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Which Cerwin Vega's are the most collectible?

Hallo! I was a sales rep for Cerwin Vega back in the day. The 432R/RA's are extremely rare. I believe the 18" driver was either downward facing or slanted. Memory is a little fuzzy.
I'll see if I can find more pictures. You could also send a message to this email address they might (?) be able to help. https://cerwinvega.com/contact - ra@dat-cvm.com.
Sorry I'm not able to supply your needs at this time.
Have a great evening.
Kind regards,
ralph
ps: there was another post on here but I think the picture(s) vanished.
;)
 
I was just wonder since the specs for the 432R's driver compliment didn't match the RA at all. I'm also wondering what the "A" stand for as the "R" is "rear facing" as in tweeter.
 
The first time I heard and was able to see them was at the Audio Convention in NYC. They were running with 1 kilowatt per channel and it was shaking the entire floor of the marble building.
You may also be aware of the Sound system the CV made of the movie Earthquake. https://daily.redbullmusicacademy.com/2019/07/earthquake-sensurround-cerwin-vega.
https://cerwinvega.com/
From the Net. In 1954, Gene Czerwinski, an aerospace engineer, founded Cerwin-Vega. Gene’s goal was to reproduce the live musical experience based on high-efficiency drivers, durability, and a “value for money products.” CV began as Vega Associates and grew when it introduced 18” sound systems that could produce 130dB at 30 Hz. In 1957 Vega introduced the world’s first solid state amplifier, rated at 125 RMS. The amplifier’s circuit was influenced by a 10,000-watt sonar amp Gene designed for Bendix Corp. In the 60’s Cerwin-Vega became a supplier of loudspeakers and system designs to many major manufacturers including; Fender, Acoustic, Sunn and Vox. In 1974, the movie “Earthquake” premiered with the innovative “Sensurround”. It was the first time audio was integrated into the movie experience through special effects. The concept required large powerful bass cabinets, which would provide very low frequencies in order to shake the movie theater, thus simulating a real earthquake. For this purpose, the “E” bass horns and woofers were developed. These woofers were 18” versions that were folded into a horn configuration. The internal path length of the horn was 6 feet with a cutoff frequency of 33 Hz. Sensitivity of the system was an incredible 106 dB at 1 watt / 1 meter. “Sensurround” technology and Cerwin-Vega were honored an Academy Award for Special Technical Achievement.
 
I'm well aware of CV history. I'm not the biggest CV fanboy. I just happen to have quite a few of the bigger / harder to find models around here or in storage.
 
I've had a half dozen or so pair, but I have a couple of keeper projects. A pair of S-2 and a pair of 380SE that probably will be kept!
 
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IMG_0611.JPG those are beautiful speakers! i have a pair of cerwin vegas that are rare i still dont know a lot about these they dont have a serial number im running them through my mcintosh mc-2105 thay are 700 watts i know they came from denmark they have a 12in woofer and a 6in cone tweeter 2 6in mid range speakers and a 15in floor firing speaker, they sound unreal i would love to know more about them...i think they are cerwin vega 1215s
 
Dinoboom: While I have a set of S1's here, I don't have any spare woofers. They can always be found on "that site".
Mark Warren: That pic reminds me of Crocodile Dundee "Now that's a knife" ... well that's a CV! ... Beautiful. I have a set made in Denmark, the A316R, and the build quality is just a tad better, with a thicker front baffle than the S2. (I had both sets of woofers out at the same time to do a reform and I could compare them side by side).
While yours look like the 1215 ... Can you take a pic with the grill off? Does it have a rear firing tweeter? .... and, was that a typo when you said it had a 6" tweeter?
 
i
Dinoboom: While I have a set of S1's here, I don't have any spare woofers. They can always be found on "that site".
Mark Warren: That pic reminds me of Crocodile Dundee "Now that's a knife" ... well that's a CV! ... Beautiful. I have a set made in Denmark, the A316R, and the build quality is just a tad better, with a thicker front baffle than the S2. (I had both sets of woofers out at the same time to do a reform and I could compare them side by side).
While yours look like the 1215 ... Can you take a pic with the grill off? Does it have a rear firing tweeter? .... and, was that a typo when you said it had a 6" tweeter?
t dosnt have a rear tweeter the six inch tweeter is a horn tweeter im sorry i cant get my phone and computer to work at the moment its always something!
 
I've never really put CV and "collectible" in the same sentence. My usual comment is that Klipsch are CVs for the employed.
 
AT-100’s seems to bring a hefty price.
I had a friend of mine in the Army when I was stationed in Germany that had four in his setup. They were loud and could literally blow out a candle.
 
I bought my first set of CVs in 1989. They are far more modest than the awesome kit in this thread, being the meager D3s. It was after a divorce when I was setting up household in a smaller apartment. So that day in the showroom, I made what I thought was a practical decision, picking the biggest three way I felt best suited my new livingroom.. I fed them with a B&O 3000 (early radial model) & Harmon Kardon HD200 CD player, powered by a Luxman L3 for many years. They eventually got stored in '94 when I moved north for grad school. Eventually, I wound up on the west coast, having left the CVs behind in safe storage. Then in 2004 found myself in much the same relationship situation as in 1989, settling a new solo home.

Fate was kind to me. There was a set of D3s listed in the local classified site for $40. After driving an hour, it turned out to be $40 for each. Rather than gripe about the deceptive ad, and because my instant gratification urges were in high gear, I shelled out the $80.. After a glorious reunion, life and work took my focus away. The power amp at the time was crap, and other things diminished and distracted my interest.

I recently circled back. Through relentless interest with guitar and home studio gear, I scored a Phase Linear PL400.. two of them, the Series 2 finally lighting up the CVs as they deserve. Well, not exactly. Neither the various audio gear nor the TV sounded like I thought it should through the PL400 (even using a KlarkTechnik DN360 EQ). Before the PL400, I thought all along it was the amp. Finally I was inspired to remove the grill cloth from the CVs, releasing a cascade of orange shreds. After refoaming them - WoW! I've been transported back to the times of discovering the world of audio! I eyed my record collection lustily..

Being now long in the tooth, I realize there is no point in having hauled around five shelf feet of vinyl albums all these years if I'm not enjoying them. The B&O 3000 went away years ago, and the crap TT I replaced it with during marriage compromises was never trusted to the more pristine vinyl. I played auction site roulette and added a Beogram RX (with MMC3) to the kit. Now, I'm wallowing in the glory of unfettered musical bliss!

I recognize that my kit is hardly close to audiophile, barely scratching at the bottom of mid fi at best. But for the room it's in and what's left of my hearing, I'm quite content. Collectible? No, not rare or exotic, or perfect, but as someone said upstream - for me it's desirable. These CVs delight my ears with all the different kinds of music I listen to, from Motorhead to Julian Bream, Carly Simon to Wagner, Baby Metal to Barney Kessel.

One small step toward anything close to what might approach collecting, is the set that I bought in '89. They are here now, awaiting their refoaming. A second set gives me leeway to explore modding the tweeters with something not horn; maybe a dome or dhorm, or something else.. therein lies the adventure!

As for the Luxman L3, it didn't survive the years intact. So I played auction site roulette again and the Luxman L5 is scheduled to arrive Wednesday! I'm excited to power the JBL 62Ts I inherited with it for listening in a different room. Also to experiment stacking them with the CVs, since the L5 supports two sets of speakers. Once more down the rabbit hole..

If you've read this far, thank you and Kick Out the Jams!
 

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Here's what I call "The Great Wall of Czerwinski"

There's been 6 more pairs added (2more pairs AT15's 3 pairs of D9's and another pair of DX9's)
The 18" on the sides came out of an IMAX theater
Yes they all play at the same time in stereo with each cabinet receiving a minimum 500w from 3 EAD PowerMaster 8300 or 5 LabGruppen FP2200 amps depending on the rotation
 

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Here's what I call "The Great Wall of Czerwinski"

There's been 6 more pairs added (2more pairs AT15's 3 pairs of D9's and another pair of DX9's)
The 18" on the sides came out of an IMAX theater
Yes they all play at the same time in stereo with each cabinet receiving a minimum 500w from 3 EAD PowerMaster 8300 or 5 LabGruppen FP2200 amps depending on the rotation

:eek2:
 
I haven't seen anyone make mention of the CV316-R...15" woofers, walnut cabinet, and 103db/1 watt... I bought a pair while stationed in the UK back in 1979. Speakers still in service in my system in the den...A truly awesome speaker that plays jazz, rock and just about anything else you would want to play. Just curious, how many AK members have or have had the CV316-R? I know you play h*ll trying to find any for sale.
Oh, by the way my other 2 systems run Legacy Audio, and the CV's don't give up much to the Legacy's.....
 
I have four (4) four (4) ohm MX Series Cerwin Vegas. They are the MX-250 and MX-400. They are rated at 105 db sensitivity. Very collectible and very, very good sounding speakers.
I have some mx 250 in my basement, I thought they were a cheaper model, there somewhat collectable? What you value u them at? In very good condition.?
 
I bought my first set of CVs in 1989. They are far more modest than the awesome kit in this thread, being the meager D3s. It was after a divorce when I was setting up household in a smaller apartment. So that day in the showroom, I made what I thought was a practical decision, picking the biggest three way I felt best suited my new livingroom.. I fed them with a B&O 3000 (early radial model) & Harmon Kardon HD200 CD player, powered by a Luxman L3 for many years. They eventually got stored in '94 when I moved north for grad school. Eventually, I wound up on the west coast, having left the CVs behind in safe storage. Then in 2004 found myself in much the same relationship situation as in 1989, settling a new solo home.

Fate was kind to me. There was a set of D3s listed in the local classified site for $40. After driving an hour, it turned out to be $40 for each. Rather than gripe about the deceptive ad, and because my instant gratification urges were in high gear, I shelled out the $80.. After a glorious reunion, life and work took my focus away. The power amp at the time was crap, and other things diminished and distracted my interest.

I recently circled back. Through relentless interest with guitar and home studio gear, I scored a Phase Linear PL400.. two of them, the Series 2 finally lighting up the CVs as they deserve. Well, not exactly. Neither the various audio gear nor the TV sounded like I thought it should through the PL400 (even using a KlarkTechnik DN360 EQ). Before the PL400, I thought all along it was the amp. Finally I was inspired to remove the grill cloth from the CVs, releasing a cascade of orange shreds. After refoaming them - WoW! I've been transported back to the times of discovering the world of audio! I eyed my record collection lustily..

Being now long in the tooth, I realize there is no point in having hauled around five shelf feet of vinyl albums all these years if I'm not enjoying them. The B&O 3000 went away years ago, and the crap TT I replaced it with during marriage compromises was never trusted to the more pristine vinyl. I played auction site roulette and added a Beogram RX (with MMC3) to the kit. Now, I'm wallowing in the glory of unfettered musical bliss!

I recognize that my kit is hardly close to audiophile, barely scratching at the bottom of mid fi at best. But for the room it's in and what's left of my hearing, I'm quite content. Collectible? No, not rare or exotic, or perfect, but as someone said upstream - for me it's desirable. These CVs delight my ears with all the different kinds of music I listen to, from Motorhead to Julian Bream, Carly Simon to Wagner, Baby Metal to Barney Kessel.

One small step toward anything close to what might approach collecting, is the set that I bought in '89. They are here now, awaiting their refoaming. A second set gives me leeway to explore modding the tweeters with something not horn; maybe a dome or dhorm, or something else.. therein lies the adventure!

As for the Luxman L3, it didn't survive the years intact. So I played auction site roulette again and the Luxman L5 is scheduled to arrive Wednesday! I'm excited to power the JBL 62Ts I inherited with it for listening in a different room. Also to experiment stacking them with the CVs, since the L5 supports two sets of speakers. Once more down the rabbit hole..

If you've read this far, thank you and Kick Out the Jams!

I have a pair of D-3's I bought at a pawnshop in N.C. some years ago, awesome speakers!

I also had to re-foam the woofers after we moved to Montana, as it had disintegrated, but they've been sounding great ever since! Love my CV's!
 
I have a pair of D-3's I bought at a pawnshop in N.C. some years ago, awesome speakers!

I also had to re-foam the woofers after we moved to Montana, as it had disintegrated, but they've been sounding great ever since! Love my CV's!

One of my Summer projects is to refoam the other set of D3s.. They were a lot easier than the current Infinity RS3000 project!
 
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