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Idler wheel "magic"...

It is definitely possible with a mod styled like the one here, only mounted where the original motor is meant to be and a idler wheel with a diameter fit to the sub platter. All you would need to do is set the suspension so the wheel touches the proper part of the sub platter. The main problem I can think of is footfalls. Footfalls aren't a problem with the belts, but it may present issues with an idler wheel moving around quite a bit.

I was also thinking posible issues with the idler if the suspension moved. I guess the idler would have to be fixed and the platter remain suspended. Doing it the other way round would probably make the speed go funny if anything moved. I'd also expect it to want to side-load the suspension though so it may do strange things. Maybe the answer for an idler-driven 160 and family is to make it a non-suspended deck.
 
That accuracy of timing is one of the essential elements of a good idler drive. Some of the best direct drives also get this element right. One of the other is that ability to handle massed strings and big bands without sacrificing their impact and slam. Some of the most critical elements of PRAT (Pace, Rhythm, and Timing). Too many belt driven designs smear the timing and starting and stopping of instruments. Which colors the sound.

To some extent, ALL belt drives do a bit of smearing. Top-end manufacturers try to overcome this with massive platters, using intertia ("flywheel effect") to reduce the smearing. There is still a difference between a big flywheel and an idler wheel, though, and therein lies the inherent limitation of belt drives. (One big clue given away there. :D)

Sanc, yes this is making me wonder if TD150s, TD16xs or TD125s can be converted to idler drive. I'd love to make use of the cast chassis, heavy platter and good bearing of my TD125!

Why not? Work out the mechanics, and give it a try. Do try to make the initial experiments (at least) fully reversible, though. All types of turntables are a part of audio history, and worth preserving for what they are, and what they tell us about the evolution of the audio industry.

Arkay, your GT2000 is hardly a budget sleeper. Awesome deck, but of course out of reach for most, including me. I like the idea of finding/developing cheap giant killers. Strangely, Lencos are still underrated.

I hope I didn't imply that the GT-2000 was a "budget sleeper." I don't consider it that. But in a way, it could be described that way. It's not cheap, although anything comparable sonically (except perhaps a dramatically modified "Giant Killer") would cost several times as much, and therefore it is a "budget" TT for someone seeking "high end" sound. It's not a sleeper at all in Japan, but elsewhere I think it is still largely outside the awareness of most hobbyists, since few examples were exported outside of Japan.

Neither is it a "giant killer". The "GT" stands for "Gigantic and Tremendous" (Don't blame me --that's what the label plate on the front of it says!), and it is, IMO, both literally and figuratively a "giant"; it makes a good target to aim at, when trying to create a "giant killer" TT, as it "kills' most so-called higher-end TTs already (but not the super-exotics).

However, a Lenco IS a "giant killer" when sufficiently well-modified, because --after sufficient modification-- it can compete in the same general level as a GT-2000, starting from a much lover price point. Jean Nantais makes his "reference" Lencos with plinths in the neighborhood of 100+ pounds, making them even heavier/more massive than the GTs. They are competitive in a few other important aspects, as well, although not even close in a few others (like rotational stability). Sonically, there is no question that a properly mounted Lenco is a "giant killer" TT, IMO. The key point is, the Lencos are still quite available and affordable (compared to the GTs and others of similar quality), yet can be made to compete at a much, much level; hence, "Giant Killer" applies to them.


I've not found much benefit from O-ring dampers on a Garrard 401, and they obscure the strobe.

The key test of whether an O-ring damper will help is how much the platter "rings" (resonates) like a tuning fork when struck. If you get a quick, dull "thud" or abrupt "plink", it won't benefit much. If you get a bell-like, extended "ring-g-g-g" sound, then it should help. The hardness and tightness of the ring will affect how well it damps; sometimes using two or three rings can be best, but at other times one seems to work optimally. That probably has to do with the resonant frequency of the particular platter. If the O-ring you have doesn't help much, try a tightly-stretched drive belt. If that doesn't help, maybe your platter isn't ringing much to begin with.

Alternatives to O-rings are coatings of RTV rubber or automotive under-coating or Dynamat. Each has its pros and cons, but I'd start with the O-ring, as it is the easiest to try, non-messy and totally and easily reversible.

Not a budget turntable, but the idler on the outside works on Direct Drive as well. As long as you can find one without the strobe indentations. I love tinkering with these things! Next thing for this is the right sized shaft and proper mounting for the idler wheel.

Now I can have my cake and eat it too!

The only thing to be aware of here is that the platter on a DD is connected directly to the motor shaft, and effectively forms part of the motor. As it turns, then, it may be (depending on the specific motor design) affected by the magnetic fields of the motor's fixed magnets. In this case, you'll need to make sure your idler delivers enough torque to somehow even those fluctuating fields out. This is done electronically with the DDs when powered, but wouldn't be when they're being driven by an external motor. If you can spin the platter of your DD and the motion feels smooth and completely "cogless" with the power off, then you should have no problem converting it to external idler-wheel drive, if you wish to.

Great post, I heard this within 30 seconds of the first song when I finished my Lenco. And it is so obvious when I hear a belt drive now.

Belt drives use inertia and idlers use drive torque.

marc mc

Ooooh, very good "bingo" observation, again very close to giving away the great secret! :D Anyone should be able to hear the difference, as you noted, within 30 seconds or so.

and the best kept secret is the belt to idler drives <dual drive> like my TRIO 350<kenwood> shares with the thorens 124. No I wouldn`t take 2 grand for this TRIO. its the best modded sounding turntable of the three I own.:banana:

The TRIO is a very fine TT; congratulations on finding one of these fairly rare beasts! :thmbsp:

WHY would this sound as good as, or better than, a pure idler-drive TT? Does it always? Why might it be better than a belt drive? Is it always? Have you experimented to find out? Answer these questions adequately, and you'll know the secret, too. :yes: :D


It is definitely possible with a mod styled like the one here, only mounted where the original motor is meant to be and a idler wheel with a diameter fit to the sub platter. All you would need to do is set the suspension so the wheel touches the proper part of the sub platter. The main problem I can think of is footfalls. Footfalls aren't a problem with the belts, but it may present issues with an idler wheel moving around quite a bit.

Footfalls wouldn't be a problem with an idler drive, provided the same precaution is taken what is with the footfall-resistant belt drives. In fact, footfalls should be LESS of a problem with properly-implemented idler drives, for reasons of basic physics/mechanics. It's obvious what needs to be done here, but once it's done you'll be back to a more "pure" idler-drive model.


This thread could one day be seen as the start of a revolution in the vinyl world (pun intended :D).
 
I was also thinking posible issues with the idler if the suspension moved. I guess the idler would have to be fixed and the platter remain suspended. Doing it the other way round would probably make the speed go funny if anything moved. I'd also expect it to want to side-load the suspension though so it may do strange things. Maybe the answer for an idler-driven 160 and family is to make it a non-suspended deck.

Why suspend a turntable?
Is it necessary or desirable with an idler-drive?
Is there a better approach, with an idler-drive?
What is the other key aspect of suspended belt-drives, that could be adapted to fit an idler-drive? If you did this, what changes would you have to make to the suspension?

Obviously, appropriate construction decisions need to be applied for each case. You can't simply drop one propulsion system into a set-up designed for another, without some adverse consequences. To make a crude analogy, dropping a VW Beetle engine into a tractor won't make a good vehicle, but putting one into a lightweight body might make a race car. Putting a semi engine into a tractor might make a super-tractor, but put it into the lightweight racing body and it might destroy itself before going very fast/far. Adjusting the mass and the suspension to suit the engine in each case, can make a workable vehicle, and some combinations/approaches will still work better than others.

Take a consistent, unified, appropriately synergistic approach, and you'll end up with a top-notch "giant killer". Take a random mish-mash approach, and you may enjoy some improvements, but you'll be lucky to get anywhere near optimal sonic potential.
 
I was also thinking posible issues with the idler if the suspension moved. I guess the idler would have to be fixed and the platter remain suspended. Doing it the other way round would probably make the speed go funny if anything moved. I'd also expect it to want to side-load the suspension though so it may do strange things. Maybe the answer for an idler-driven 160 and family is to make it a non-suspended deck.

Your killing me now! :D If you send me a private message as to what you mean, I promise not to tell or say any more about the magic!

Sorry, I can't send PMs now, until I renew my subscription.

But for now:

I agree about the over engineering of the Garrard 301/401, td124, but I did not think that was the magic of the idler wheel. My Weathers is the epitome of under engineering with its light platter, plastic bearings etc., but still sounds less smeared, more realistic, and has better instrument separation than my belt drives. I can actually hear the beginning and end of each bass guitar note, drum stroke and so on; as long as the rubber wheel is touching the platter!! Experimenting with my Denon dd as we speak. I am guessing the result will be the same once I get the idler spinning on the platter.

You are correct, the "over-engineering" is not the critical factor or key aspect, although it certainly helps make these better turntables. You could make a massive, "over-engineered" turntable that would sound lousy, if you really wanted to (although it would be more difficult, as the extra mass itself helps improve things).

You are also right that your Weathers, even with it's lightweight platter, etc... (you might say it was "under-engineered"? - although I think the engineers managed to make a pretty good-sounding TT! :D) can trounce your belt-drives sonically. The key question that needs answering is WHY? Start eliminating everything that can't be the critical difference, and you'll eventually arrive at the key aspect that makes one system sound better than another. Add the right supporting factors, and making DIY "giant killers" becomes a relatively easy process. Maximizing their potential could be a lifetime pursuit, but getting pretty spectacular results to begin with is relatively simple and can even be easy, once you have the right key concepts in mind.
 
Sanc, yes this is making me wonder if TD150s, TD16xs or TD125s can be converted to idler drive. I'd love to make use of the cast chassis, heavy platter and good bearing of my TD125!

Arkay, your GT2000 is hardly a budget sleeper. Awesome deck, but of course out of reach for most, including me. I like the idea of finding/developing cheap giant killers. Strangely, Lencos are still underrated.

I've not found much benefit from O-ring dampers on a Garrard 401, and they obscure the strobe.

Well the person selling them on eBay suggest the larger diameter o-rings for the 401, I got those and the smaller diameter ones. I felt the larger ones didn't do much and as you said obscure the strobe, the smaller ones fit inside the groove much better and actually give you more surface contact, the larger ones tend to ride on the outside of the strobe notches where the smaller ones get in the groove.
 
Why suspend a turntable?
Is it necessary or desirable with an idler-drive?
Is there a better approach, with an idler-drive?
What is the other key aspect of suspended belt-drives, that could be adapted to fit an idler-drive? If you did this, what changes would you have to make to the suspension?



Probably not necessary with an idler drive at all. I'm just thinking about how one might fit an idler drive into a Thorens like the 160. I own a TD-160, so I'm sort of familiar with its construction with that suspended sub-platter and all that. The motor is not suspended, the platter is. Works OK with a belt, but I'm thinking if you stuck an idler wheel in between the motor and the platter instead of that belt, you'd run into issues, either by side-loading the suspension, or if the platter moved relative to the idler wheel (or idler relative to the motor) it may create some speed issues, particularly if the movement wasn't purely vertical, which it basically never is with one of those. I think you may have to do away with the suspended sub-platter design on the Thorens if you wanted to fit an idler drive to it but I may be wrong here. It wouldn't be all that hard, just remove the springs and fit a spacer in there to lock the platter and armboard solid.
 
The only thing to be aware of here is that the platter on a DD is connected directly to the motor shaft, and effectively forms part of the motor. As it turns, then, it may be (depending on the specific motor design) affected by the magnetic fields of the motor's fixed magnets. In this case, you'll need to make sure your idler delivers enough torque to somehow even those fluctuating fields out. This is done electronically with the DDs when powered, but wouldn't be when they're being driven by an external motor. If you can spin the platter of your DD and the motion feels smooth and completely "cogless" with the power off, then you should have no problem converting it to external idler-wheel drive, if you wish to.

.

My apologies, Arkay. I now realize after reading the rest of your posts that you do indeed understand my point. Doh!

Arkay, not sure if you understand what my original point is? Please don't take offense since I see you know a helluva lot more than me about the reason the idlers sound so fantastic!! I'm just letting the idler rotate around the outside of the platter along with the original drive. What ever the idling idler is doing, it sure sounds a lot like a pure bred idler to me on both my belt drives and the Denon direct drive. I hope I am not imagining this! (highly unlikely!) BTW, I would not hack up a working Denon to change it to idler drive.

SIMPLY LETTING AN IDLER ROTATE ON THE OUTSIDE OF AN EXISTING BELT DRIVEN OR DIRECT DRIVEN TURNTABLE PLATTER SEEMS TO BRING OUT SOME PURE BRED IDLER DRIVE SONIC CHARACTERISTICS! To me anyway! Anti smearing if you will. Please someone else try this so I can either say it works or crawl in a hole and hide somewhere!! The main reason I even thought this may work is because my weathers turntable sounded like a heavy platter idler drive. For those not familiar with the weathers turntable, it has the lightest platter I have seen, under a pound. Too heavy a dust brush would probably slow it down! :D If rotational stability has anything to do with the idler's sound, than why would this weathers sound the same? Has to be something else too or the extra ldler would not make any sonic difference on the belt drive turntable. I think it does! And also, why do the Thorens or Trio belt idler combo's sound like a pure bred Idler drive? All these questions are what made me try this. I really am hoping someone else can confirm this. :yes:

And Arkay, thank you for the insight on all of your posts on this thread. You know your way around a turntable for sure!!
 
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Just a quick detailed explanation of what "I" think the sonic difference is between the idler drive's vs the belt, direct drive turntables. This is in layman's terms, so please excuse my lack of proper terminology; I hear a definitive beginning and end to each instrument note, drum beat, and singer's voice with the idler drive. These same sounds seems smeared with the direct drive's and belt drive's. Not sure of the term for this? Also, I hear better 3d imaging and separation of all the sounds. Just so much more realistic and as they say, the speakers disappear into the wall with the idler drive. Not so much as with the other drives. Feel free to add to this. Boy am i really spilling the beans? LOL!!
 
To Arkay...


Eliminating vibrations!


And I never thought of my self as a revolutionary kind of guy! I take that as a compliment coming from an audio expert like yourself. Thank you!
 
Isn't the Weathers motor actually a clock motor or something goofy like that? I seem to remember some discussion about them, and it was mentioned that the motor was actually a re-purposed motor from something else but I can't remember what.
 
Jeremy, thanks for the tip on narrower O rings for damping. My Garrard 401 is playing right now with the larger rings and I thought the strobe light was out, till I stood up! (This tt was beautifully rebuilt by Dr Martin Bastin, who supplied the O rings too, and it performs very well.)

Dominic, you are asking interesting questions. Could be the next big thing for Linn and Rega! ;)
 
SIMPLY LETTING AN IDLER ROTATE ON THE OUTSIDE OF AN EXISTING BELT DRIVEN OR DIRECT DRIVEN TURNTABLE PLATTER SEEMS TO BRING OUT SOME PURE BRED IDLER DRIVE SONIC CHARACTERISTICS!
I have written about this previously, this is the way I look at the difference in how the drives effect the sound. It´s not the drive system we hear, its the benefit with a more vertically stable platter.
gusten
 
Isn't the Weathers motor actually a clock motor or something goofy like that? I seem to remember some discussion about them, and it was mentioned that the motor was actually a re-purposed motor from something else but I can't remember what.

Yes a re purposed 600 rpm synchronous clock motor. Recycling before it was fashionable!
 
SIMPLY LETTING AN IDLER ROTATE ON THE OUTSIDE OF AN EXISTING BELT DRIVEN OR DIRECT DRIVEN TURNTABLE PLATTER SEEMS TO BRING OUT SOME PURE BRED IDLER DRIVE SONIC CHARACTERISTICS!
I have written about this previously, this is the way I look at the difference in how the drives effect the sound. It´s not the drive system we hear, its the benefit with a more vertically stable platter.
gusten

Thank you Gusten. Less bad vibrations, I guess, lets the true recording shine through?
 
The motor is not suspended, the platter is. Works OK with a belt, but I'm thinking if you stuck an idler wheel in between the motor and the platter instead of that belt, you'd run into issues, either by side-loading the suspension, or if the platter moved relative to the idler wheel (or idler relative to the motor) it may create some speed issues, particularly if the movement wasn't purely vertical, which it basically never is with one of those. I think you may have to do away with the suspended sub-platter design on the Thorens if you wanted to fit an idler drive to it but I may be wrong here. It wouldn't be all that hard, just remove the springs and fit a spacer in there to lock the platter and armboard solid.

Yea I was thinking the same thing. The only other thing I could think of is if somehow you modified the sub-chassis to have a spot for the idler mount. But then that completely defeats the purpose of having a suspended table as its designed to separate the motor and the tonearm/platter.

I believe that on TheAnalogDept someone experimented with a Thorens suspended deck (a 160 I want to say) that used some kind of thick gasket, or maybe a piece of a hose, to lock up the suspension while the gasket would still provide some kind of dampening. I'm gonna look for it on there but I don't remember reading it had negative effects.

Here is another idea on that. The sub-chassis is held up by metal screws which then houses the springs that actually create the suspension. What if those screws were replaced by a less resonant device, and then something similar to that gasket used. It would not be a real suspended deck, BUT it would still provide isolation and dampening from the motor mounted top-chassis. If this was a route someone went, then an idler wheel could definitely be applied.

Oh the possibilities with vintage decks!

EDIT: I just had another idea. The inner platter of the Thorens suspended decks is hollow. What if there was a way to mount an idler to the sub-chassis so it fits in the inner part of the subplatter? I know I know it defeats the purpose of having a suspension. Just another out of the box idea.
 
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Yes, vertically more stable and less vibrations in the vertical plane IMO. Very much depending on normal bearings, the diameter are usually far too small to act rigid enough. The wheel will help in this. (answer to post #56)
gusten
 
Someone please answer Arkay's questions fast, or I will not be able to sleep tonight!
(it is 23:59 here and I cant get away from this thread)
 
in reference to Arkay`s statement:The TRIO is a very fine TT; congratulations on finding one of these fairly rare beasts!

WHY would this sound as good as, or better than, a pure idler-drive TT? Does it always? Why might it be better than a belt drive? Is it always? Have you experimented to find out? Answer these questions adequately, and you'll know the secret, too.

Thanks and I geuss with 40 years of audio experience in me has leaded me to a few fantastic mods on turntables that I can do the tricks to. But I suspect the arm on my trio probably has the best bearings in it of the tables I own now. technics sl-1100a and a dual cs 616q. I`ve had many different tables over the years.:music:
 
Dominicl said it all in this statement and its exactly what I agree with:Just a quick detailed explanation of what "I" think the sonic difference is between the idler drive's vs the belt, direct drive turntables. This is in layman's terms, so please excuse my lack of proper terminology; I hear a definitive beginning and end to each instrument note, drum beat, and singer's voice with the idler drive. These same sounds seems smeared with the direct drive's and belt drive's. Not sure of the term for this? Also, I hear better 3d imaging and separation of all the sounds. Just so much more realistic and as they say, the speakers disappear into the wall with the idler drive. Not so much as with the other drives:banana:
 
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