all other than the garden variety control grid stoppers. This is one reason that the 6550 version is capable of more power output than the 8417 version.

2. Understand that in this type of amplifier design, it is impossible for the output tube control grids to ever be driven positive. They can be driven right up to Eg1=0, but never above that level. That's because at any potential above Eg1=0, the control grid starts to conduct current, just as the screen grid of plate elements do by operating at a positive level relative to the cathode. To make the control grids go positive requires a driver stage than can actually deliver power (a combination of voltage and current), which then results in Class B2 operation. However, the little driver of these amplifiers is nowhere near capable of delivering the necessary drive power (which can be of a level of a few watts in some cases) to produce Class B2 operation, so the design firmly remains a Class B1 design, with the control grids never being driven positive. As well, the 1000Ω control grid stopper resistors would preclude Class B2 operation in any of these related designs anyway. Designs that operate or ultimate shift in/to Class B2 always have very low DC resistance values in the grid #1 circuit, precisely so that enough current can flow to actually force the control grid to a positive level. Back in the day, they always used a driver transformer to accomplish this task while today, mosfets can do the job.

3. These industrial designs invariably will always use a separate or tertiary winding to supply the NFB loop. The purpose of this is so that the load winding can operate independent of a ground connection. Were the load winding to supply the NFB signal, then the winding must be grounded at some point to complete this circuit. But when the signal is supply by a separated -- grounded -- winding, then the main winding can be grounded or not, as local codes or the installation requires. Remember (again), these amplifiers were designed for a purpose, which could be anything from a large sound distribution network, to powering shaker tables. Some installations required the load to operate independent of ground, while others required it to operate with one side grounded. The use of a separate FB winding facilitated this ability. In the better OPTs, (which the Bogens are), this tertiary winding will be tightly wound with the load winding, so that the FB winding produces a faithful -- but isolated -- copy of signal appearing at the load winding.

4. The NFB winding in the Bogen is a 70 volt winding as well. The voltage level appearing there at maximum output merely represents a design exercise so that the proper amount of FB voltage is applied back to the inverting input of the amplifier.

5. I'm not sure if I ever directly measured the distortion of the original design OL -- but I may have in chasing down the phase inverter resistor issue. Check back around pages 8-10.

6. Fender and others aside, it is never a good idea to leave vacuum tubes with their heaters powered, but the tubes passing no current. This can lead to damaging the cathode which is fully documented, primarily with the early studies involving vacuum tube based computers. Providing a standby feature is always a good idea when it can be used to advantage, but when activated, it should still allow for a small amount of current flow (even 5 mA is sufficient) to prevent cathode damage.

7. Adding a cathode bypass cap to the AF Amplifier stage (requiring a slight re-design as to how the NFB is applied) will add very little if any additional gain at all to this design. That's because the cathode resistor is already so small in this design -- relative to the large plate resistor value employed -- that there is virtually no current feedback developed across the resistor for a bypass cap to bypass. In other words, they've already extracted as much gain out of the stage as possible, as further evidenced by the very low amount of static bias voltage -- and the problem that causes -- that I've previously documented. On the other hand, you will note that in the modified 2 X 8417 version I developed, the cathode resistor of the AF Amplifier stage is raised significantly -- this to solve the non-linear operation of the phase inverter at high power levels -- but that also then introduces current feedback into the stage. As a result, I bypassed that resistor to achieve both a more properly level of static bias, and the AC gain of the original design.

8. Bogen's power supply approach is a more economical way to approach the needs of the amplifier, and in practice works well enough. The Stromberg design however has the advantage of operating the screen grids from a full-wave rectifier design, which minimizes any filtering required. The Bogen approach operates the screens from a half-wave supply, requiring the need for filtering, which then introduces power robbing impedance into the design. This approach is a significant factor in 8417 designs, as the screen grid of this tube draws a significant amount of current -- much more than the aligned grid 6550 beam power tube does, allowing more current to flow to the plate, and is yet another reason it is capable of producing more power output.

Dave
 
Adding a cathode bypass cap to the AF Amplifier stage (requiring a slight re-design as to how the NFB is applied) will add very little if any additional gain at all to this design. That's because the cathode resistor is already so small in this design -- relative to the large plate resistor value employed -- that there is virtually no current feedback developed across the resistor for a bypass cap to bypass
I've seen the term "current feedback" as well in other contexts the term "voltage feedback" used occasionally when discussing feedback signals. What specifically is the difference between these two terms?
 
K -- With Voltage Feedback, it is understood that the FB signal is being supplied by a voltage source. Therefore, a classic global NFB loop is an example of this where the feedback voltage is supplied by (i.e. originating from) the signal appearing at the secondary of the output transformer.

With Current Feedback -- it is understood that the FB "voltage" is developed as the result of current passing through (typically) a resistor. Therefore, the signal appearing across a cathode resistor -- in a voltage amplifier stage or power amplifier stage -- is considered to be of the current feedback type, since the signal is the result of dynamic current flowing through the cathode resistor.

If you really want to get picky, you could make the case that even voltage feedback is the result of current flowing through a NFB reduction ladder network -- so therefore, why is there any difference between the two terms? The term current feedback is admittedly a primarily old school term, likely used to differentiate between the two types of feedback -- and as many know, I'm hopelessly old school, so I still use the term routinely.

Another example of current feedback is that used when damping controls were (at one time) added to many amplifier designs. These all were invariably based on the voltage developed as a result of current flowing through a very low value resistor, which was connected in series with the speaker. As the impedance of the speaker varied, current through the resistor varied, as then did the voltage developed across it. The voltage developed was then used as a feedback signal to cause the amplifier to become (effectively) a constant current generator, with the amount (or ratio) of voltage and current feedback employed then providing the ability to adjust the amplifier damping presented to the speaker.

I hope this helps!

Dave
 
Doesn't it cause some difference in impedance as well? Current feedback creating a higher impedance where voltage creates a lower impedance? I seem to remember reading that somewhere. It seems to make sense at least, since the path to ground has a fair bit of impedance when you're dealing with something like an un-bypassed cathode resistor vs a bypassed resistor.
 
Almost 6 feet tall 30” wide and 300lbs

Most SS amps won't last 10 minutes on these, planar drivers and 4 - 12" dual wound voice coils with a minimum of 100 watts, these things eat amps. Only transistor amp that lasted with these was my Crown PSA. These are current hogs and any good transient, shorts the transistors rite away. Played 1812 Overture with an SS 250 watt amp and on the second cannon shot the amp went POOF! What I think it is most power supplies can’t supply the current and the transistors die trying. Wouldn't even think of putting my PL 700B on these even for as HUGE the power transformer is on it, but the 20 transistors would give off a excellent light show though!

So, I use a pair of Bogen MO200a tube amps on the lower region, they are so realistic, its like being in a live concert hall, its seriously hard to keep pictures on the walls i have to use velcro. They actually go down to 24hz without a sweat and as high as 40k. So now you now my reasons for wanting to keep all the tubes and get these Bogen amps distortion levels down the bass would be rock solid and powerful!

Trust me if I can find a speaker as good as these in a smaller more efficient package Id have some lower wattage tube gear.

I thought about the Pass gear, Paul McGowen really nice guy, teamed up with Artie Nudell who created these Infinity monsters. Met both of them. Artie sold infinity to Harmon Kardon and started Genesis technologies where he took his infinity designs and used them in the Genesis line. Really beautiful speakers but another power hungry speaker. Paul actually makes the amps to drive his line and the servo controls for the woofers and DACs but can't afford them.

Anyway I figure I show and explain why the desire is so high for me, bogen only amp I find to stay cool during hours of listening and keeping my feet warm while playing. :)
 
Wonder what the impedance curve looks like if those eat amps. Probably has a pretty significant dip somewhere.
 
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I'm sure that with dual wound voice coils there is some heavy current draw especially way down, I know the tests were done with wobble tone and got extremely low at 27 hz, Pretty hard to burn-up a transformer especially on the bogens as opposed to a transistor...but I can tell you sitting in front of those during the cannon shots you wont need a defibrillator..8)
 
couple thoughts from me. this is specific to the Quicksilver, so not all of it may apply to the Bogen.

Looks like they're changing the grid resistors from 150k to 47k or so. That will need a more stout driver. Seems they're sorting this by paralleling the sides of a 12ax7, which might get it done from a current perspective. Voltage swing shouldn't be an issue with an 8417, but I'd question the ability of that to drive a 6550 to full power without doing some analysis on it. Also not entirely clear how thats meant to work unless in stock form the amp leaves one side of the inverter tube un-used.

The QS amp runs a tube rectifier? And a single 5AR4 into a 320uf cap? No wonder it has arcing problems. Way too much cap, and nowhere near enough rectifier to adequately supply a 100 watt amplifier. Thats at least a dual rectifier job, though honestly solid state makes a world more sense here. Something I can attest as a Bogen owner, the power supply is pretty stout. I don't see large amounts of voltage drop.
 
Yes I agree a dual rectifier would of been better but as you said 320uf kinda overkill, what would be a nice rectifier would be a 83 or the 866 mercury rectifier and glow nicely. Damper diodes would work but real estate
is a issue.
Now you know what to do with the extra tube sockets in the bogen...parallel or voltage doubler 83s or 866's give the amp a nice soft start....and it would look cool..May have to calculate voltage loss but sure voltage still be sufficient to drive bogen to limit..
 
I'm fine with the silicon doubler. With KT120 tubes it would be awful crowded in there. I mounted my bias test points in that spot when I removed the sockets. The under-hood space is pretty limited as well, and I really don't want the power supply stuff any closer to the audio bits than absolutely necessary.
 
I does appear that this paper's effort to "stabilize" the output stage is based on stabilizing the operating point of the tubes by way of ensuring no more than the maximum recommended DC resistance appears in the grid no.1 circuit of the design -- except that isn't a problem in the Bogen design, even with two tubes used on each side of the push-pull connection. The paper does not address output tube parasitic instability or overall amplifier stability with regards to the load connected.

Dave
 
I have access to one of these in excellent condition. Bone stock with all metal output tubes. Is this worth having and converting to stereo use? I’d have $300 + caps in it if I did. Are the tubes likely to be shot? Looks expensive to re-tube.
 
The 8417 is not a metal tube. What tubes are installed?

If they are 8417's, they might be good. The Bogen design didn't abuse them, but its possible they failed from something going unstable. If the cathode resistors are roasted, the tubes probably are too. Not in production anymore so yea, spendy to replace. Handily they work fine with a 6550, kt88, or kt120 if you re-work them. All of those can be had for not stupid prices, and the revised design only uses 4 tubes rather than 8.

My MO-100a's (its half the 200a, basically a pair of monos vs the stereo) are my main amps at the moment and have been for a few months. Honestly I really have nothing bad to say of them. Quiet, lots of power, good frequency response. They're fairly "invisible" sounding honestly. Not a particularly noticeable sonic signature, they just play music. I'm running KT120 tubes and the amps have been revised to Dave's schematic from somewhere earlier in this thread.
 
The 8417 is not a metal tube. What tubes are installed?

If they are 8417's, they might be good. The Bogen design didn't abuse them, but its possible they failed from something going unstable. If the cathode resistors are roasted, the tubes probably are too. Not in production anymore so yea, spendy to replace. Handily they work fine with a 6550, kt88, or kt120 if you re-work them. All of those can be had for not stupid prices, and the revised design only uses 4 tubes rather than 8.

My MO-100a's (its half the 200a, basically a pair of monos vs the stereo) are my main amps at the moment and have been for a few months. Honestly I really have nothing bad to say of them. Quiet, lots of power, good frequency response. They're fairly "invisible" sounding honestly. Not a particularly noticeable sonic signature, they just play music. I'm running KT120 tubes and the amps have been revised to Dave's schematic from somewhere earlier in this thread.

I see now they are 6L6’s.

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Hi Dave
Question, is there another way to perform the ac balance adjustment other than a scope to measure the distortion at the output?
Possible to balance static voltage at front end of coupling caps as starting point?
Thanks John
 
I see now they are 6L6’s.
I would just assume those are smoked. The Bogen runs near double the voltage that a 6L6 is rated for. Oddly one of mine came with a pair of 8417's and a pair of 6L6 metal tubes. I don't remember if they were good or not but the cathode resistors and the balance pot were roasted.



Question, is there another way to perform the ac balance adjustment other than a scope to measure the distortion at the output?

I connected a scope probe to each output tube grid, set the scope to add the channels, and adjusted it until the line went flat. The other way would be to measure the plate resistor value and adjust the AC balance until the resistance from ground to cathode matches the plate resistor value. Both methods will get you to the same place on the pot.
 
I would just assume those are smoked. The Bogen runs near double the voltage that a 6L6 is rated for. Oddly one of mine came with a pair of 8417's and a pair of 6L6 metal tubes. I don't remember if they were good or not but the cathode resistors and the balance pot were roasted.

Really? The 6L6 plate voltage ratings are 250/500. The 8417 is 300/660. What's the B+ on in the Bogen run? In any event, I'm not buying it. Re-tubing it alone with current production tubes (of whatever variety) would be over $300 minimum (and, of course, 8417's are out of the question in terms of cost as far as my quick search revealed), to say nothing of the outlay to update the PSU with capacitors, etc.
 
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