Looking to centralize the info from multiple threads so that future readers can find multiple B-2 related topics in one place so going back to the PSU filter caps and any related improvements:
Once we reach this level of musical transparency any improvements are subtle but choosing the wrong part for the job can actually alter performance in an unfavorable direction by a lot.
precisely and each one's experience and system profile might vary slightly, but what you are saying is absolutely spot on.
Actually that is not my experience.
CDE, Nippon Chemi-Con, Rubicon, Elna, Nichicon, Riffa all made large and small caps in the 70s and 80s. Nichicon and Riffa made some of the best large cans and still do, with Riffa under the Kemet name. The large can Nichicon caps that are inside the B1, B2, B3 and many of the Sonys were absolutely exceptional for the Audio purpose they were specifically developed for. If there was not for the less than optimal mechanical configuration of the B-2 and the indirect poor thermal management, I would be willing to bet that we would see a lot more of these 45 years old caps still be working well within specs.
What we have today is high performance, heavy duty caps made for switching power supplies and industrial applications. Besides the purposely built for audio caps from Nichicon and Mundorf we actually have a lot less choices than there were in the 70s, 80s and 90s. Once in a while we ran into an all-purpose large caps type that perform very well in a vintage audio power supply such as some of the series from Riffa / Kemet and TDK / Epcos, but who knows for how long these would still be around. It was not too long ago that Epcos made the Sikorell and Panasonic made the THA series caps, the later still used in the DartZeel amps as special order, but those are also now gonne from retailers with the rest of the good Audio caps from the earlier decades, so no, we are not in a better place when it comes to big cans we can use in vintage audio linear PSUs.