skywave-rider
Slumming in Akihabara
Thanks, Dave, appreciated.
I think it's an interesting concept, but the strongest reflections come from the ceiling and floor, and minimizing those, I believe, is a higher priority. Additionally, reflections from the near wall have less to do with an HF section of reasonable horizontal directivity and toe in -- that is, aimed at the listener -- compared to lower frequencies.
This is from my experience and pardon any misuse of vocabulary.
Having said this, it would be interesting to hear a Geddes system in intended setup.
I think it's an interesting concept, but the strongest reflections come from the ceiling and floor, and minimizing those, I believe, is a higher priority. Additionally, reflections from the near wall have less to do with an HF section of reasonable horizontal directivity and toe in -- that is, aimed at the listener -- compared to lower frequencies.
This is from my experience and pardon any misuse of vocabulary.
Having said this, it would be interesting to hear a Geddes system in intended setup.
Sure. The idea is that you want to minimize early reflections from the same side of the room as the speaker. In other words, you don't want first reflections from the right speaker from the right wall arriving at your right ear, first. His studies have shown that our hearing is sensitive to this and early reflections, in general. His talk of reducing HOMs also addresses this as he tries to reduces early reflections within the horn itself.
When designing the Summas, the intent was to control dispersion and toe in the speakers significantly enough that the side walls were use to reflect primarily sound from the opposite speaker. So, instead of the right speaker reflecting off the right wall to the right ear, it is aimed towards the left wall so that the direct sound from the left speaker and the reflected sound from the right speaker are both arriving at the left ear first and vice versa. Luckily, when matching up the woofers directivity with the waveguides and selecting the right horn dispersion and crossover point, we aren't giving up anything by listening off axis and we are getting the benefit of minimizing early reflections and the FR havoc they cause (think comb filtering type effects) and creating a sense of space/ambience by embracing the non-objectionable reflections. This way, we are more actively removing the bad portions of room acoustics without making our rooms into an unbearable sounding quasi-anechoic environment that people who resort to passive room damping options inevitably suffer from.
