My impression was that it was McIntosh itself that changes the units for the German market, not the German importer.
The aforementioned magazine HiFi&Records, in its issue 3/2007, published a - favorable - review of the MCD 201, where editor Wilfried Kress found the player sound as good, although different, as the new Accuphase DP500. Kress described that "the Americans do not give a damn about "audiophile philosophies", but care about solid technical questions. Part quality, for example, seems to be looked upon rather from a point of view of reliability and long-term-stability. Therefore, they use in their units shielded electromagnetic switches, which cost real money, but will offer excellent contact in years to come. Exotic capacitors, high end-cinch terminals or board material from space science (a hint to the Arlon-boards Mark Levinson uses) you will look for in vain. Adib Khavari knows of this thinking und lets himself built AC-versions, which shall get better components at important points."
I do not find anything astonishing about this. Even Esoteric-players, considered to be the gold standard in the industry, may be improved by upgrading internal parts, soldering and the like, as we read not only on the web or Reference Audio Modifications, but from professional reviewers of TAS, too. So why McIntosh should not be improved upon? I, too, look forward to Victors experience.
Audio Components is one of the oldest, and largest, foreign distributors of McIntosh. I called Audio Components this morning.
The responsible technician told me that "we fine-tune the power supply and signal processing, using for example better capacitors". We invite you to bring over any McIntosh that was sold in England or Holland and compare it to our units - you will hear that our units sound considerably better. The modifications are done here in Hamburg, not by Mcntosh, but McIntosh knows about it and is OK with it."
Finally, it is not true that the German market favors a more detailed, analytical sound. By now, in Germany you find all US, British and Japanese high end producers and a large number of German firms. Some of them, like T+A or Audionet, may indeed offer a more analytical sound. Others, like Einstein. Symphonic Line or the huge number of German tube-amp-producers, are known for their warm, musical sound more of the McIntosh-tradition.
Regards,
Florian Hassel