Indeed, I think quite a few early 70s cans were 8 ohms or thereabouts. These are relatively easy to drive from an amplifier's headphone socket though. I've been researching early 'Stereophones' from around 1969 to the late 70s using the online HI-FI Yearbook.
Link here :
https://worldradiohistory.com/UK/Hi-Fi-Year-Book/Thanks for the links, very interesting perspective in there.
I could be wrong , but, I suspect these were one of Sony's earliest 'open back' cans. They sound quite nice actually once you get used to their frequency response. They are a sonic step forward from their earlier 1974 DR-4C which were closed back *on ear* 10K impedance (!)
Which goes to prove thank impedance values did not overly bother Receiver manufacturers whose appliances could, for the most part, accommodate a wide array of electrical resistance since most phones were powered by super-dampened resistor-padded circuits producing more power than even a 10k-ohm speaker couldn't handle on its own and therefore response-shaping had to be use to some degree resulting either in muffling or underdamping which with low-impedance cans could at time produce some of the most horrible mids ever heard on this planet, according to contemporary chroniclers and which should be taken with a 5-lbs bag of salt. Mainstream audio equipment such as Pioneer, Kenwood, Sansui, etc. saw the era coming where Chinese-made dedicated headphone amps of more than decent quality would require much stricter tolerances capped between 18 and 600 ohms, no discussion allowed. The signal from an headphone amp is fed to the receiving end with minimal damping for the sake of a level of clarity (or in some cases a level of distortion unfortunately) rarely heard in the West. I for one find no reason to complain about it since the rise of one of my favorite brand of headphones, namely HiFiMan was founded just in time to take advantage of the new situation and finally making planars that regular consumers could afford. 'nuf said about it, the rest is history.
with a tad more bass detail although they don't go that deep by even 80s standards.
I suspect they have a traditional paper coned speaker inside but I'm not sure.
Maybe Sony took a page out of Sennheiser's successful HD-414 from a few years earlier and decided to try adding a bit more spaciousness to the sound to get away from the closed back designs of the era ?
Either way , the build quality is lovely on these.