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Rega Owner's Thread

I am in the process of building a custom Rega turntable from all available upgrade parts, this has a custom-built plinth that is made from 3inch thick oak, I am looking at some more modern Rega plinths and wondering if there is any advantage to fitting the metal bracing like that found on the higher Rega turntables?
I can't say it enhances the appearance in any way and prefer a high gloss finish, but would it make a noticeable sound difference?
 
With a 3" thick plinth you would not need any additional bracing...but this is the opposite of Rega's philosophy of low mass/low energy storage- they use thin lightweight plinths because they think lighter means less vibration that leaves the body quicker than a heavy plinth (the P6, P8, P10 are made from foam).
 
With a 3" thick plinth you would not need any additional bracing...but this is the opposite of Rega's philosophy of low mass/low energy storage- they use thin lightweight plinths because they think lighter means less vibration that leaves the body quicker than a heavy plinth (the P6, P8, P10 are made from foam).
So why is it they feel they need to add additional bracing? I have in the past made a few prototype plinths made from different woods and found that to my ears there are sonic advantages to heavier solid plinths.
 
They add the brace from the tonearm to the bearing to firm it up so that they don't have to make a big heavy plinth - the plinth on my 2016+ Planar 3 is only about 5/8" thick. The plinth on my Marantz 6200 is hollow and the wood in it weighs only about 2 lbs.

The ideal thing is to set your light weight turntable on a heavy solid platform, but the TT itself need not be heavy.
 
They don't use solid wood in their tables: the P1, P2, P3 are 1/2" MDF with an 1/8" of acrylic coating. The P6, P8, and P10 are some kind of superlight aerospace foam (which I didn't trust to be durable so I got the P3 instead).
 
After years of interest in Rega I've ordered a Planar 6. I've read that they sound great but that there have been some complaints about their plinths either arriving non-flat or sagging over time. Regardless I couldn't resist the tancast plinth, alloy subplatter, double layer platter and TT-PSU.

I think what drove me to make the purchase was Rega simplicity plus their tonearms. No suspension (though I love my Thorens), very little to fiddle with (unless upgrade fever grabs you), a coherent (though controversial) design philosophy, and ease of servicing. I have watched numerous videos on Rega recently, and there is an outfit in the UK called Cheshire Audio that posts repair videos on YT. They often repair Regas that are decades old and they usually complete them in a few minutes with ease. No worry about spare parts, no worry about complex adjustments, popular sound signature, wonderful tonearms, plug-and-play with their cartridges if desired, it's all a package I want to try.

And what do you know but that the P6 just arrived. I'm going to get it set up a little later and we'll see how it goes.

EDIT: I've got it set up and it sounds great. I used an ATVM95SH to get started, no shims. Very balanced, very nice, motor dead quiet with ear next to plinth, very attractive, wife likes it a lot. The tonearm, when balanced and VTF set with the dial, resulted in perfect VTF as measured by a scale. Impressive. No hum. I really like it and look forward to getting to know it. It's a great counter to my Thorens TD-160, which will now spend some time resting.

One thing I wish is that the feet were adjustable. I know some use platforms but I simply want to place it on the console. I've got little shims under two of the feet to make it level. Any suggestions for good adjustable feet that work well on Regas?
 
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After years of interest in Rega I've ordered a Planar 6. I've read that they sound great but that there have been some complaints about their plinths either arriving non-flat or sagging over time. Regardless I couldn't resist the tancast plinth, alloy subplatter, double layer platter and TT-PSU.

I think what drove me to make the purchase was Rega simplicity plus their tonearms. No suspension (though I love my Thorens), very little to fiddle with (unless upgrade fever grabs you), a coherent (though controversial) design philosophy, and ease of servicing. I have watched numerous videos on Rega recently, and there is an outfit in the UK called Cheshire Audio that posts repair videos on YT. They often repair Regas that are decades old and they usually complete them in a few minutes with ease. No worry about spare parts, no worry about complex adjustments, popular sound signature, wonderful tonearms, plug-and-play with their cartridges if desired, it's all a package I want to try.

And what do you know but that the P6 just arrived. I'm going to get it set up a little later and we'll see how it goes.

EDIT: I've got it set up and it sounds great. I used an ATVM95SH to get started, no shims. Very balanced, very nice, motor dead quiet with ear next to plinth, very attractive, wife likes it a lot. The tonearm, when balanced and VTF set with the dial, resulted in perfect VTF as measured by a scale. Impressive. No hum. I really like it and look forward to getting to know it. It's a great counter to my Thorens TD-160, which will now spend some time resting.

One thing I wish is that the feet were adjustable. I know some use platforms but I simply want to place it on the console. I've got little shims under two of the feet to make it level. Any suggestions for good adjustable feet that work well on Regas?

Welcome to the club. I got my PL6 about 6 months ago and love it. In fact I haven't turned on my Thorens once since getting the Rega! You may want to try an MC cartridge some day, the turntable is up to the task.
 
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So it's really about cost as a brace is cheaper than a solid oak plinth?

Yes, it's way cheaper to make a brace than it would be to make a heavy wood (or other material) plinth. It's also probably way more consistent to use metal for a brace, than to try to make plinths out of wood.
 
The P6 is impressing me. A few notes:

1) This is the first modern 'slab' turntable I've had with a plinth-mounted motor that runs so quietly. It really, truly is silent with my ear right next to the platter directly above the motor. Hand on the plinth, feel no vibration. No doubt, a stethoscope would tell much more, but this level of smoothness and quiet in this application is pretty neat.

2) I've been a fan of felt platter mats on my turntables. The wool felt on glass pleases me greatly, although I did resort to a bit of tape to keep the mat on in the dry air here.

3) As far as I can tell, in my system, the P6 sounds as good as my Thorens TD-160. That a modern, simple 'slab' player equals a well-adjusted TD-160 impresses me.

4) I know Grados are said to hum on Regas, but some time in the next few days I'm going to install a Grado Gold on this thing to see for myself. I really want to try a low output Grado woodie but need to get a sense for how Grado sounds (and maybe hums) on this machine before going that route.

5) The Rega cartridge clips are trickier for me to get onto the cartridge terminals than other clips I've used. I don't love them.
 
The P6 is impressing me. A few notes:

1) This is the first modern 'slab' turntable I've had with a plinth-mounted motor that runs so quietly. It really, truly is silent with my ear right next to the platter directly above the motor. Hand on the plinth, feel no vibration. No doubt, a stethoscope would tell much more, but this level of smoothness and quiet in this application is pretty neat.

2) I've been a fan of felt platter mats on my turntables. The wool felt on glass pleases me greatly, although I did resort to a bit of tape to keep the mat on in the dry air here.

3) As far as I can tell, in my system, the P6 sounds as good as my Thorens TD-160. That a modern, simple 'slab' player equals a well-adjusted TD-160 impresses me.

4) I know Grados are said to hum on Regas, but some time in the next few days I'm going to install a Grado Gold on this thing to see for myself. I really want to try a low output Grado woodie but need to get a sense for how Grado sounds (and maybe hums) on this machine before going that route.

5) The Rega cartridge clips are trickier for me to get onto the cartridge terminals than other clips I've used. I don't love them.

https://hagerman-audio-labs.myshopify.com/products/humbucker

Get one of these before you get a grado, it works like magic and is cheap
 
Ordered one and thanks for the tip @maxhifi.

In the meantime I installed a Grado Gold on the P6 and it hums only as the arm nears the end of a record as it gets close to the motor. The hum is only evident at high volume too, so I'm pleased that it's not as bad as I expected. It replaced an ATVM95SH that sounded really nice and dynamic. The Grado is so strong in lower registers but not nearly as tight and bright up top. I've always wanted to try an 8mz stylus, and if the humbucker does a trick I'll decide between an 8mz stylus for the Gold or might instead spend the extra hundred to get the Opus woodie.

The P6 continues to impress with its smooth operation. I really like this turntable and can see myself settling in with it for a long time. Nothing bounces when I touch it!


https://hagerman-audio-labs.myshopify.com/products/humbucker

Get one of these before you get a grado, it works like magic and is cheap
 
My TangoSpinner turntable feet arrived early this morning (only took 5 days from Buenos Aires to NM). They are perfect- not too tall, heavy, and lots of useable adjustment- my table was not nearly as level as I thought, but it is now. The sound stage is wider, but the instruments are more focused. Not sure if the improvement is due to the feet or to just having the table dead level, but either way, they are worth it.

https://tangospinner.com/products-d...=BOCCA UNIVERSAL ADJUSTABLE ISOLATOR FEET SET
 

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My TangoSpinner turntable feet arrived early this morning (only took 5 days from Buenos Aires to NM). They are perfect- not too tall, heavy, and lots of useable adjustment- my table was not nearly as level as I thought, but it is now. The sound stage is wider, but the instruments are more focused. Not sure if the improvement is due to the feet or to just having the table dead level, but either way, they are worth it.

https://tangospinner.com/products-detail.php?id_pro=11&producto=BOCCA UNIVERSAL ADJUSTABLE ISOLATOR FEET SET
Does the place you got the footers make them to order? Or was it a one time deal?


Audiofreak71
 
They are for sale all the time to everyone, just click on the link and order a pair, you'll have them in less than a week.
I clicked the link, for some reason I thought the ones in the link looked very different than the ones of your isolation stand and saw they’re used on your table lol. But cool I appreciate it :thumbsup:


Audiofreak71
 
Checking in here again to express my appreciation of the Planar 6 that I've had for a week or so now.

I came to it from Thorens sprung models that I love and offer extreme quiet operation and very low noise floor. The P6 matches my Thorens models in both of these regards, which I find tremendously impressive. This is a seemingly simple 'slab' player with everything attached directly to the plinth, and yet Rega has achieved quiet function and a very low noise floor. No springs, no heavy components, no high-mass, it is simple to operate, simple to service, many Regas are in service decades after purchase, it's just a delightful machine to have and use.

I understand that there are many different approaches to best engineering and sound in turntables. I can now attest that I have seen and heard first hand that Rega's approaches are valid. Not better than others, but certainly simpler, more practical and easier in the real world to make, ship, own, service, etc.

Last, Rega tonearms are really special, considering how affordable they are compared to other high quality tonearms out there.

I've been intrigued by Rega for years but I get the appeal for sure and am happy to have bought this thing.
 
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