I have spent the last year going thru albums, just to sort them out in catagories. Not putting them in my bins by name or alphabetically like most do, but by quality. I have the top, the very best I have which is "Super Primo", then followed, in a different rack of "Primo" then followed by "OK sounding" and that is it, anything below OK does not even remain in my listening room. For an album to make it into Super Primo it has to be nearly 100% p&c free, (p&c = pops and crackles) dead quiet and have the most massive and dynamic soundstage I have in a album. Primo is records that may have just a minute amount of light p&c but still have a super dynamic sound stage and image detail with depth and seperation. OK rack is fun, really good sounding records that may have more p&c but still very nice but cannot make it into Primo.
My system contains the following, Harman Kardon Citation V power amp completely restored with all NOS vintage RCA 7581 matching tubes and RCA 12by7a and RCA 6cg7's, Cary Audio tube preamp, Oracle Delphi turntable, and a set of Peter Noerbaek tower speakers and all DH Labs Pro-Audio interconnects. My dedicated listening room is 20x28 with 9'-4" ceiling. I run dedicated 20amp circuits to the equipment.
I still have hundreds of album yet to wash and catagorize, but over the last few months, in the Primo and Super Primo sections are:
*Dead Can Dance, Into the Labyrinth (this is the MFSL silver pressing)
*The Alan Parsons Project, Eye in the Sky (this album is the original pressing)
*Moody Blues, Long Distant Voyager (this is a original mint pressing) and sounds superb
*Fleetwood Mac, Fleetwood Mac (my copy is a original first pressing)
*Jethro Tull, Aqualung (my copy is a original pressing) and is superb
*Jethro Tull, Passion Play (and so I should say here, with no point listing them all, but most all Jethro Tull, original pressings, if you can find them in as new condition, as I have are fabulous sounding recordings and I have all of them.)
*Paul Simon, Graceland (my copy I got sealed and a original pressing)
*Eagles, Desperado
*Willie Nelson, Red Headed Stranger (my copy is a original pressing, if you can find this recording in a mint original copy, like mine, you will like it, very nice clear vocals and instrumnets and great depth)
*Seals and Crofts (any and all of theirs sound great)
*Cat Stevens, Tea for the Tillerman (most of his stuff sounds really good, deep clear sound stage)
*Steely Dan, Aja (I have a original pressing and it sounds super nice)
*Supertramp (most of all my Supertramp albums sound fabulous, clean, clear with a well defined sound stage)
Maynard Ferguson (some of his stuff has pin point imaging, very cool)
This is just a small list, in the end, what it comes down to is first, in album searching, to first know the recording is something that IS good, then to keep searching until you find a great copy. You might have to buy 10 copies to get that Primo version of it. Like for instance Santana, Abraxas. To find a original copy that is in mint condition that someone bought back when it first came out and to have set it on the shelf and not played but a few times, to now find its way into your hands 30+ years later is hard (can happen but hard) as this album was so good it had the hell played out of it and almost all the copies you find are near wore out, but the search is half the fun.
I collect original copies, not re-issues as I have found the original versions are hard to beat.